tracks 101-14 to 101-18 baritone vocals Arthur Fear
tracks 102-8 to 102-15 baritone vocals Friedrich Schorr
tracks 100-2, 100-3, 101-9 to 101-13 baritone vocals Giovanni Inghilleri
tracks 100-6 to 100-8 baritone vocals Peter Dawson
tracks 100-5 bass vocals Feodor Chaliapin
tracks 100-9, 100-10 bass vocals Fernando Autori
tracks 84-1 to 84-7 cello Jacqueline Du Pré
tracks 9-22 to 9-24 cello Stuart Knussen
tracks 44-1 to 44-3 cello William Pleeth
tracks 96-1 to 97-19 choir Girls From Hammersmith County School
tracks 96-1 to 97-19 choir Upton House School Boys Choir
tracks 92-1 to 92-9, 99-3 to 99-5, 103-18 chorus Chorus Of The Royal Opera House, Covent Garden
tracks 94-1 to 95-22 chorus Coro Del Teatro Dell'Opera Di Roma
tracks 107-1 to 107-18 chorus Hallé Choir
tracks 90-5 to 91-4 chorus New Philharmonia Chorus
tracks 96-1 to 97-19 chorus The Ambrosian Opera Chorus
tracks 65-4 to 65-8, 91-12, 91-14 to 91-16, 91-19 to 91-21, 93-1 to 93-38 chorus The Ambrosian Singers
tracks 96-1 to 97-19 chorus master Bruno Pizzi
tracks 94-1 to 95-22 chorus master Gianni Lazzari
tracks 96-1 to 97-19 chorus master Jean Povey
tracks 65-4 to 65-8, 91-12, 91-14 to 91-16, 91-19 to 91-21, 93-1 to 93-38, 96-1 to 97-19 chorus master John McCarthy
tracks 1-1 to 109-5 conductor Sir John Barbirolli
tracks 98-1 to 98-5 contralto vocals Maartje Offers
tracks 99-7 contralto vocals Marguerita Carlton
tracks 103-18 contralto vocals Nellie Walker
tracks 1-1 to 1-9, 2-1, 2-2 engineer [balance engineer] A.D. Lawrence
tracks 98-6, 98-7, 98-10, 98-13 , 98-14 engineer [balance engineer] A.J. Twine
tracks 92-1 to 92-9 engineer [balance engineer] Albert Deering
tracks 50-14, 64-5, 65-1 to 65-12, 69-1 to 69-5, 83-4 to 84-3, 90-5 to 91-4, 96-1 to 97-19 engineer [balance engineer] Allen Stagg
tracks 1-1 to 2-4, 2-8 to 3-13, 4-1, 4-2, 4-4, to 4-7, 4-9, 4-15, 4-16, 5-1 to 7-12, 8-7, 8-8, 9-7 to 10-5, 10-11 to 10-17, 11-2 to 11-8, 12-1 to 13-11, 71-4 to 73-6, 75-8, 75-9 to 78-3, 79-1 to 79-9, 81-1 to 81-3, 88-1 to 88-4, 98-1 to 98-3, 98-6, 98-7, 98-10, 98-13 to 98-18, 99-10 to 99-16, 100-1 to 100-3, 101-5 1o 101-8, 102-1 to 102-6, 104-14, 102-15, 103-17 engineer [balance engineer] Arthur Clarke
tracks 21-5 to 21-8, 23-24 to 23-26, 24-7 to 24-10, 25-9, 25-10, 30-1, 31-11, 32-1 to 32-4, 32-6, 32-7, 33-9 to 33-19, 35-1 to 35-5, 36-3 to 37-4, 37-6 to 39-5, 40-1 to 41-2, 42-1 to 42-6, 80-1 to 80-16, 82-1 to 83-3, 104-1 to 104-19 engineer [balance engineer] Bob Auger
tracks 2-3, 2-4, 99-7, 103-17 engineer [balance engineer] C.C. Blyton
tracks 70-4 to 70-10 engineer [balance engineer] Charles Anderson
