tracks 3-1 to 3-34 alto vocals David Lowe
tracks 3-1 to 3-34 alto vocals James Oxley
tracks 3-1 to 3-34 alto vocals Paul Tindall
tracks 1-1 to 1-24 archlute Paul O'Dette
tracks 3-1 to 3-34 archlute Tom Finucane
tracks 4-1 to 4-34 baritone vocals Gerald Finley
tracks 11-1 to 12-10 bass viol Christophe Coin
tracks 3-1 to 3-34 bass viol Mark Caudle
tracks 3-1 to 3-34 bass violin Angela East
tracks 1-1 to 1-24 bass violin Helen Gough
tracks 3-1 to 3-34 bass violin Jennifer Ward Clarke
tracks 1-1 to 1-24, 3-1 to 3-34 bass violin Katherine Sharman
tracks 1-1 to 1-24 bass violin Marilyn Sansom
tracks 1-1 to 1-24, 3-1 to 3-34 bass violin Richard Campbell
tracks 1-1 to 1-24 bass violin Susan Sheppard
tracks 3-1 to 3-34 bass violin Susan Sheppard
tracks 5-18, 6-5, 6-6, 6-9, 6-12, 6-13, 6-16, 6-24, 7-16 bass vocals Christopher Keyte
tracks 3-1 to 4-34, 7-2 to 7-6, 8-5, 8-11, 8-14, 4,15, 8-17, 8-19, 9-2, 9-4, 9-6, 9-7, 9-9, 9-12, 9-21, 9-22, 9-28, 10-4, 10-9 bass vocals David Thomas
tracks 9-21 bass vocals Geoffrey Shaw
tracks 9-21 bass vocals Michael George
tracks 3-1 to 3-34 bass vocals Philip Lawson
tracks 3-1 to 3-34 bass vocals Simon Birchall
tracks 3-1 to 3-34 bass vocals Stephen Alder
tracks 3-1 to 3-34 bass vocals Thomas Guthrie
tracks 1-1 to 1-24 cello, viola da gamba Laurence Dreyfus
tracks 6-5, 6-7, 6-10, 6-12 to 6-15 choir Taverner Choir
tracks 3-1 to 3-34 choir The Academy Of Ancient Music Chorus
tracks 6-5, 6-7, 6-10, 6-12 to 6-15 chorus master [chorus director] Andrew Parrott
tracks 1 to 14, 16 to 28 composed by Daniel Purcell
tracks 1-1 to 4-14, 4-16 to 4-28, 5-1 to 12-10 composed by Henry Purcell
tracks 13-1 to 14-21 composed by Thomas Arne
tracks 15-1 to 15-23 composed by William Boyce
conductor [direction] Christopher Hogwood
tracks 6-5, 6-9, 6-13, 6-15, 7-2, 8-14, 8-15, 8-17, 8-20, 8-21, 9-2, 9-4, 9-7 to 9-9 countertenor vocals James Bowman
tracks 3-1 to 3-34 countertenor vocals Michael Chance
tracks 4-1 to 4-34 countertenor vocals Tommy Williams
tracks 11-1 to 11-12 edited by [recording editor] Ian Watson
tracks 1-1 to 1-24 edited by [tape editor] Jean Van Vugt
tracks 15-1 to 15-23 edited by [tape editor] Timothy Bull
tracks 16-1 to 18-12 engineer Iain Churches
tracks 2-1 to 2-16. 5-1 to 10-23, 12-1 to 12-10 engineer John Pellowe
tracks 3-1 to 3-34, 11-1 to 11-6, 15-1 to 15-23 engineer Jonathan Stokes
tracks 3-1 to 3-34 engineer Stanley Goodall
tracks 14-1 to 14-21 engineer [balance engineer] Tryggvi Tryggvason
tracks 4-1 to 4-34 engineer [recording editor] Timothy Bull
tracks 11-1 to 11-6 engineer [recording engineer] Andrew Groves
tracks 4-1 to 4-34 engineer [recording engineer] Andrew Groves
