art direction, design Geoff Gans
art direction, design Maddy Underwood
cover, design Geoff Gans
tracks g5 to h5 engineer [empire burlesque sessions] George Tutko
tracks g5 to h5 engineer [empire burlesque sessions] Josh Abbey
tracks g5 to h5 engineer [empire burlesque sessions] Judy Feltus
tracks d3 to f5, g3, g4 engineer [infidels sessions] Frank Dickinson
tracks d3 to f5, g3, g4 engineer [infidels sessions] Josh Abbey
tracks d3 to f5, g3, g4 engineer [infidels sessions] Neil Dorfsman
tracks a6, b5 to d2 engineer [shot of love sessions] Dana Bisbee
tracks a6, b5 to d2 engineer [shot of love sessions] Toby Scott
lacquer cut by Warren Defever
liner notes Damien Love
mixed by, mastered by Chris Shaw
mixed by, mastered by Mark Wilder
mixed by, mastered by Steve Addabbo
photography by [front cover photo] Ken Regan
producer Jeff Rosen
producer Steve Berkowitz
tracks g5 to h5 producer [empire burlesque sessions] Bob Dylan
tracks d3 to f5, g3, g4 producer [infidels sessions] Bob Dylan
tracks d3 to f5, g3, g4 producer [infidels sessions] Mark Knopfler
tracks a6, b5 to d2 producer [shot of love sessions] Bob Dylan
tracks a6, b5 to d2 producer [shot of love sessions] Chuck Plotkin
product manager Jeroen van der Meer
product manager [production team] Callie Gladman
product manager [production team] David Beal
product manager [production team] Debbie Sweeney
product manager [production team] Diane Lapson
tracks a1 to a5, b1 to b4 recorded by [1980-1981 rehearsals] Arthur Rosato
research [additional tape research] Glenn Korman
research [additional tape research] Jeff Friedman
research [archivist], coordinator [production coordinator] Parker Fishel
tracks a1, b2, b5, c1, c4, c6 to d2, d4 to e2, e4, f1, f3 to g2, g4 to h5 songwriter Bob Dylan
transferred by [analog-to-digital transfers] Andreas K. Meyer
transferred by [analog-to-digital transfers] Chris Landen
transferred by [analog-to-digital transfers] Cliff Goodloe
transferred by [analog-to-digital transfers] Eliot Kissileff
transferred by [analog-to-digital transfers] Keith Blake
transferred by [analog-to-digital transfers] Kelly Pribble
transferred by [analog-to-digital transfers] Kevin Przybylowski
Phonographic Copyright (p) Columbia Records
Copyright (c) Columbia Records
Record Company Sony Music Entertainment
Licensed To Third Man Records
Recorded At Slane Castle
Recorded At Late Night With David Letterman
Lacquer Cut At Third Man Mastering
Pressed By Third Man Pressing
Description from Third Man Records website:
A 4xLP collection of 42 previously-unreleased outtakes, mixes and more, complete with a 16-page booklet of liner notes and track notations. The LPs are uniquely colored and are in individual sleeves, all housed together in a custom slipcase. The songs on this Third Man Vault set are the only vinyl release of these recordings.

All tracks previously unreleased except C3, C4.

℗ & © 2021 Columbia Records, a division of Sony Music Entertainment under license to Third Man Records

Track details from slipcase, LP jackets:
A1 to A5, B1 to B4: Rehearsal
A6, B5 to C2, C4 to D2: [m=28063] outtake
C3: International 7 Single B-side (also listed as Shot Of Love outtake on pages 9, 12, 14 of booklet)
D3, E1 to E4, F2, F4, F5, G3, G4: [m=27903] outtake
D4, D5, F1, F3: [m=27903] alternate take
G1: Slane Castle, Ireland
G2: Late Night With David Letterman, March 22, 1984
G5, G6, H2, H3, H5: [m=27776] alternate take
H1: [m=27776] alternate mix
H4: [m=27776] outtake

Additional track details from booklet:
C3: Previously released as B-side to [m=29617]
C4: Previously released on Hawaii Five-O (Original Songs From The Television Series).
G1: July 8, 1984 - Slane Castle, Slane, Ireland
G2: (from Late Night with David Letterman, March 22, 1984) courtesy of Universal Television LLC. Backed by three members of The Plugz.

Vault package description insert:
This package includes: Hardcover slipcase + 4 Unique LP jackets with collaged ephemera from the era + 4x LP previously unreleased outtakes, mixes & rehearsals + 16-page booklet with liner notes & track-by-track breakdown
Matrix / Runout: 19439865791A (Side A label)
Matrix / Runout: 19439865791B (Side B label)
Matrix / Runout: 19439865791C (Side C label)
Matrix / Runout: 19439865791D (Side D label)
Matrix / Runout: 19439865791E (Side E label)
Matrix / Runout: 19439865791F (Side F label)
Matrix / Runout: 19439865791G (Side G label)
Matrix / Runout: 19439865791H (Side H label)
Matrix / Runout: TMR 738A TMM TMP WAR. WELL, GOD IS IN HIS HEAVEN (Side A runout, variant 1)
Matrix / Runout: TMR 738B TMM TMP WAR. AND WE ALL WANT WHAT'S HIS (Side B runout, variant 1)
Matrix / Runout: IITMR-738C TMM TMP WAR. BUT POWER AND GREED AND CORRUPTABLE SEED (Side C runout, variant 1)
Matrix / Runout: IITMR-738D TMM TMP WAR. SEEM TO BE ALL THAT THERE IS (Side D runout, variant 1)
Matrix / Runout: TMR 738E TMM TMP WAR. I'M GAZING OUT THE WINDOW (Side E runout, variant 1)
Matrix / Runout: TMR 738F TMM TMP WAR. OF THE ST. JAMES HOTEL (Side F runout, variant 1)
Matrix / Runout: TMR 738G TMM TMP WAR. AND I CAN TELL YOU ONE THING (Side G runout, variant 1)
Matrix / Runout: IITMR 738H TMM TMP.WAR. NO ONE CAN SING THE BLUES LIKE BLIND WILLIE MCTELL (Side H runout, variant 1)
Matrix / Runout: TMR 738A TMM TMP WAR. WELL, GOD IS IN HiS HEAVEN (Side A runout, variant 2)
Matrix / Runout: II TMR 738B TMM TMP WAR. AND WE ALL WANT WHAT'S HIS (Side B runout, variant 2)
Matrix / Runout: II TMR 738 C TMM TMP WAR. BUT POWER AND GREED AND CORRUPTABLE SEED (Side C runout, variant 2)
Matrix / Runout: IITMR 738D TMM TMP WAR. SEEM TO BE ALL THAT THERE IS (Side D runout, variant 2)
Matrix / Runout: IITMR 738E TMM TMP WAR. I'M GAZING OUT THE WINDOW (Side E runout, variant 2)
Matrix / Runout: TMR 738F TMM TMP WAR. OF THE ST.JAMES HOTEL (Side F runout, variant 2)
Matrix / Runout: IITMR 738G TMM TMP WAR. AND I CAN TELL YOU ONE THING (Side G runout, variant 2)
Matrix / Runout: IITMR 738H TMM TMP WAR. NO ONE CAN SING THE BLUES LIKE BLIND WILLIE MCTELL (Side H runout, variant 2)