tracks 47-1 to 49-4, 51-1 to 51-5, 56-1 to 56-4, 61-5, 65-13 to 65-17, 66-9 to 66-31, 67-7 to 67-10, 68-10 to 68-16, 81-4 to 81-6, 84-4 to 84-7, 87-1 to 87-4, 91-5 to 91-21, 105-1 to 105-14, 108-6, 108-7, 109-7 engineer [balance engineer] Christopher Parker
tracks 12-6, 13-1, 15-1 to 15-4, 81-4 to 81-6, 103-1 to 103-9 engineer [balance engineer] Douglas Larter
tracks 1-2 to 1-5, 1-10 to 1-12, 73-1 to 73-3, 75-8, 75-9, 77-4 to 77-6, 98-15 to 98-18, 99-10 to 99-12, 101-5 to 101-12, 103-1 to 103-9 engineer [balance engineer] Edward Fowler
tracks 46-1 to 46-4, 58-1 to 60-15 engineer [balance engineer] Ernst Rothe
tracks 1-2 to 1-5, 1-10 to 1-12, 2-3, 2-4, 98-15 to 98-18, 99-10 to 99-13, 101-9 to 101-13 engineer [balance engineer] F.C. Buckley
tracks 15-10 to 16-4, 17-1 to 17-4, 17-6 to 17-8, 20-1 to 20-10, 81-7 to 81-21, 86-1 to 86-3 engineer [balance engineer] Francis Dillnutt
tracks 102-2, 102-3 engineer [balance engineer] G. Castle
tracks 99-7, 102-2, 102-3, 103-17 engineer [balance engineer] George Dillnutt
tracks 10-6 to 10-10, 43-1 to 43-4, 43-6 to 45-6, 78-7 to 78-9, 100-2, 100-3 engineer [balance engineer] Harold Davidson
tracks 92-1 to 92-9 engineer [balance engineer] Horace Hack
tracks 21-1 to 21-4, 22-1 to 22-4, 24-1, 24-2, 26-1 to 27-5, 29-1 to 29-7, 30-2 to 30-5, 33-1 to 33-8, 35-6 to 35-8, 41-3 to 41-10, 79-10 to 79-18, 82-8 to 82-11, 108-1, 108-2, 108-4 engineer [balance engineer] John Mosely
tracks 55-9 to 55-11, 56-5 to 56-8, 68-1 to 68-9 engineer [balance engineer] Martin Benge
tracks 49-5 engineer [balance engineer] Michael Gray
tracks 98-15 to 98-18, 99-10 to 99-12, 101-9 to 101-12 engineer [balance engineer] N. T. Easton
tracks 43-5, 50-1 to 50-13, 51-6 to 52-9, 53-1 to 53-4, 54-1 to 55-4, 57-4 to 57-7, 64-1 to 64-4, 79-22 to 79-24, 93-1 to 93-38, 106-1 to 106-5 engineer [balance engineer] Neville Boyling
tracks 67-1 to 67-6 engineer [balance engineer] Paul Vavasseur
tracks 52-10, 53-5 to 53-9, 55-5 to 55-8, 56-9, 56-10, 57-8, 61-1 to 61-4, 62-1 to 63-3, 88-5 to 89-18, 106-6 to 106-10, 108-5 engineer [balance engineer] Peter Bown
tracks 1-6 to 1-9, 8-1 to 8-6, 8-9, 9-1 to 9-6, 11-3 to 11-6, 12-1, 12-5, 14-1 to 14-10, 15-5 to 15-9, 16-5 to 16-10, 17-5, 18-1 to 19-23 engineer [balance engineer] Robert Beckett
tracks 22-5 to 22-8, 23-1 to 23-23, 24-3 to 24-6, 25-1 to 25-8, 28-1 to 28-8, , 31-1 to 31-10, 31-12, 32-5, 34-1 to 34-9, 36-1, 36-2, 37-5, 39-6, 79-19 to 79-21, 108-3 engineer [balance engineer] Robert Fine
tracks 12-7 to 12-11, 85-1 to 85-7, 94-1 to 95-22, 109-1 to 109-5 engineer [balance engineer] Robert Gooch
tracks 102-1, 102-4 to 102-6 engineer [balance engineer] Sidney Edwin Tunn