tracks 1-1 to 1-24 engineer [recording engineer] Everett Porter
tracks 4-1 to 10-23, 16-1 to 18-12 engineer [recording engineer] John Dunkerley
tracks 11-7 to 11-12 engineer [recording engineer] Michael Mailes
tracks 5-1 to 10-23, 16-1 to 20-9 engineer [recording engineer] Philip Wade
tracks 1-1 to 1-24 engineer [recording engineer] Willem Van Leeuwen
tracks 13-1 to 14-21 engineer [sound engineer] Colin Moorfoot
tracks 13-1 to 13-8 executive-producer Raymond Ware
tracks 3-1 to 3-34 guitar David Miller
tracks 3-1 to 3-34 guitar Tom Finucane
tracks 3-1 to 3-34 harpsichord Alastair Ross
tracks 1-1 to 1-24, 13-1 to 14-21 harpsichord Christopher Hogwood
tracks 1-1 to 1-24 harpsichord James Johnstone
tracks 3-1 to 3-34 harpsichord Nicholas Parle
tracks 3-1 to 3-34 libretto by Nahum Tate
liner notes Massimo Rolando Zegna
liner notes [english translation] Kenneth Chalmers
lute Anthony Rooley
orchestra The Academy Of Ancient Music
tracks 1-1 to 2-16, 19-1 to 20-9 organ Christopher Hogwood
tracks 11-1 to 12-10 organ [chamber organ] Christopher Hogwood
tracks 12-1 to 12-10 producer Morten Winding
tracks 3-1 to 4-34, 11-1 to 11-12, 15-1 to 15-23 producer [recording producer] Chris Sayers
tracks 2-1 to 2-16, 5-1 to 10-23, 13-1 to 13-8, 16-1 to 20-9 producer [recording producer] Peter Wadland
tracks 1-1 to 1-24 producer [recording producer], engineer [balancer engineer] Wilhelm Hellweg
tracks 3-1 to 4-34 soprano vocals Catherine Bott
tracks 3-1 to 3-34 soprano vocals Deborah Roberts
tracks 3-1 to 3-34 soprano vocals Elisabeth Priday
tracks 6-5, 6-7, 6-15 soprano vocals Elizabeth Lane
tracks 2-1 to 2-16, 3-1 to 4-34, 7-5 to 7-9, 8-10, 8-16, 9-20, 9-22, 9-24, 9-26, 9-28, 10-3, 10-4, 10-6, 10-9, 10-10, 10-11, 10-16 soprano vocals Emma Kirkby
tracks 3-1 to 3-34 soprano vocals Frances Cooke
tracks 3-1 to 3-34 soprano vocals Ghislaine Morgan
tracks 4-1 to 4-34 soprano vocals Helen Parker
tracks 5-4, 5-12 soprano vocals Joy Roberts
tracks 5-17 to 5-19, 6-11, 6-24, 7-5, 7-14, 7-16, 8-3, 8-5, 8-7, 8-9, 8-11, 8-12, 8-16 to 8-22, 9-1, 9-2, 9-4 to 9-6, 9-11, 9-13, 9-18, 9-27, 10-1, 10-3, 10-5, 10-6, 10-8, 10-9, 10-12 to 10-16 soprano vocals Judith Nelson
tracks 3-1 to 3-34 soprano vocals Julianne Baird
tracks 4-1 to 4-34 soprano vocals Libby Crabtree
tracks 6-7 soprano vocals Prudence Lloyd
tracks 3-1 to 3-34 soprano vocals Ruth Dean
tracks 3-1 to 3-34 soprano vocals Sara Stowe
tracks 1-1 to 1-24 soprano vocals Sylvia McNair
tracks 2-1 to 2-16, 12-1 to 12-10 spinet Christopher Hogwood
tracks 6-4, 9-14 tenor vocals Alan Byers
tracks 3-1 to 4-34 tenor vocals John Mark Ainsley
tracks 10-9 tenor vocals Julian Pike
tracks 4-1 to 4-34 tenor vocals Julian Podger
