British mod rock group active in the 1960s.

They started life as Mickey Finn And The Blue Men on ska label Blue Beat, coinciding with the craze for Jamaican music which exploded in 1964. A shift to Oriole saw them gravitate to an R&B/beat sound, with help on occasion from a guitarist named Jimmy Page.

Further singles in 1965/1966, the Shel Talmy-produced ‘The Sporting Life’ and ‘I Do Love You’, revealed their skill at soulful ballads. In 1967, they unleashed one of the finest nuggets of the British psych era, ‘[m=513972]’, on the [l46542] label.

The Mickey Finn may not have notched up hit records, but their sixties adventures took them from the East End of London to trendy clubs in the South of France and the Bahamas. This collection of their work is an impressive tribute to their maverick, hedonistic spirit, comprising all their released recordings plus some unissued at the time 1966 tracks that have never been available on vinyl before. Guitarist Mickey Waller and drummer Richard Brand formed the earliest incarnation of the group in London’s Bethnal Green in 1962. By late 1963 they’d added bass player John Burkett and lead singer Alan Mark and changed their name to the Central Sound. In 1964 the Blue Beat label had just released a single recorded by members of the Checkmates but credited to an as-yet fictional group, Mickey Finn & the Blue Men. After adding a new member, John Fluff Cooke on keyboards, the group began its real recording career in March 1964 when Oriole released a single featuring hip bluebeat arrangements of two R&B numbers, Bo Diddley’s Pills and Jimmy Reed’s Hush Your Mouth. For the recording session at Regent Sound, they were joined by their friend Jimmy Page on harmonica. Page also played a handful of gigs with them and also blew harp on their next single, a version of Chuck Berry’s Reelin’ and Rockin’ backed with an excellent punk R&B original, I Still Want You. Shel Talmy took over production duties for their next single, released on Columbia in March 1965. On Night Comes Down Mark’s brooding vocal is underpinned by a tense descending bass line by new member Mick Stannard, atmospheric keyboards from Fluff, and some wild, dissonant guitar work from Mickey Waller and Jimmy Page. Another Talmy-produced track, It Ain’t Necessarily So, also dates from this period. Although the group was kept busy with live work, they went out on a package tour with the Kinks, the Yardbirds, and Goldie & the Gingerbreads, the next Mickey Finn single didn’t appear until July 1966. The Polydor release found singer Alan Mark backed by session players for a cover of Billy Stewart’s Because I Love You and a number by American songwriters Pam Sawyer and Lori Burton, If I Had You Baby. It’s the real band playing, though, on two solid soul numbers, Lloyd Price’s Stagger Lee and Bobby Bland’s Poverty, cut at Regent Sound in 1966 but unissued at the time. By 1967 Bernard Jory had replaced Mick Stannard in time for the explosive Garden of My Mind, backed with the raucous Equals-style mover Time to Start Loving You.