tracks 64-1 to 64-4, 66-1 to 66-8, 69-1 to 69-5, 80-17 to 80-24, 90-5 to 91-4, 96-1 to 97-19, 106-11 to 106-15 engineer [balance engineer] Stuart Eltham
tracks 1-1 to 1-9, 2-1, 2-2, 98-1 to 98-3, 98-6, 98-7, 98-10, 98-13, 98-14 engineer [balance engineer] Waldemar René Vogel
tracks 2-1, 2-2 ensemble London Violoncello School
tracks 103-17 ensemble Royal Opera House, Covent Garden
tracks 44-1 to 44-3 ensemble The Allegri String Quartet
tracks 102-14, 102-15 mezzo-soprano vocals Emmi Leisner
tracks 99-10 to 99-13 mezzo-soprano vocals Irene Minghini-Cattaneo
tracks 105-1 to 106-15 mezzo-soprano vocals Janet Baker
tracks 98-13, 98-14 mezzo-soprano vocals Maria Olszewska
tracks 104-13 to 104-19 mezzo-soprano vocals Marina De Gabarain
tracks 79-1 to 80-24 oboe Evelyn Rothwell
tracks 51-6 to 51-10, 64-1 to 64-4 orchestra BBC Symphony Orchestra
tracks 46-1 to 46-4 orchestra Berliner Philharmoniker
tracks 93-1 to 93-38 orchestra English Chamber Orchestra
tracks 5-1 to 8-5, 8-7 to 42-6, 47-1 to 49-4, 52-1 to 57-8, 61-1 to 61-4, 65-1 to 66-31, 67-7 to 67-10, 68-10 to 68-16, 78-7 to 79-21, 81-1 to 81-3, 81-7 to 71-21, 82-1 to 83-3, 88-1 to 89-18, 91-5 to 91-21, 104-1 to 104-19, 106-1 to 106-10, 107-1 to 109-5 orchestra Hallé Orchestra
tracks 1-1 to 1-12, 3-7 to 3-11, 3-13, 70-1 to 70-3, 71-1 to 71-3, 77-1 to 77-3, 98-1 to 98-3 orchestra John Barbirolli's Chamber Orchestra
tracks 3-15, 4-3, 4-10 to 4-14, 74-1 to 75-7, 76-1 to 76-6, 78-1 to 78-3, 92-1 to 92-9 orchestra London Philharmonic Orchestra
tracks 2-5 to 3-6, 3-12, 4-1, 4-2, 4-4 to 4-7, 4-9, 4-16, 4-17, 49-5 to 50-13, 54-1 to 54-5, 68-1 to 68-9, 71-4 to 71-6, 72-1 to 73-3, 75-8, 75-9, 77-4 to 77-6, 79-22 to 79-24, 81-4 to 81-6, 83-4 to 84-7, 103-2, 103-3, 103-17, 105-10 to 105-14 orchestra London Symphony Orchestra
tracks 48-1 to 48-6, 50-14, 61-5 to 63-3, 64-5, 69-1 to 69-5, 80-17 to 80-21, 86-1 to 87-4, 90-5 to 91-4, 96-1 to 97-19, 105-1 to 105-9, 106-11 to 106-15 orchestra New Philharmonia Orchestra
tracks 94-1 to 95-22 orchestra Orchestra Del Teatro Dell'Opera Di Roma
tracks 2-3, 2-4, 99-1 to 99-6, 103-18 orchestra Orchestra Of The Royal Opera House, Covent Garden
tracks 8-6 orchestra Orchestra dell'Accademia Nazionale di Santa Cecilia
tracks 67-1 to 67-6 orchestra Orchestre De Paris
tracks 43-1 to 43-4, 44-7 to 45-6, 85-1 to 85-7 orchestra Philharmonia Orchestra
tracks 78-4 to 78-6 orchestra Philharmonic-Symphony Orchestra Of New York
tracks 80-4 to 80-16 orchestra Pro Arte Orchestra
tracks 43-5, 43-6 to 44-6 orchestra Sinfonia Of London
tracks 3-14. 71-7 to 71-9 orchestra The New Symphony Orchestra Of London
tracks 58-1 to 60-15 orchestra Wiener Philharmoniker
tracks 101-4, 101-5, 103-13 to 103-15 organ Herbert Dawson