tracks 6-5, 6-8, 6-10, 6-13, 6-14, 6-22, 7-7, 7-12, 8-8, 8-14, 8-15, 8-17, 9-2, 9-4, 9-7, 9-9 tenor vocals Martyn Hill
tracks 6-4, 9-14 tenor vocals Paul Elliott
tracks 6-4, 9-14 tenor vocals Peter Bamber
tracks 9-12, 9-15 to 9-19, 9-23, 9-25, 9-28, 10-2, 10-7, 10-12, 10-14 tenor vocals Rogers Covey-Crump
tracks 4-1 to 4-34 tenor vocals Simon Berridge
tracks 3-1 to 3-34 theorbo David Miller
tracks 1-1 to 1-24 trumpet Crispian Steele-Perkins
tracks 2-1 to 2-16 viol Richard Campbell
tracks 3-1 to 3-34 viola Colin Kitching
tracks 1-1 to 1-24 viola Jane Rogers
tracks 1-1 to 1-24 viola Leon King
tracks 3-1 to 3-34 viola Lisa Cochrane
tracks 3-1 to 3-34 viola Martin Kelly
tracks 1-1 to 1-24 viola Nicola Akeroyd
tracks 3-1 to 3-34 viola Nicola Akeroyd
tracks 3-1 to 3-34 viola Peter Collyer
tracks 1-1 to 1-24 viola Trevor Jones
tracks 2-1 to 2-16, 12-1 to 12-10 violin Catherine Mackintosh
tracks 12-1 to 12-10 violin Monica Huggett
tracks 11-1 to 11-12 violin Pavlo Beznosiuk
tracks 11-1 to 11-12 violin Rachel Podger
tracks 1-1 to 1-24, 3-1 to 3-34 violin [1] Brian Smith
tracks 1-1 to 1-24 violin [1] Clare Salaman
tracks 3-1 to 3-34 violin [1] Desmond Heath
tracks 1-1 to 1-24 violin [1] Ellen O'Dell
tracks 3-1 to 3-34 violin [1] Emilia Benjamin
tracks 3-1 to 3-34 violin [1] Helen Orsler
tracks 3-1 to 3-34 violin [1] Iona Davies
tracks 3-1 to 3-34 violin [1] Pauline Nobes
tracks 1-1 to 1-24 violin [1] Pierre Joubert
tracks 1-1 to 1-24, 3-1 to 3-34 violin [1] Simon Standage
tracks 1-1 to 1-24 violin [1] Susie Carpenter-Jacobs
tracks 1-1 to 1-24, 3-1 to 3-34 violin [2] Ann Monnington
tracks 3-1 to 3-34 violin [2] Fiona Duncan
tracks 1-1 to 1-24, 3-1 to 3-34 violin [2] Garry Clarke
tracks 3-1 to 3-34 violin [2] Garry Clarke
tracks 1-1 to 1-24 violin [2] Joanna Parker
tracks 3-1 to 3-34 violin [2] Jonathan Kahan
tracks 1-1 to 1-24, 3-1 to 3-34 violin [2] Marie Knight
tracks 1-1 to 1-24, 3-1 to 3-34 violin [2] Simon Jones
tracks 3-1 to 3-34 violin [2] William Thorp
tracks 3-1 to 3-34 vocals Daniel Lochmann
Phonographic Copyright (p) Universal Music Italia
Phonographic Copyright (p) Decca Music Group Limited
Copyright (c) Universal Music Italia
Made By Sony DADC
Published By Oxford University Press
Recorded At St. John's, Smith Square
Recorded At Forde Abbey
Recorded At All Saints Church Petersham
Recorded At Church Of St. George The Martyr, Queen Square, London
Recorded At Kingsway Hall
Recorded At Walthamstow Assembly Hall
Recorded At All Saints Church Petersham
Recorded At Wren Chapel, Emmanuel College, Cambridge
Recorded At Knole House
Recorded At Ham House
Recorded At Fitzwilliam Museum
Recorded At Christ Church, Chelsea
This product ℗ and © 2015 Universal Musical Italia srl.

