a&r Suzette Williams
alto saxophone [intro / interludes], flute [intro / interludes], tenor saxophone [intro / interludes] Bud Beadle
art direction Erwin Gorostiza
art direction Lauryn Hill
band [band & crew] Ademola McMullen
band [band & crew] Arun Pandian
band [band & crew] Candice Anderson
band [band & crew] DJ Supreme
band [band & crew] Donovan Jackson
band [band & crew] Jared Crawford
band [band & crew] Jeff Motley
band [band & crew] Lenesha Randolph
band [band & crew] Paul Fakhourie
band [band & crew] Tara Watkins
bass [intro / interludes] Stuart Zender
bass [intro / interludes] Tom Barney
edited by [digital editing] Devon Kirkpatrick
electric piano [intro / interludes - rhodes], electric piano [intro / interludes - wurlitzer], organ [intro / interludes - hammond b-3], piano [intro / interludes] DON-E
electric piano [intro / interludes - rhodes], electric piano [intro / interludes - wurlitzer], organ [intro / interludes - hammond b-3], piano [intro / interludes] Loris Holland
engineer [intro / interludes - assistant recording engineers] Chipman Verspyck
engineer [intro / interludes - assistant recording engineers] Neil Tucker
guitar [intro / interludes] Andrew Smith
guitar [intro / interludes] Francis Dunnery
hair Veronica Fletcher
harp [intro / interludes] Elisabeth Valletti
make-up Anita Gibson
mastered by Herb Powers Jr.
mixed by [intro / interludes] Commissioner Gordon
photography by Eric Johnson
photography by [[back cover/spine sheet photography] Marc Baptiste
producer, written-by, arranged by, performer, executive-producer Lauryn Hill
recorded by [intro / interludes] Matt Howe
recorded by [intro / interludes] Tony Prendatt
stylist Debra Ginyard
stylist Derek Khan
stylist Tameka Foster
supervised by [project supervisor] Gordon Williams
trombone [intro / interludes] Fayyaz Virji
trumpet [intro / interludes], flugelhorn [intro / interludes] Kevin Robinson
Phonographic Copyright (p) Ruffhouse Records LP
Copyright (c) Ruffhouse Records LP
Manufactured By Sony Music Manaus Ind. E Com. Ltda.
Manufactured For Sony Music Entertainment (Brasil) Ind. E Com. Ltda.
Glass Mastered At SME Brasil
Pressed By Sony Music Brasil
Produced For Invisible Society Inc.
Produced For Rikers Island Productions
Recorded At Marley Music, Inc. (2)
Recorded At RPM Studios
Recorded At Chung King Studios
Recorded At Perfect Pair Studios
Recorded At Circle House Studios
Recorded At Sony Music Studios, New York City
Recorded At Metropolis Studios
Recorded At The Hit Factory
Recorded At Right Track Recording
Mixed At Chung King Studios
Mixed At The Hit Factory
Mixed At Sony Music Studios, New York City
Mastered At Powers House Of Sound
Published By Songs Of PolyGram International, Inc.
Published By Colgems-EMI Music Inc.
Published By Careers-BMG Music Publishing, Inc.
Published By Wu-Tang Publishing
Published By Rodali Music
Published By Sony/ATV Songs LLC
Published By Fox-Gimbel Productions, Inc.
Published By Doors Music Company
Published By Fifty-Six Hope Road Music Ltd.
Published By Odnil Music Ltd.
Published By PolyGram International Publishing, Inc.
Published By Scanian Music
Published By Silktone Songs, Inc.
Published By Last Song Inc.
Published By Sony / ATV Music Publishing
Copyright (c) Sony/ATV Tunes LLC
Copyright (c) Obverse Creation Music
Copyright (c) Songs Of PolyGram International, Inc.
Copyright (c) Colgems-EMI Music Inc.
Copyright (c) Careers-BMG Music Publishing, Inc.
Copyright (c) Wu-Tang Publishing
Copyright (c) Sony/ATV Songs LLC
Copyright (c) Rodali Music
Copyright (c) Fox-Gimbel Productions, Inc.
Copyright (c) Jermaine Music
Copyright (c) Scanian Music
© 1998 Ruffhouse Records LP ℗ 1998 Ruffhouse Records LP
16-page booklet.

