2013 CD SHM-CD 
Blue Note
alto saxophone Greg Osby
art direction Carol Friedman
bass Rufus Reid
composed by [all compositions] Andrew Hill
creative director [reissue] Kaoru Taku
design Carlos Cordova
drums Ben Riley
engineer Rudy Van Gelder
liner notes [1989] David Rosenthal
liner notes [2013, translated by] Hitoshi Namekata
liner notes [2013] Kazunori Harada
liner notes [2013] Michael Cuscuna
photography by Carol Friedman
piano Andrew Hill
producer Michael Cuscuna
reissue producer Hitoshi Namekata
reissue producer Yoshiko Tsuge
remastered by Yoshio Okazaki
vibraphone Bobby Hutcherson
Record Company Universal Classics & Jazz
Phonographic Copyright (p) Capitol Records, Inc.
Copyright (c) Capitol Records, Inc.
Marketed By Universal Music LLC
Distributed By Universal Music LLC
Recorded At Van Gelder Studio, Englewood Cliffs, New Jersey
Published By Jazz Fund
Recorded directly to digital two track on January 30 (4, 6 to 9), & January 31 (1 to 3, 5), 1989.
Remastered on July 4, 2013.
In jewel case with clear tray and obi. Eight page booklet includes a reproduction of the LP jacket back cover featuring original liner notes, plus two sets of 2013 liner notes, the first in English (see below) and Japanese, and a second, more extensive note in Japanese.
Notes for the 2013 version:
When Blue Note founder Alfred Lion came to our One Night With Blue Note concert at Town Hall in February 1985, one of the first things he said to me was, Where is Andrew Hill? Alfred felt that Andrew was his last great discovery in jazz and Bruce Lundvall and I could not have agreed more. So we brought Andrew to the first Mt. Fuji Blue Note Festival in 1986 and eventually signed him to the new Blue Note two years later. Eternal Spirit was the first album under the new arrangement. Of course, Bobby Hutcherson, Rufus Reid and Ben Riley were old friends and comrades familiar with Andrew's musical world. The inclusion of Greg Osby was the inspired suggestion of New York Times jazz critic Peter Watrous. And as you can hear Osby and Hill clicked immediately and enjoyed a wonderful professional relationship for the rest of Andrew's life. – Michael Cuscuna
Barcode: 4 988006 555600
Matrix / Runout: TOCJ-95028 1A
Mastering SID Code: IFPI L245
Mould SID Code: IFPI 4011
Rights Society: JASRAC
art direction Carol Friedman
bass Rufus Reid
composed by [all compositions] Andrew Hill
creative director [reissue] Kaoru Taku
design Carlos Cordova
drums Ben Riley
engineer Rudy Van Gelder
liner notes [1989] David Rosenthal
liner notes [2013, translated by] Hitoshi Namekata
liner notes [2013] Kazunori Harada
liner notes [2013] Michael Cuscuna
photography by Carol Friedman
piano Andrew Hill
producer Michael Cuscuna
reissue producer Hitoshi Namekata
reissue producer Yoshiko Tsuge
remastered by Yoshio Okazaki
vibraphone Bobby Hutcherson
Record Company Universal Classics & Jazz
Phonographic Copyright (p) Capitol Records, Inc.
Copyright (c) Capitol Records, Inc.
Marketed By Universal Music LLC
Distributed By Universal Music LLC
Recorded At Van Gelder Studio, Englewood Cliffs, New Jersey
Published By Jazz Fund
Recorded directly to digital two track on January 30 (4, 6 to 9), & January 31 (1 to 3, 5), 1989.
Remastered on July 4, 2013.
In jewel case with clear tray and obi. Eight page booklet includes a reproduction of the LP jacket back cover featuring original liner notes, plus two sets of 2013 liner notes, the first in English (see below) and Japanese, and a second, more extensive note in Japanese.
Notes for the 2013 version:
When Blue Note founder Alfred Lion came to our One Night With Blue Note concert at Town Hall in February 1985, one of the first things he said to me was, Where is Andrew Hill? Alfred felt that Andrew was his last great discovery in jazz and Bruce Lundvall and I could not have agreed more. So we brought Andrew to the first Mt. Fuji Blue Note Festival in 1986 and eventually signed him to the new Blue Note two years later. Eternal Spirit was the first album under the new arrangement. Of course, Bobby Hutcherson, Rufus Reid and Ben Riley were old friends and comrades familiar with Andrew's musical world. The inclusion of Greg Osby was the inspired suggestion of New York Times jazz critic Peter Watrous. And as you can hear Osby and Hill clicked immediately and enjoyed a wonderful professional relationship for the rest of Andrew's life. – Michael Cuscuna
Barcode: 4 988006 555600
Matrix / Runout: TOCJ-95028 1A
Mastering SID Code: IFPI L245
Mould SID Code: IFPI 4011
Rights Society: JASRAC