a&r Duke Da God
a&r [a&r administration] Tara Podolsky
a&r [a&r assistant] Jamel George
a&r [a&r assistant] Ramses Francois
a&r [a&r assistant] Travis Cumming
a&r [a&r direction] Juelz Santana
a&r [joint ventures a&r coordinator] Darcell Lawrence
art direction Akisia Grigsby
coordinator [recording administration] Andrew Huggins
executive-producer, a&r, management Joseph Jones
executive-producer, presenter, a&r [a&r + a&r direction] Cameron Giles
legal [legal counsel] Andrew Bergman
liner notes Miyuki Watanabe Myrthil
liner notes [summary inside japanese booklet] Takashi Futatsugi
management [business affairs] Adeline Ferretti
management [business affairs] Antoinette Trotman
management [business affairs] Gizelle Jacobs
management [business affairs] Ian Allen
mastered by Tony Dawsey
photography by Jonathan Mannion
promotion [marketing] Shari Bryant
promotion [marketing] Suzanne Burge
Phonographic Copyright (p) Roc-A-Fella Records, LLC
Copyright (c) Roc-A-Fella Records, LLC
Record Company Universal International
Distributed By Victor Entertainment, Inc.
Produced For Konman Productions
Produced For Roc The World
Produced For E-Muzik
Produced For F.O.B. Entertainment
Produced For N.Q.C. Management
Produced For Heatmakerz Music
Produced For Bobby Drake
Produced For Hustle.
Produced For Next Level Entertainment
Produced For Johnny Handsome Entertainment Inc.
Produced For Producer Coalition Of America
Produced For Randomtracks
Produced For RattPakk Entertainment
Produced For KLC
Recorded At Galaxy Studios, Newark, NJ
Recorded At Baseline Studios
Recorded At Quad Recording Studios
Recorded At Sony Music Studios, New York City
Recorded At The Hit Factory
Mixed At Quad Recording Studios
Mixed At Sony Music Studios, New York City
Mixed At Galaxy Studios, Newark, NJ
Mixed At The Hit Factory
Mixed At Baseline Studios
Mastered At Masterdisk
Track 1-1: Printed track time is 3:37, but it's recorded from the CD as 3:38. / Contains a sample from Why Don't You Make Up Your Mind written by R. Bryson and W. Wilson, published by Sony/ATV Songs, LLC (BMI).
Track 1-3: Contains elements of the O'Jays recording Who Am I, courtesy of Sony Music, written by Phil Hurtt and Bunny Sigler, published by Warner-Tamerlane Publishing Corp. (BMI).
Track 1-4: Contains samples from the Winger recording Headed For A Heartbreak written by Kip Winger, published by EMI Virgin Songs, Inc. (BMI) produced under license from Atlantic Recording Corp. By arrangement with Warner Special Products.
Track 1-6: Contains a sample from Cry Together (Kenneth Gamble & Leon Huff) Warner-Tamerlane Pub.Corp.(BMI). Performed by The O'Jays. Courtesy of Philadelphia Int'l Records. All rights reserved. Used by permission.
Track 1-8: Contains a sample of Help (Somebody Please) written by R. Dukes and E. Levert, used courtesy of Warner-Tamerlane Publishing Corp. (BMI). All rights reserved. Performed by The O'Jays, used courtesy of Philadelphia International Records.
Track 1-9: Contains an interpolation of Closer written by M. Durio, published by Stone Diamond Music Corp. (BMI).
Track 1-10: Printed track time is 4:08, but it's recorded from the CD as 4:09. / Contains a sample of One In A Million written by Sam Dees, used courtesy of Universal Music Publishing/Irving Music (BMI). Performed by Sanchez, used courtesy of Penthouse Records.
Track 1-11: Contains excerpts from Easy Like Sunday Morning written by Lionel Richie and published by Jobete Music Co. (ASCAP). Performed by The Commodores. Used courtesy of Motown Records LLP, under license from Universal Music Enterprises.
Track 1-14: An uncredited feature is listed for Cam'ron as he has a verse on the track but isn't credited.

