tracks 7 to 23 acoustic bass, electric bass David Hofstra tracks 1 to 6 acoustic bass, electric bass Kermit Driscoll tracks 12 to 15 cello Maxine Neuman composed by, arranged by John Zorn design Kimsu Theiler tracks 12 to 15 drum machine Ikue Mori tracks 1 to 11, 16 to 23 drums, percussion Bobby Previte tracks 7 to 11 electric guitar Arto Lindsay tracks 7 to 11, 16 to 23 electric guitar Robert Quine tracks 1 to 6, 16 to 23 electric guitar, banjo Bill Frisell tracks 7 to 15 electric guitar, banjo Marc Ribot executive-producer [associate] Kazunori Sugiyama harp Carol Emanuel tracks 7 to 23 keyboards Peter Scherer tracks 1 to 6 keyboards Wayne Horvitz mastered by Allan Tucker mixed by Seigen Ono percussion [brazilian percussion] Cyro Baptista recorded by Jason Baker recorded by Roger Moutenot tracks 1 to 6 turntables Christian Marclay tracks 12 to 15 violin, viola Jill Jaffe tracks 16 to 23 vocals Arto Lindsay tracks 16 to 23 vocals Kiriko Kubo Recorded At Shelley Palmer Studio Mixed At Studio Key-Stone Recorded at Shelley Palmer Studio, NYC, October 1989 Mixed at Key-Stone, Tokyo, June 1989. Released in Japan for only a few short months in 1990, this is the original music Zorn created for a series of four shorts by one of Japan's most endearing cartoonists: Kiriko Kubo. A long time champion of Warner Bros. cartoon composer Carl Stalling, Zorn considers this to be his finest and most personal take on cartoon music to date, a genre that has influenced him deeply.