a&r Michael Taylor art direction David Homer band [jerk are:], bass, backing vocals [bg vox] Leeno Dee band [jerk are:], drums, programmed by [programming], backing vocals [bg vox] Lamar Lowder band [jerk are:], guitar Charles Cilia band [jerk are:], vocals, guitar Jonathan Devoy cover [cover image] Peter Shead engineer Lamar Lowder engineer Mark Opitz engineer Sandra Gatsby engineer [assisted by] Michael Fairbairn engineer [assisted by] Ollie Monch engineer [assisted by] Paul Rodger legal [legal freaks] Brett Oaten Solicitors management Exposure Project Management Ltd management [at exposure project management ltd] Nik Rice mastered by Tom Baker mixed by SOS Management mixed by [for sos management] Sean Beavan photography by [inlay photo] John Webber producer Lamar Lowder producer Sean Beavan programmed by [extra programming] Craig Sue Record Company Sony Music Entertainment Inc. Copyright (c) Sony Music Entertainment (Australia) Limited Phonographic Copyright (p) Sony Music Entertainment (Australia) Limited Manufactured By Sony Music Entertainment (Australia) Limited Made By SMEA Recorded At Milk Bar Studios Recorded At Q Studios, Sydney Recorded At The Sound Sanctuary, Sydney Mixed At The Blue Room, Laurel Canyon, CA Mastered At Precision Mastering Published By Angry Young Man Published By Copyright Control Published By Trash Machine Recorded at Q Studios, Milkbar Studios and The Sound Sanctuary, Sydney. Mixed at the Blue Room, Hollywood. Mastered at Precision Mastering, Hollywood.
All songs Lamar Lowder (Trash Machine) Johnathan Devoy (Angry Young Man) except for Just What You Need - J. Devoy, L. Lowder, C. Cilia (Control), My Friends All Lie - L. Lowder, T. Osborne (Control), S. Jordan (Control), Killing Me Killing You - L. Lowder.
Track 12.3 is not listed anywhere on the album. The track is a Public Image Limited cover, and was originally released on their 1986 release Album.
The limited edition version is packaged in an o-card, a standard jewel case, a clear tray, a 12-page booklet and a bonus Jerk beanie. The o-card has a pop out logo that turns into a stencil.
The first catalogue number is printed on the o-card. The second catalogue number is printed on the spines, in the booklet and on the C.D. label. This is the same catalogue number as the standard version of When Pure Is Defiled.