art direction Joe Sikoryak booklet editor [editorial assistant] Frank K. DeWald tracks 1 to 12 composed by, conductor Jerry Goldsmith tracks 13 to 26 composed by, conductor Maurice Jarre design [production artist] Kay Marshall edited by Douglass Fake executive-producer Roger Feigelson liner notes Douglass Fake liner notes Scott Bettencourt mastered by Joe Tarantino mixed by Michael McDonald producer Douglass Fake producer Lukas Kendall producer [associate] Neil S. Bulk production manager [assistant] Regina Fake tracks 13 to 26 recorded by Eric Tomlinson tracks 13 to 26 transferred by Andy Petru tracks 1 to 12 transferred by John Davis Recorded At Paramount Scoring Stage Recorded At Anvil Recording Studios Engineered At Precision Audiosonics Engineered At Warner Archival Mastering Published By Sony/ATV Melody Published By Warner-Olive Music, LLC Mixed At Private Island Trax Edited At Intrada Mastered At Joe Tarantino Mastering Designed At designWELL Copyright (c) Warner Bros. Entertainment Inc. Phonographic Copyright (p) Warner Bros. Entertainment Inc. Manufactured By Intrada Inc. Seven Days In May Total Time: 17:00 The Mackintosh Man Total Time: 36:23 Total CD Time: 53:31
Seven Days In May Recorded on October 21, 1963, at Paramount Pictures Scoring Stage, Hollywood, CA Analog to Digital transfers at Precision AudioSonics, Hollywood, CA Jerry Goldsmith compositions published by Sony/ATV Melody (BMI)
The Mackintosh Man Recorded on Juni 25, 26 and 27, 1973, at Anvil Film & Recording Group Ltd., Denham, Buckinghamshire, England Analog to Digital Transfers at Warner Bros. Archival Mastering, Burbank, CA Maurice Jarre compositions published by Warner Olive Music LLC (ASCAP)