art direction [reissue] Greg Allen
art direction [reissue] Hugh Brown
art direction [reissue] Rachel Gutek
artwork Bill Walker
artwork [poster on back cover] Lee Conklin
bass, trumpet, harpsichord, guiro, kazoo, piano, finger cymbals, bells [orchestra bells], gong Bill Kreutzmann
bass, trumpet, harpsichord, guiro, kazoo, piano, finger cymbals, bells [orchestra bells], gong Mickey Hart
coordinator [project coordination] Jo Motta
design Greg Allen
design Rachel Gutek
engineer [assistant] Bob Matthews
engineer [executive] Dan Healy
executive-producer Peter McQuaid
lead guitar, acoustic guitar, kazoo, vibraslap, vocals Jerry Garcia
liner notes Blair Jackson
liner notes [coordination] Shawn Amos
liner notes [discographical annotation] Gary Peterson
management [business affairs] Malia Doss
mastered by Joe Gastwirt
organ, celesta, claves, vocals Ron "Pigpen" McKernan
photography by Herb Greene
photography by Jim Marshall
photography by Sylvia Clarke Hamilton
photography by [liner photo] Thomas Weir
piano, piano [prepared], tape [electronic] Tom Constanten
producer Dave Hassinger
producer [associate] Michael Wesley Johnson
producer, arranged by The Grateful Dead
product manager Jimmy Edwards
product manager [project assistance] Bill Belmont
product manager [project assistance] Bill Inglot
product manager [project assistance] Blair Jackson
product manager [project assistance] Connie Mosley
product manager [project assistance] David Gans
product manager [project assistance] David McLees
product manager [project assistance] Gary Lambert
product manager [project assistance] Hale Milgrim
product manager [project assistance] Jan Simmons
product manager [project assistance] Jeff Gold
product manager [project assistance] Jeffrey Norman
product manager [project assistance] Neil Ruttenberg
product manager [project assistance] Owsley Stanley
product manager [project assistance] Pat Kraus
product manager [project assistance] Randy Perry
product manager [project assistance] Steve Lang
product manager [project assistance] Steve Silberman
reissue producer David Lemieux
reissue producer James Austin
research [archival] Eileen Law
research [editorial supervision] Vanessa Atkins
research [editorial] Daniel Goldmark
rhythm guitar, twelve-string guitar [12 string], acoustic guitar, kazoo, vocals Bob Weir
Record Company AOL Time Warner
Recorded At RCA Studio A
Recorded At American Recording Co.
Recorded At Century Sound Studios
Recorded At Olmsted Sound Studios
Recorded At Shrine Exposition, L.A.
Recorded At Eureka Municipal Auditorium
Recorded At Eagles Auditorium
Recorded At Carousel Ballroom
Recorded At Kings Beach
Mixed At Columbus Recorders, San Francisco
Mixed At Criteria Recording Studios
Mixed At Apostolic Studios
Published By Ice Nine Publishing Company, Inc.
Copyright (c) Warner Bros. Records Inc.
Copyright (c) Rhino Entertainment Company
Copyright (c) Warner Strategic Marketing
Phonographic Copyright (p) Rhino Entertainment Company
Phonographic Copyright (p) Warner Bros. Records Inc.
Phonographic Copyright (p) Grateful Dead Productions
Phonographic Copyright (p) Warner Strategic Marketing
Glass Mastered At Technicolor, Guadalajara, Mexico
Pressed By Technicolor, Guadalajara, Mexico
From Rear of the Digipak: Tracks 6 through 8: ℗ 2001 Grateful Dead Productions, courtesy of Grateful Dead Productions
From Rear of the Digipak: This Reissue / Compilation ℗ 2003 © 1968 & 2003 Warner Strategic Marketing

From Interior Booklet: © 1968 & 2001 Warner Bros. Records Inc. & Rhino Entertainment Company

From Disc: This Reissue / Compilation ℗ 2003 Warner Bros. Records Inc. & Rhino Entertainment Company

All selections copyright © Ice Nine Publishing Company, Inc. (ASCAP)


Live tracks recorded at SHRINE EXPOSITION CENTER, Los Angeles, CA (11/10/67-11/11/67); EUREKA MUNICIPAL AUDITORIUM, Eureka, CA (1/20/68); EAGLES AUDITORIUM, Seattle, WA (1/26/68-1/27/68); CRYSTAL BALLROOM, Portland, OR (2/2/68-2/3/68); CAROUSEL BALLROOM, San Francisco, CA (2/14/68, 3/15/68-3/17/68, 3/29/68-3/31/68); KINGS BEACH BOWL, Lake Tahoe, CA (2/24/68)

[Note: It is believed that the majority of the live music is from CAROUSEL BALLROOM, San Francisco (2/14/68), although there are a number of edits from other shows.]

Rhino wishes to Thank MICKEY HART, BOB WEIR, BILL KREUTZMANN, PHIL LESH, ALAN TRIST, MARK PINKUS, SUSANA MILLMAN, IHOR SLABICKY, NICK MERRIWETHER, BILL WOOLARD, STEVE WOOLARD, IRA GASTWIRT, GOLDEN JOHN ROBINSON, the vast universe of DEAD HEADS & everyone at GRATEFUL DEAD PRODUCTIONS.

This release is similar to Anthem Of The Sun, but it is a later pressing with a different Matrix and Mastering SID.

Single-fold, 4-panel Digipak with clear tray. 16-page booklet is attached to inside of cover panel of Digipak. Booklet contains photos of band/band-members, liner notes by Blair Jackson, tracklist and credits.
Barcode: 0 8122-74393-2 3 (Text)
Barcode: 081227439323 (Scan)
Barcode: 0081227440121 (Disc, Table of Contents Metadata, Catalog ID)
Matrix / Runout: (641367) 3 R2 74401-2.4 02 0004
Mastering SID Code: IFPI L247
Mould SID Code: IFPI KK0E
Rights Society: ASCAP
ISRC: USWB10105560 (Track 1)
ISRC: USWB10105562 (Track 2)
ISRC: USWB10105563 (Track 3)
ISRC: USWB10105564 (Track 4)
ISRC: USWB10105565 (Track 5)
ISRC: USWB10105593 (Track 6)
ISRC: USWB10105594 (Track 7)
ISRC: USWB10105595 (Track 8)
ISRC: USWB10105596 (Track 9)