Terence Ashley Burrows is an English author, multi-instrumental musician and producer based in London. Best known as a cult performer under the alias Yukio Yung and co-founder of The Chrysanthemums, Tonesucker and Family Yung, Burrows is also a prolific author of books relating to music history, theory, and tuition, technology, business, popular psychology and modern history. His works include The Art of Sound (Thames & Hudson), Mute: A Visual Document (co-authored with Daniel Miller) (Thames & Hudson), Total Guitar Tutor (Barnes & Noble) and ITV Visual History of the 20th Century (Carlton). His books—now numbering close to one hundred titles—have been published in sixteen different countries and translated into a dozen different languages.

Burrows was born in Ipswich, Suffolk, England and started studying classical piano at the age of five. (AllMusic describes him as “A classically trained keyboardist with an advanced degree in computer engineering.”) When he was 12 he started to teach himself guitar, and later took up bass, drums and saxophone. Still in his teens, Burrows founded indie label, Hamster Records, releasing albums by non-commercial acts such as Loch Ness Monster, Rimarimba, R. Stevie Moore and Attrition, and his own post-punk industrial funk under the guise of Jung Analysts. In the late 1980s, Cordelia Records released his Tree Climbing Goats (And Other Analysing Shanties) LP, his first release under the pseudonym Yukio Yung. Shortly after, Burrows Cordelia's owner Alan Jenkins, leader of The Deep Freeze Mice formed The Chrysanthemums, with Burrows as lead singer, keyboard player and producer. A psychedelic art pop band with a large cult following almost entirely outside of the UK, they released four albums and four EPs. In 2010, German music magazine MusikExpress placed them at number 23 in their list of the most under-rated bands of all time.

During this period, Burrows also recorded a series of abstract industrial albums with celebrated Krautrock musician Asmus Tietchens, a former collaborator with Brian Eno and Cluster. He also produced a number of albums of instrumental prog-rock-tinged electronica as part of the duo Push-Button Pleasure.

In the early 1990s, Burrows flirted briefly with electronic dance music releasing a pair of 12-inch singles as Yoo-Ko on the Belgian ZZB label, one of which, Matrix, reached the Top Ten in Germany's Network Dance Chart.Burrows later released further solo Yukio Yung material, commencing with 1993's LP Art Pop Stupidity and CD A Brainless Deconstruction of the Popular Song. Over the next four years he released a single and four EPs. In 1997, Burrows rejoined with his ex-Chrysanthemums bandmate Vladimir Zajkowiecz [Martin Howells] to form a new version of that group, renamed with the visual pun Chrys&themums to distinguish it from the original line-up.

Musically, Burrows was uncharacteristically quiet between 1998 and 2004 – a combination of poor health and an increasingly demanding publishing schedule. By 2003, he'd had more than 50 books published, and was recognized as one of the world's biggest-selling authors of music tuition titles, with sales of well over 2 million books in the US alone. During this period he also embarked on an additional career as a university lecturer.

In 2004, Burrows emerged again with a typically colorful selection of music projects, the most significant of which was the resumption of his collaboration with US home-recording pioneer R. Stevie Moore. The resulting album, compiled by Burrows on an Apple Macintosh computer, was released as Yung & Moore Versus The Whole Goddam Stinkin World. (The sleeve depicts the duo as cartoon superheroes about to demolish the planet – an intended visual metaphor for the antipathy the mainstream has shown both artists' music over the years.)[8]

2006 saw Burrows returning to the musical abstraction of his earlier career with Tonesucker, who over the next 15 years would become a prolific fundamentalist noise/drone project that has performed widely at festivals across Europe. Burrows has also performed on theremin and VCS3 at Britain's prestigious Aldeburgh Festival.

The 2020s saw a return to more song-oriented music, with a new project, Family Yung formed with his 19-year-old son, Louis Burrows. At the same time, The Chrysanthemums returned with a 90-minute concept album based around a single 1969 episode of the children's cartoon show, Scooby-Doo.