composed by Ken Ueno
conductor Gil Rose
cover Ken Ueno
design John Kramer
liner notes Ken Ueno
liner notes Robert Kirzinger
orchestra Boston Modern Orchestra Project
photography by Chad Evans Wyatt
photography by Liz Linder
producer, executive-producer Gil Rose
recorded by, edited by David Corcoran
recorded by, edited by Joel Gordon
Copyright (c) BMOP/sound
Phonographic Copyright (p) BMOP/sound
Recorded At Mechanics Hall, Worcester, MA
Recorded At New England Conservatory's Jordan Hall
TOTAL 57:48

Track 1 was recorded on November 17, 2008 at Mechanics Hall (Worcester, MA). Track 2
was recorded on March 31, 2008 at Merrimack College (Andover, MA) and on March 25, 2009 at Sonic
Temple (Roslindale, MA). Track 3 was recorded on January 8, 2007 in Jordan Hall at New England
Conservatory (Boston, MA).

Cover art: Ken Ueno
Autograph manuscript of Talus with
oscillographic representation of the composer's
voice at age six, filled-in with his blood

©
℗ 2010 BMOP/sound 1014
Published by New Jack Modernism Music (ASCAP)

From the liner notes:

TALUS (2007) was premiered by the Kalistos Ensemble, under the direction
of Chris Kim, and featured soloist Wendy Richman, for whom the piece was
written. The work is scored for solo viola and string orchestra.

ON A SUFFICIENT CONDITION FOR THE EXISTENCE OF MOST SPECIFIC
HYPOTHESIS (2008) was composed for and premiered by the Boston Modern
Orchestra Project under the direction of Gil Rose, with the composer as soloist.
The piece calls for vocal soloist with amplification, boombox, and orchestra.

KAZE-NO-OKA (2005) was commissioned by the Boston Modern Orchestra
Project, who premiered it under the direction of Gil Rose, with soloists Kifu
Mitsuhashi, shakuhachi and Yukio Tanaka, biwa. The work is scored for biwa,
shakuhachi, and orchestra.
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