In the fall of 1994 on the eve of daylight savings time, John Olson lurked in a basement and put the first water-logged sounds on tape - which became The D.L Savings T.X.. Books of artwork accompanied the debut releases centered around minium wage drones and opera turntable stutter action.

After releasing a handfull of cassettes, The D.L Savings T.X. expanded it's non-macho arsenal to include hand made instruments. Ordinary acoustic & electrical non-musical objects were hideously miswired and improperly charged to weeze beyond the edge of extinction.

In the summer of 1998, the name was changed to The GI & The Spykes.

The focus of this project is to layer and compse sound - giving birth to a multi-faceted style of intertwined dump: cleaking, and jittering with a glowing underwater soul. This vision blossoms to fruition through a up-sized combo of tape collage, broken recording equipment, and Egyptian sour analogue fidelity.