tracks 72-1 to 72-9 piano Arthur Rubinstein
tracks 86-1 to 87-4 piano Daniel Barenboim
tracks 85-1 to 85-7 piano John Ogdon
tracks 70-7 to 70-10 piano Yvonne Arnaud
tracks 16-9, 16-10 to 17-5, 18-1 to 19-6, 19-14 to 20-2, 21-5 to 21-8, 22-5 to 22-8, 23-1 to 23-23, 24-3 to 24-6, 25-1 to 25-8, 81-7 to 81-21 producer Alan Melville
tracks 12-8 to 12-11 producer Bruce Flegg
tracks 78-4 to 78-6 producer Charles O'Connell
tracks 48-1 to 48-6, 51-4, 51-5, 52-1 to 52-9, 53-5 to 53-9, 55-9 to 57-8, 61-5, 65-1 to 66-8, 67-7 to 67-10, 68-10 to 68-15, 105-1 to 105-9, 108-5 producer Christopher Bishop
tracks 6-5, 7-1 to 8-5, 8-8, 8-9, 9-6, 9-25, 10-6 to 10-10, 11-3 to 11-6, 12-1, 12-5 to 13-9, 14-1, 14-3 to 14-6, 14-7 to 14-10, 15-5 to 15-7, 78-7 to 79-5 producer David Bicknell
tracks 21-1 to 21-4, 22-1 to 22-4, 23-24 to 23-26, 24-1, 24-2, 24-7 to 24-10, 25-9, 25-10, 26-1 to 27-5, 29-1 to 30-5, 32-1, 32-4, 33-1 to 33-8, 35-6 to 35-8, 36-10 to 37-4, 37-6 to 38-2, 39-1 to 39-5, 41-1 to 42-1, 79-10 to 79-18, 80-4 to 80-16, 82-8 to 83-3, 104-1 to 104-19, 108-1, 108-2 producer Douglas Terry
tracks 12-8 to 12-11 producer Edmund Rubbra
tracks 9-7 to 9-23, 72-1 to 72-6, 73-1 to 73-3, 77-4 to 77-6, 101-1 to 101-8 producer Fred Gaisberg
tracks 28-1 to 28-8, 31-1 to 31-10, 31-12, 32-5, 34-7 to 34-9, 36-1, 36-2, 37-5, 39-6, 79-19 to 79-21, 108-3 producer Harold Lawrence
tracks 44-7 to 45-6 producer James Burnett
tracks 31-11, 32-3, 32-3, 32-6, 32-7, 33-9 to 33-19, 35-1 to 35-5, 36-3 to 36-9, 38-3 to 38-11, 40-1 to 40-8, 42-2 to 42-6, 80-1 to 80-3, 82-1 to 82-7 producer John Snashall
tracks 109-1 to 109-5 producer Jon Tolansky
tracks 2-3 to 2-13, 3-7 to 3-14, 4-1, 4-2, 4-4 to 4-7, 4-9, 4-15, 4-17, 7-1 to 7-4, 8-8, 9-25 to 10-17, 11-2 to 11-8, 12-1 to 13-11, 14-2 to 14-6, 15-1 to 16-8, 17-6 to 18-13, 19-7 to 19-13, 20-3 to 20-10, 71-4 to 71-6, 72-1 to 72-9, 73-4 to 73-6, 76-1 to 77-3, 78-1 to 78-3, 79-6 to 79-9, 79-22 to 79-24, 81-1 to 81-6, 88-1 to 88-4, 98-4 to 98-12, 99-1 to 99-6, 99-10 to 99-13, 100-1 to 100-3, 100-9, 100-10, 101-5 to 101-13, 102-1 to 102-9, 102-14, 102-15, 103-17, 103-18 producer Lawrance Collingwood
tracks 49-5, 68-1 to 68-9 producer Michael Williamson
tracks 43-1 to 43-4, 44-7 to 44-21, 46-1 to 47-4, 48-7 to 48-12, 50-1 to 51-3, 51-6 to 51-10, 53-1 to 53-4, 54-1 to 55-4, 58-1 to 61-4, 62-1 to 63-3, 64-1 to 65-12, 67-1 to 67-6, 68-16, 69-1 to 69-5, 80-17 to 80-24, 84-4 to 85-7, 87-1 to 87-4, 88-5 to 89-18, 90-5 to 91-4, 93-1 to 97-19, 105-10 to 106-15, 109-7 producer Ronald Kinloch Anderson
tracks 66-9 to 66-31, 83-4 to 84-6, 86-1 to 86-3, 91-5 to 91-21, 108-6, 108-7 producer Suvi Raj Grubb