Editor's Note: character used to separate parts or acts that would ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.

Disc 1
Recording location: St. John's, Smith Square, London, August, 1994.
℗ 1995 Universal International Music BV

Disc 2
Recording location: Forde Abbey, Somerset. October, 1982.
℗ 1983 Decca Music Group Limited

Disc 3
Recording location: Recording Location: Walthamstow Assembly Hall, London, September, 1992
℗ 1994 Decca Music Group Limited
Publisher: Oxford University Press

Disc 4
Edited by Margaret Laurie & Andrew Pinnock for the Purcell Society.
Recording Location: Walthamstow Assembly Hall, London, July 1994
℗ 1995 Decca Music Group Limited

Discs 5 to 10
A collection of the complete incidental music by Henry Purcell.
Recording locations: All Saints, Petersham; St George the Martyr, Holborn; Kingsway Hall, London, March 1974-November 1983
℗ 1976, 1977, 1980, 1981, 1982, 1985 Decca Music Group Limited

Disc 11
Recording location: Emmanuel College, Cambridge, February/August 1994
℗ 1995 Decca Music Group Limited

Disc 12
Recording location: Christ Church, Flood Street, London, May, 1979
℗ 1982 Decca Music Group Limited

Disc 13
Recording location: All Saints' Church, Petersham, Surrey, 17-19 Sept 1973
℗ 1974 Decca Music Group Limited

Disc 14
Recording location: Finchcocks, Goudhurst, Kent, 17-19 April 1973
℗ 1974 Decca Music Group Limited

Disc 15
Recording location: Walthamstow Assembly Hall, London, 13-15 April 1992.
℗ 1993 Decca Music Group Limited

Discs 16, 17 and 18
Recording Location: The Adlam-Burnett collection of historical keyboard instruments, Finchcocks, Goudhurst, Kent, 1974-1975
℗ 1976 Decca Music Group Limited

Discs 19 and 20
Recording Locations: Knole House, Kent, 28 April 1981 Ham House, Surrey, 7-9 May 1981 Fitzwilliam Museum, Cambridge, 11 May 1981
℗ 1981 Decca Music Group Limited

