design [package] Nathanial Hornblower
engineer Jon Weiner
engineer, producer, songwriter Beastie Boys
illustration [drawing] Matteo Pericoli
liner notes Toshiya Ohno
liner notes Yoshiaki Takahashi
liner notes [lyrics translation] Miyuki Watanabe Myrthil
management Silva Artist Management
mastered by Chris Athens
mixed by DURO
tracks cd-1, cd-6, cd-13 performer [samples] David Cross
tracks cd-1, cd-6, cd-13 performer [samples] Joe Frank
sleeve notes Ralph Spaulding
turntables [turntable extraordinaire] Mix Master Mike
Record Company Capitol Records
Manufactured By Toshiba EMI Ltd
Phonographic Copyright (p) Capitol Records, Inc.
Phonographic Copyright (p) Beastie Boys
Copyright (c) Capitol Records, Inc.
Copyright (c) Beastie Boys
Recorded At Oscilloscope Laboratories
Mixed At Oscilloscope Laboratories
Mastered At Sterling Sound
CD and DVD packaged in slipcase(o-card) with Japanese booklet and obi. No give-away stickers included.

Recorded and mixed at Oscilloscope Laboratories
Mastered at Sterling Sound.
Album with the original non-censored lyrics and Explicit content warning on sticker.

Publishing:
Track 1, 3 to 5, 7 to 10 & 13 to 15 © 2004 Brooklyn Dust Music/Universal - PolyGram International Publishing, Inc. (ASCAP).
Track 2 by Brooklyn Dust Music/Universal - PolyGram International Publishing, Inc. (ASCAP)/Screen Gems - EMI Music, Inc. (BMI)
Track 6 by Brooklyn Dust Music/Universal - PolyGram International Publishing, Inc. (ASCAP)/Bernard's Other Music (BMI), administered by Warner-Tamerlane Publishing Corp. & Sony/ATV Songs LLC (BMI)
Track 11 by Brooklyn Dust Music/Universal - PolyGram International Publishing, Inc. (ASCAP)/Warner-Tamerlane Publishing Corp./Gang Music Ltd./Second Decade Music Co. (BMI)
Track 12 by Brooklyn Dust Music/Universal - PolyGram International Publishing, Inc./C.B.G.B's, Inc. & Bleu Disque Music Co., Inc., adminstered by Larry Spier, Inc. (ASCAP)

Skits at beginning of track 1, track 6 and end of 13 are samples from The O.J. Chronicles, an episode of The Joe Frank Show
Track 2 contains a sample from The Devil Rides In Jericho, published by Duchess Music Corporation (BMI), courtesy of Verve Records, under license from Universal Music Enterprises and embodies a portion of I Would Have Loved You Anyway, published by Screen Gems - EMI Music, inc. (BMI), under license from Arista Records. Skit in beginning of track 2 is a sample of Cool In The Furnace, courtesy of Word Records.
Track 3 contains a sample from the Radio album, courtesy of Def Jam Recordings, under license from Universal Music Enterprises.
Track 5 contains a sample courtesy of Def Jam Recordings, under license from Universal Music Enterprises.
Track 6 contains elements that were inspired by the lyric from Double Trouble At The Amphitheatre, published by Mad Monkey Music (ASCAP); and elements from Rapper's Delight, published by Bernard's Other Music (BMI) (administered by Warner-Tamerlane Publishing Corp.) & Sony/ATV Songs LLC (BMI), courtesy of Sugar Hill Records.
Track 7 contains a sample from Bellevue Patient, courtesy of Tuff City Records and Street Tuff Tunes, publisher for E. Lockett and a sample from The Symphony, published by CAK Music, inc./Songs of Marl/Cold Chillin' Music (ASCAP), courtesy of Songs of Marl & Third Power Enterprises, Inc.
Track 9 contains a sample from Rock Box, under license from Arista Records.
Skit at end of track 10 is a sample from Sounds, published by Alley Music Corp. & Trio Music Corp. (BMI), courtesy of Atlantic Recording Corporation by arrangement with Warner Strategic Marketing.
Track 11 contains elements from Open Sesame, published by Warner-Tamerlane Publishing Corp., Gang Music Ltd. & Second Decade Music Co. (BMI), administered by Warner-Tamerlane Publishing Corp. (BMI), courtesy of DeLite Records, under license from Universal Music Enterprises and a sample from Do What You Wanna Do, courtesy of King Records.
Track 12 contains elements from Sonic Reducer, published by C.B.G.B.'s, Inc. & Bleu Disque Music Co., Inc., administerd by Larry Spier, Inc. (ASCAP), courtesy of Sire Records, by arrangement with Warner Strategic Marketing; a sample courtesy of 50 Cent; a sample courtesy of Wu-Records/Sancutuary Records; and a sample courtesy of Sony Music Entertainment. Skit at beginning of 12 is a sample from New York's My Home, published by Universal MCA Music Publishing (ASCAP), courtesy of Sony Music Entertainment.
Track 15 (skit at end) embodies a portion of They Punctured My Yolk, published by EMI blackwood Music, inc. & Lovely Sorts Of Death Music (administered by EMI Blackwood Music, Inc.), courtesy of Warner Bros. Records, by arrangement with Warner Strategic Marketing.


Drawing of New York City skyline by Matteo Pericoli, from his book Manhattan Unfurled.

4:3 All region DVD-Video with an interview of the band subtitled in Japanese.

Bonus DVD housed in a cardsleeve with regular compact-disc in Digipak-like sleeve and extra booklet in Japanese with lyrics, all packaged in cardboard slipcase with oversized obi strip.

℗ © 2004 Capitol Records, Inc. and Beastie Boys.
Made in Japan

Barcode: 4 988006 822016 (Obi, Text)
Barcode: 4988006822016 (Obi, Scanned)
Rights Society: JASRAC
Rights Society: ASCAP (Songs)
Rights Society: BMI (Songs)
Other: [04•8•11(04•8•11)] ⓎⓍ (Release Date Code)
Price Code: 2,730円 (定価)
Matrix / Runout: TOCP-66300 1 A3 (CD)
Mastering SID Code: IFPI L154 (CD)
Mould SID Code: IFPI 28R1 (CD)
Matrix / Runout: NVD-1042-S 1 A1 (DVD)
Mastering SID Code: IFPI L155 (DVD)
Mould SID Code: IFPI 2801 (DVD)