tracks 43-1 to 44-21, 45-1 to 45-6, 49-1 to 49-4, 52-10, 55-5 to 55-8, 61-1 to 61-4, 85-1 to 85-7 producer Victor Olof
tracks 5-1 to 6-4, 6-6, 6-7, 8-7, 92-1 to 92-9 producer Walter Legge
tracks 22-5 to 22-8, 23-1 to 23-23, 24-3 to 24-6, 25-1 to 25-8, 28-5 to 28-8, 31-1 to 31-10, 31-12, 34-1 to 34-6, 37-5 producer Wilma Cozart
remastered by Art & Son Studio
tracks 99-8, 99-9 soprano vocals Dusolina Giannini
tracks 98-15 to 98-18 soprano vocals Elsie Suddaby
tracks 99-1 to 99-6 soprano vocals Florence Austral
tracks 98-6 to 98-12 soprano vocals Frida Leider
tracks 100-1 soprano vocals Ina Souez
tracks 104-1 to 104-12 soprano vocals Leonora Lafayette
tracks 99-14 to 99-16 soprano vocals Lily Pons
tracks 65-10 to 65-12 soprano vocals Sheila Armstrong
tracks 96-1 to 97-19 stage manager John Cox
tracks 80-1 to 80-3 strings Strings Of The Hallé Orchestra
tracks 100-4 tenor vocals Aureliano Pertile
tracks 101-1 to 101-8 tenor vocals Beniamino Gigli
tracks 101-19 to 101-22 tenor vocals Browning Mummery
tracks 103-1 to 103-12 tenor vocals Joseph Hislop
tracks 102-1 to 102-9 tenor vocals Lauritz Melchior
tracks 100-3 tenor vocals Nello Palai
tracks 101-10, 101-11 tenor vocals Octave Dua
tracks 100-2, 100-3 tenor vocals Renato Zanelli
tracks 103-13 to 103-16 tenor vocals Richard Crooks
tracks 104-1 to 104-12 tenor vocals Richard Lewis
tracks 100-11 to 100-13 tenor vocals Walter Widdop
tracks 101-10 tenor vocals luigi Cilla
tracks 9-1 to 9-29 viola George Alexander
tracks 44-1 to 44-3 viola Patrick Ireland
tracks 21-1 to 21-8 viola Sydney Errington
tracks 4-13 violin Antonio Brosa
tracks 44-1 to 44-3 violin Eli Goren
tracks 76-1 to 76-6 violin Fritz Kreisler
tracks 44-1 to 44-3 violin James Barton
tracks 74-1 to 75-9 violin Jascha Heifetz
tracks 71-1 to 71-6 violin Mischa Elman
tracks 9-1 to 9-29 violin [violin ii] Peter Hecht
tracks 21-1 to 21-8 violin [violin ii] Sydney Partington
tracks 9-1 to 9-29, 21-1 to 21-8 violin [violin i] Laurance Turner
Phonographic Copyright (p) Parlophone Records Ltd.
Copyright (c) Parlophone Records Ltd.
Recorded At Small Queen's Hall, London
Recorded At Royal Opera House
Recorded At Kingsway Hall
Recorded At Abbey Road Studios
Recorded At Houldsworth Hall
Recorded At Teatro Argentina
Recorded At Liverpool Philharmonic Hall
Recorded At Free Trade Hall
Recorded At Temple Church, London
Recorded At Jesus-Christus-Kirche, Berlin
Recorded At Großer Saal, Wiener Musikverein
Recorded At Watford Town Hall
Recorded At Carnegie Hall
Recorded At St. Gabriel's, Cricklewood
Recorded At Teatro Dell'Opera Di Roma
Recorded At Walthamstow Assembly Hall
Recorded At Royal Albert Hall
Barcode: 0 190295 386085 (Text)
Barcode: 0190295386085 (Scanned)