Tracks 1-1 to 1-23 first released as [m1156322=Philips 446 081-2], 1995.
Track 1-24 first released on Philips 454 047-2,1996.
Tracks 2-1 to 2-16 and 3-1 to 3-34 first released as [m530048=L'Oiseau-Lyre DSDL 713], 1983.
Tracks 4-1 to 4-34 first released as [m1233337=L'Oiseau-Lyre 444 339-2], 1995.
Tracks 5-1 to 5-15 first released as [m501834=L'Oiseau-Lyre DSLO 504], 1976.
Tracks 5-6 to 5-20 and 6-1 to 6-16 first released as L'Oiseau-Lyre DSLO 527, 1977.
Tracks 6-17 to 6-25 and 7-10 to 7-17 first released as [r4465404=L'Oiseau-Lyre DSLO 550], 1980.
Tracks 7-1 to 7-9 first released as [m662680=L'Oiseau-Lyre DSLO 534], 1978.
Tracks 8-1 to 8-12 first released as [r4984457=L'Oiseau-Lyre DSLO 561], 1981.
Tracks 8-13 to 8-22 and 9-1 to 9-9 first released as [m1090466=L'Oiseau-Lyre DSLO 590], 1982.
Tracks 9-10 to 9-28 and 10-1 to 10-16 first released as [r3079410=L'Oiseau-Lyre 414 173-1], 1985.
Tracks 10-17 to 10-23 first released as [m516292=L'Oiseau-Lyre SPA 544], 1979.
Tracks 5-1 to 10-23 also released as a compilation in box set [m1861176=Decca 475 529-2], 2004.
Tracks 11-1 to 11-12 first released as [m869990=L'Oiseau-Lyre 444 449-2], 1995.
Tracks 12-1 to 12-10 first released as [m614192=L'Oiseau-Lyre DSLO 601], 1982.
Tracks 13-1 to 13-8 first released as [m638035=L'Oiseau-Lyre DSLO 503], 1974.
Tracks 14-1 to 14-12 first released as [m1510925=L'Oiseau-Lyre DSLO 502], 1974.
Tracks 15-1 to 15-23 first released as [m657289=L'Oiseau-Lyre 436 761-2], 1993.
Tracks 16-1 to 18-12 first released as box set [m827924=L'Oiseau-Lyre D29D 4], 1976.
Tracks 19-1 to 20-9 first released as [m1052670=L'Oiseau-Lyre D261D2], 1981.
Barcode: 0 28948 23259 8 (Printed)
Barcode: 028948232598 (Scanned)
Matrix / Runout: 483260 12 A00 Sony DADC [Universal logo] (CD1)
Mastering SID Code: IFPI L552 (CD1, CD2, CD3, CD5, CD6, CD7, CD10, CD12, CD16, CD17, Cd18)
Mould SID Code: IFPI 94KB (CD1)
Matrix / Runout: 4823261 13 A00 (CD2)
Matrix / Runout: 4823264 12 A00 Sony DADC [Universal logo] (CD5)
Mould SID Code: IFPI 94K1 (CD5, CD7, CD14)
Matrix / Runout: 4823265 12 A00 Sony DADC [Universal logo] (CD6)
Mould SID Code: IFPI 946P (CD2, CD4, CD6, CD9, CD13, CD18, CD20)
Matrix / Runout: 4823262 12 A00 Sony DADC (CD3)
Mastering SID Code: IFPI 94K2 (CD3, CD15, CD19)
Matrix / Runout: 4823263 13 A00 Sony DADC [Universal logo] (CD4)
Matrix / Runout: 4823266 12 A00 Sony DADC [Universal logo] (CD7)
Mastering SID Code: IFPI L553 (CD4, CD7, CD11)
Mould SID Code: IFPI 942L (CD7, CD16)
Matrix / Runout: 4823267 12 A00 Sony DADC [Universal logo] (CD8)
Matrix / Runout: 4823268 21 A00 Sony DADC [Universal logo] (CD9)
Mastering SID Code: IFPI L551 (CD9)
Matrix / Runout: 4823268 21 A00 Sony DADC [Universal logo] (CD10)
Mould SID Code: IFPI 94K4 (CD10, CD11)
Matrix / Runout: 4823270 13 A00 Sony DADC [Universal logo] (CD11)
Matrix / Runout: 4823271 12 A00 Sony DADC [Universal logo] (CD12)
Mould SID Code: IFPI 94KA (CD12, CD17)
Matrix / Runout: 4823272 15 A00 Sony DADC [Universal logo] (CD13)
Mastering SID Code: IFPI L555 (CD13, CD14, CD15, CD19, CD20)
Matrix / Runout: 4823473 15 A00 Sony DADC [Universal logo] (CD14)
Matrix / Runout: 4823274 15 A00 Sony DADC [Universal logo] (CD15)
Matrix / Runout: 4823275 22 A00 Sony DADC [Universal logo] (CD16)
Matrix / Runout: 4823276 12 A00 Sony DADC [Universal logo] (CD17)
Matrix / Runout: 4823277 12 A00 Sony DADC [Universal logo] (CD18)
Matrix / Runout: 4823418 15 A00 Sony DADC [Universal logo] (CD19)
Matrix / Runout: 4823419 15 A00 Sony DADC [Universal logo] (CD20)
SPARS Code: ADD
SPARS Code: DDD