tracks 5 to 16 clarinet Allison Herz tracks 5 to 16 clarinet, bass clarinet Dong Jin Kim tracks 1 to 3 commissioned by André Emelianoff commissioned by [painting commissioned by] Gerald Levinson commissioned by [painting commissioned by] Nanine Valen composed by, photography by Gerald Levinson design [cover design] Cecelia Smith engineer [recording and editing engineer], edited by Curt Wittig executive-producer [managing director, cri] Joseph R. Dalton tracks 5 to 16 flute, alto flute, piccolo flute Pamela Guidetti liner notes Paul Griffiths mastered by Ellen Fitton tracks 5 to 16 oboe, english horn Dorothy Freeman tracks 5 to 16 piano Charles Abramovic tracks 5 to 16 producer Christopher Oldfather tracks 1 to 4, 17 producer Gerald Levinson product manager [production] Ladi Odeku tracks 5 to 16 violin Barbara Sonies tracks 5 to 16 violoncello Lori Barnet Phonographic Copyright (p) Composers Recordings, Inc. Copyright (c) Composers Recordings, Inc. Recorded At Lang Concert Hall, Swarthmore Pennsylvania Mastered At Sony Classical Productions, Inc. Made By American Helix Technology Corporation Manufactured By American Helix Published By Merion Music Published By Theodore Presser Co. Published By Margun Music, Inc. Copyright (c) Nanine Valen Total Playing Time: 76:50
Composition dates / recording information: Dreamlight (1990) / recorded on March 15, 1992. Bronze Music (1980) For Two Pianos / recorded on March 16, 1992. Black Magic/White Magic (1981) / recorded on October, 1990. Morning Star (1989) Chorale For Piano, Four Hands / recorded on March 15, 1992.
All selections recorded at Lang Concert Hall, Swarthmore College, Swarthmore, Pennsylvania.
American Academy & Institute of Arts & Letters Composers Award Recording
Special thanks to the Music Department of Swarthmore College for its assistance and for the use of Lang Concert Hall for the recordings sessions.
This recording is made possible through the generous support of Swarthmore College, the Alice M. Diston Fund of Columbia University, Dr. Jerome D. Goodman, and in part by a 1990 Composers Award Recording grant from the American Academy & Institute of Arts & Letters.