a&r [original] Monte Conner
a&r [reissue] Hugh Gilmour
bass Paulo Jr.
booking [u.s.] Creative Artists Agency
booking [u.s.] Mitch Rose
booking [worldwide] ITB
booking [worldwide] Rod MacSween
booking [worldwide] Scott Thomas
tracks 1-1 to 1-16 co-producer Sepultura
cover [cover artwork] Michael R. Whelan
design Bryan Thatcher
design Laura Michaels
design Twelve Point Rule
design [reissue] Rory Wilson
drums Igor Cavalera
tracks 1-1 to 1-16 engineer Chuck Johnson
tracks 1-1 to 1-16 engineer [2nd engineer] Rob Agnello
tracks 1-1 to 1-16 engineer [additional engineering] Richard Kaplan
tracks 1-1 to 1-16 engineer [mix engineer] Steve Sisco
guitar Andreas Kisser
liner notes Jon Wiederhorn
management Gloria Cavalera
management Oasis Management
management [andreas kisser and paulo xisto pinto jr. represented by] MusiConsult Network
management [max and iggor cavalera represented by] Gloria Cavalera
management [max and iggor cavalera represented by] Oasis Management
tracks 1-1 to 1-16 mastered by George Marino
tracks 1-1 to 1-16 mixed by Andy Wallace
photography by Michael Grecco
photography by [back cover photography] Monika Bass Cavalera
photography by [ghana nail fetish statue photography] Max Cavalera
photography by [lyric photography] Kevin Estrada
tracks 1-1 to 1-16 producer Ross Robinson
product manager Stacy Conde
remastered by Scott Levitin
vocals, guitar Max Cavalera
Licensed To Roadrunner Records
Licensed From The All Blacks B.V.
Licensed From Reelin' In The Years Productions, LLC
Marketed By Rhino Entertainment Company
Phonographic Copyright (p) The All Blacks B.V.
Phonographic Copyright (p) Reelin' In The Years Productions, LLC
Copyright (c) The All Blacks B.V.
Published By Roadblock Music, Inc.
Published By EMI Music Publishing, Inc.
Published By Roadster Music B.V.
Published By Jolene Cherry Music
Published By Goat Head? Music
Published By WB Music Corp.
Published By BMG Songs, Inc.
Published By Maldoror Musikverlag
Published By Bob Marley Music Ltd.
Published By PolyGram International Publishing, Inc.
Recorded At Indigo Ranch Studios
Recorded At Glen Helen Regional Park, San Bernardino. CA
Mixed At Soundtrack Studios
Mastered At Sterling Sound
Glass Mastered At Arvato
Glass Mastered At Arvato
Issued in a 6-panel digisleeve, with 28-page booklet.

Sticker over shrinkwrap:
Roots
Newly remastered
2CD includes:
Roots Bloody Roots
Attitude
Ratamahatta
Plus bonus disc of rare & unreleased demos & live tracks
081227934279.

Tracks 2-1 to 2-4 & 2-7 to 2-9 previously unreleased.
Tracks 2-1 to 2-3 under license from Reelin' In The Years Productions L.L.C.

[Original credits]
Recorded at Indigo Ranch, Malibu, CA
Mixed at Soundtrack Studios, New York, NY
Mastered at Sterling Sound, New York, NY

Ratamahatta published by: Roadblock Music, Inc. (ASCAP)/EMI Music Publishing, Inc.
Lookaway published by Roadblock Music, Inc. (ASCAP)/Roadster Music B.V./Jolene Cherry Music/Goat Head? Music/WB MusicCorp. (ASCAP)/BMG Songs, Inc. (ASCAP)
Itsári recorded live in the Aldeia Pimental Barbosa home of the Xavantes tribe, located in Mato Grosso, Brasil, on the 5th day of November 1995. No overdubs!!! Itsári means roots in the Xavante language. The chant included in this track is the Datsi Wawere healing ceremony chant.

Carlinhos Brown appears courtesy of EMI - Odeon. Mike Patton appears courtesy of Slash Records.
Jonathan Davis & David Silvera appear courtesy of Immortal/Epic Records. DJ Lethal appears courtesy of Tommy Boy Music, Inc.

Cover artwork based on an illustration taken from a 1990 Brasilian 1000 Cruzeiro bill.

[Bonus tracks]

All songs published by Roadblock Music, Inc. (ASCAP)/Roadster Music B.V.
except Procreation (Of The Wicked) by Maldoror Musikverlag, War by Bob Marley Music Ltd., administered by PolyGram International Publishing , Inc., Mine by Roadblock Music, Inc./WB Music Corp. (ASCAP)/BMG Songs, Inc. (ASCAP)

Tracks 2-1 to 2-3 recorded for 2 Meter Sessions/2 Meter Sessies Amsterdam, Netherlands, May 26, 1996.
Tracks 2-4, 2-7 to 2-9 outtakes from [m=57974] recording sessions.
Track 2-5 recorded in the Fall of 1995 during the [m=57974] recording sessions.
Tracks 2-6, 2-10 to 2-12 taken from a cassette that was recorded live on an eight track machine at Sepultura's jam pad in Phoenix, during March 1995, at the very start of the [m=57974] album. At the time of recording , there were barely any lyrics written for Roots Bloody Roots.
Tracks 2-13 to 2-15 recorded in the Fall of 1995 during the [m=57974] recording sessions.
Track 2-17 recorded at Ozzfest, Glen Helen Blockbuster Pavillion, San Bernardino, CA, October 26, 1996.

[Back cover]
℗ & © 2017, 1996 The All Blacks BV.
Printed in E.U.

[Booklet]
℗ & © 2017, 1996 The All Blacks B.V.
Printed in the E.U.

CD1: all tracks originally ℗ 1996 The All Blacks BV. Issued under license to Roadrunner Records from The All Blacks B.V.
CD2: all tracks originally ℗ 1996 The All Blacks BV. Issued under license to Roadrunner Records from The All Blacks B.V., except tracks 2-1 to 2-3 ℗ 2017 Reelin' In The Years Productions L.L.C., & tracks 2-4, 2-7 to 2-9 ℗ 2017 The All Blacks BV. Issued under license to Roadrunner Records from The All Blacks B.V.

[CD1]
All tracks originally ℗ 1996 The All Blacks B.V.
Made in E.U.

[CD2]
All tracks ℗ 2017, 1996 The All Blacks B.V.
Made in E.U.

Both discs contain CD-Text.

Colin Allen (as Colin Eric) is erroneously credited as writer of track 2-13, instead of Allan Cole.
Barcode: 0 81227 93427 9 (Printed)
Barcode: 081227934279 (Scanned: UPC_A)
Label Code: LC02982
Matrix / Runout: [Warner 'W' logo] 56673337/0081227934279-1 21 (CD1)
Mastering SID Code: IFPI LP 73 (CD1)
Mould SID Code: IFPI 0757 (CD1)
Matrix / Runout: [Warner 'W' logo] 56673343/0081227934279-2 21 (CD2)
Mastering SID Code: IFPI LB 45 (CD2)
Mould SID Code: IFPI 0779 (CD2)
Rights Society: GEMA/BIEM
Rights Society: ASCAP