2017 20x File 24-bit, 44.1 kHz 
Unseen Worlds
tracks 1 to 13 composed by C-Schulz
liner notes [digital] Marcus Schmickler
tracks 1 to 13 producer C-Schulz
tracks 1 to 13 producer Marcus Schmickler
remastered by Rashad Becker
Produced At Kaspar-Hauser-Studios
Produced At Krone-Studio, Köln
Described by the label as the first time reissue of C-Schulz’s early work from late 1980s and early ‘90s.
Headings categorizing the tracks are interpreted from the Bandcamp release info and the headings in the digital liner notes (a PDF).
Track durations are not printed on the release. Digital durations are as reported in a media player, rounded down.
Meisterschaft is about 30 seconds longer than the version which appeared on '7. Party Disco', and the channels are swapped.
Remastering credit only appears on the release page on Bandcamp.
Info condensed from digital liner notes:
Tracks 01 - 13 were originally released on the album 10. Hose Horn, LP, Entenpfuhl, 1991. Produced at Kaspar-Hauser-Studios, Cologne, 1990.
Track 14 produced at home, Cologne, 1987. Originally released on Jahre Später, MC, Entenpfuhl, 1989.
Track 15 produced at Kaspar-Hauser-Studios, Cologne, 1991. Originally released on [r471646=Er ist tief und dein Wasser ist dunkler], LP (V.A.) Quiet Artworks, 1991.
Track 16 produced at Studio Krone, Cologne 1992. Originally released on [r376527=Die Ohren des Kaisers Hirohito], 2CD (V.A.), Dom, 1992.
Track 17 produced at Kaspar-Hauser-Studios, Cologne, 1991. Originally released on Neuntöter, 7, Erfolg, 1991.
Track 18 produced at Kaspar-Hauser-Studios, London / Cologne 1990 / 1991. Originally released on 7. Party Disco, 12, Erfolg, 1991.
Track 19 produced at Studio Krone, Cologne, 1991. Originally released on 7. Party Disco, 12, Erfolg, 1991.
Track 20 composed in 1996, produced during a film collaboration with Christina von Greve.
Thanks to Frank Dommert, W. Hein, B. Hein, N. Hein and all participant musicians.
For the production of this reissue, we revised the the original hifi-video masters. The recorder has a S/N headroom of 96 dB which is the same as DAT before DAT was available. Surprisingly, the master-tapes were still in good shape.
liner notes [digital] Marcus Schmickler
tracks 1 to 13 producer C-Schulz
tracks 1 to 13 producer Marcus Schmickler
remastered by Rashad Becker
Produced At Kaspar-Hauser-Studios
Produced At Krone-Studio, Köln
Described by the label as the first time reissue of C-Schulz’s early work from late 1980s and early ‘90s.
Headings categorizing the tracks are interpreted from the Bandcamp release info and the headings in the digital liner notes (a PDF).
Track durations are not printed on the release. Digital durations are as reported in a media player, rounded down.
Meisterschaft is about 30 seconds longer than the version which appeared on '7. Party Disco', and the channels are swapped.
Remastering credit only appears on the release page on Bandcamp.
Info condensed from digital liner notes:
Tracks 01 - 13 were originally released on the album 10. Hose Horn, LP, Entenpfuhl, 1991. Produced at Kaspar-Hauser-Studios, Cologne, 1990.
Track 14 produced at home, Cologne, 1987. Originally released on Jahre Später, MC, Entenpfuhl, 1989.
Track 15 produced at Kaspar-Hauser-Studios, Cologne, 1991. Originally released on [r471646=Er ist tief und dein Wasser ist dunkler], LP (V.A.) Quiet Artworks, 1991.
Track 16 produced at Studio Krone, Cologne 1992. Originally released on [r376527=Die Ohren des Kaisers Hirohito], 2CD (V.A.), Dom, 1992.
Track 17 produced at Kaspar-Hauser-Studios, Cologne, 1991. Originally released on Neuntöter, 7, Erfolg, 1991.
Track 18 produced at Kaspar-Hauser-Studios, London / Cologne 1990 / 1991. Originally released on 7. Party Disco, 12, Erfolg, 1991.
Track 19 produced at Studio Krone, Cologne, 1991. Originally released on 7. Party Disco, 12, Erfolg, 1991.
Track 20 composed in 1996, produced during a film collaboration with Christina von Greve.
Thanks to Frank Dommert, W. Hein, B. Hein, N. Hein and all participant musicians.
For the production of this reissue, we revised the the original hifi-video masters. The recorder has a S/N headroom of 96 dB which is the same as DAT before DAT was available. Surprisingly, the master-tapes were still in good shape.