Track 1-2: Contains a sample from the Major Harris recording I Got Over Love written by J. Jefferson and C. Simmons, used courtesy of Sacred Pen Music Publishing Co. (BMI)/Zella Music (BMI). Produced under license from Atlantic Recording Corp. by arrangement with Warner Special Products.
Track 2-2: Printed track time is 3:32, but it's recorded from the CD as 3:22. The actual time from the CD is used in the tracklisting above. / Contains a sample of Look What You've Done written by J. Ingram, used courtesy of The Robinson Music Group, LLC (BMI). Performed by The Moments, used courtesy of The Robinson Music Group, LLC.
Track 2-3: Printed track time is 4:01, but it's recorded from the CD as 4:11. The actual time from the CD is used in the tracklisting above. / Contains elements of I Stand Accused written by William E. Butler and Jerry Butler, Warner-Tamerlane Publishing Corp. (BMI).
Track 2-4: Contains elements of Too Blind To See by Dorothy Moore, used courtesy of Malaco Records. Written by D. Moore, used courtesy of Malaco Music Company (BMI).
Track 2-5: Contains a sample from Let There Be Light written by Jeff Tyzik, published by Halwill Music, Inc./Macaroni Music (ASCAP). Under license from Amherst Records, Inc. / Contains portions of 1st Of The Month, published by Ruthless Attack Muzick (ASCAP)/Chapter 8 Music (BMI).
Track 2-7: Contains a sample of Mirror Of My Soul written by E. Randle and R. Kirk. Used courtesy of Almo Music Corp. (ASCAP)/Irving Music, Inc. (BMI). Performed by O.V. Wright, used courtesy of Demon Music Group/EMI-Capitol Special Markets.
Track 2-8: DMX appears courtesy of Ruff Ryders/Def Jam.
Track 2-9: Contains vocal excerpts and samples from Yes I'm Ready written by Barbara Mason, published by Jamie Music Publishing Co./Dandelion Music Co.(BMI) administered by Stilran Music. Performed by Barbara Mason, used courtesy of Buddha Records, under license from BMG Special Products.
Track 2-10: Master P appears courtesy of No Limit Records/Priority Records (in reality, at this point in time, he appeared courtesy of The New No Limit Records/Universal Records). / Contains a sample from Bout It Bout It II written by C. Lawson, P. Miller & M. Young, used courtesy of Big P Music, LLC (BMI). Performed by Master P, used courtesy of Priority Records, LLC (It is unknown whether ownership of Bout It Bout It II was transferred to Universal Records along with The New No Limit).
Track 2-11: An uncredited feature is listed for Hell Rell as he has a verse on the track but isn't credited. / Contains a sample of We Built This City, written by Martin Page, Bernie Taupin, Peter Wolf, Dennis Lambert and published by Little Mole Music (ASCAP) All rights on behalf of Little Mole Music administered by Interson U.S.A. Inc. (ASCAP)/Careers-BMG Music Publishing Inc. (BMI) /Zomba Enterprises Inc. (ASCAP). Performed by Starship, used courtesy of BMG Entertainment.
Track 2-12: Printed track time is 2:02, but it's recorded from the CD as 2:03. / It says that the track features Hell Rell, & Hell Rell is even given writing credits in the booklet, yet it is Juelz Santana who appears on the track not Hell Rell. Therefore, Hell Rell as a credited feature & his written-by credit is removed & an uncredited feature is given for Juelz Santana. It is very likely he didn't help write the track & wasn't on an earlier version. It was more likely a mix-up because he wasn't credited for his feature verse on the previous track, Track 2-12 - perhaps because there were so many credits under the song. / Contains a sample from Let's Get It On written by M. Gaye and E. Townsend, published by Jobete Music Co., Inc. (ASCAP)/Stone Diamond Music Corp. (BMI). Performed by Marvin Gaye. Used courtesy of Motown Record Company LP, under license from Universal Music Enterprises, a division of UMG Recordings, Inc.

All tracks recorded/mixed by Shane Bermuda Woodley & Carlisle Young are recorded/mixed for Blessed One Entertainment.
All tracks recorded/mixed by Eric IBO Butler & Gimel Young Guru Keaton are recorded/mixed for Loreal, Inc.
Andrew Bergman, as legal counsel, is credited as working for Davis, Shapiro & Lewit.
Joseph Jimmy Jones, as management, is credited as managing for Dip Set Management.

UICD-6067 is the catalog number of Disc 1 & appears on the CD face & matrix of Disc 1 only. UICD-6068 is the catalog number of Disc 2 & appears on the CD face & matrix of Disc 2 only. Together, the 2 catalog numbers create UICD-6067/8 which is designated as the catalog number for the release as a whole.

Includes obi strip & 48 page booklet of Japanese liner notes + English & Japanese lyrics, housed inside main booklet. Made In Japan.
Barcode: 4 988005 333889 (Only On Obi Strip, Printed)
Barcode: 4988005333889 (Only On Obi Strip, Scanned)
Matrix / Runout: UICD-6067 1A ∀ (Disc 1)
Matrix / Runout: UICD-6068 1A ∀ (Disc 2)
Mastering SID Code: IFPI 7542 (Disc 1 & 2)
Mould SID Code: I F P I 4 0 1 1 (Disc 1 & 2)
Rights Society: BMI
Rights Society: ASCAP
Rights Society: JASRAC