Track 4 co-produced for Invisible Society, Inc.
Track 9: Mixed for Rikers Island Productions.

Track 2, 10: Recorded at Marley Music, Inc. (Kingston, Jamaica).
Track 3: Recorded at RPM Studios (NYC), Marley Music, Inc. (Kingston, Jamaica) and Chung King Studios (NYC).
Track 4: Recorded at Perfect Pair Studios (NJ), Chung King Studios (NYC) and Circle House Studios (Miami, FL).
Track 5: Recorded at Marley Music, Inc. (Kingston, Jamaica) and Chung King Studios (NYC).
Track 6: Recorded at RPM Studios, Chung King Studios and Sony Music Studios (NYC).
Track 7, Intro / Interludes: Recorded at Metropolis Studio (London, England) and Chung King Studios (NYC).
Track 8: Recorded at RPM Studios (NYC), Marley Music, Inc. (Kingston, Jamaica), Sony Music Studios (NYC), Perfect Pair Studios (NJ), Chung King Studios (NYC).
Track 9: Recorded at Chung King Studios (NYC) and Perfect Pair Studios (NJ).
Track 11: Recorded at The Hit Factory, Chung King Studios, RPM Studios and Sony Music Studios (NYC) and Perfect Pair Studios (NJ).
Track 12: Recorded at Sony Music Studios, Right Track Studios, and Chung King Studios (NYC).
Track 13: Recorded at Sony Music Studios (NYC).
Track 14: Recorded at Chung King Studios, NYC.

Tracks 2, 4, 6, 8, 9, 12, 14, Intro / Interludes: Mixed at Chung King Studios (NYC).
Track 3: Mixed at Hit Factory Studios and Chung King Studios (NYC).
Track 5, 10, 11, 13: Mixed at Sony Music Studios (NYC).

Track 2: Contains replayed elements from Bam Bam. Songs of PolyGram International, Inc. (BMI).
Track 3: Contains replayed elements from Can It All Be So Simple. Colgems-EMI Music, Inc. (ASCAP)/Careers-BMG Music Publishing, Inc./Wu-Tang Publishing (BMI).
Track 4: Contains elements from And The Feeling's Good. Rodali Music (admin. by Sony/ATV Songs, LLC)/Fox Gimble Productions, Inc. (BMI).
Track 6: Contains elements from Light My Fire. Doors Music Co. (ASCAP).
Track 10: This song is an interpretation of Concrete Jungle. Fifty-Six Hope Road Music, Ltd./Odnil Music, Ltd., administered by PolyGram International Publishing, Inc. (ASCAP).
Track 11: Contains replayed elements from Tony Poem. Scanian Music (ASCAP). Jack Your Body. Silktone Songs, Inc./Last Song, Inc. (BMI).

Track 2: © 1998 Sony/ATV Tunes LLC/ Obverse Creation Music (ASCAP)/Songs of PolyGram International, Inc. (BMI).
Track 3: © 1998 Sony/ATV Tunes LLC/Obverse Creation Music (ASCAP)/Colgems-EMI Music, Inc. (ASCAP)/Careers-BMG Music Publishing, Inc./Wu-Tang Publishing (BMI).
Track 4: © 1998 Sony/ ATV Tunes LLC/Obverse Creation Music (ASCAP)/Sony/ATV Songs, LLC/Rodali Music/Fox Gimble Productions, Inc. (BMI).
Tracks 5, 7 to 10, 12: © 1998 Sony/ATV Tunes LLC/Obverse Creation Music (ASCAP).
Track 6, 13, 14: © 1998 Sony/ATV Tunes LLC/Obverse Creation Music/Jermaine Music (ASCAP).
Track 11: © 1998 Sony/ATV Tunes LLC/Obverse Creation Music/Scanian Music (ASCAP).

Tracks 2, 3, 5, 6 to 14: All rights for Sony/ATV Tunes LLC and Obverse Creation Music administered by Sony/ATV Music Publishing.
Track 4: All rights for Sony/ATV Tunes LLC, Obverse Creation Music, Sony/ATV Songs, LLC and Rodali Music administered by Sony/ATV Music Publishing.
Barcode: 5 099748 984326 (Text)
Barcode: 5099748984326 (Scanned, QR Reader app)
Other: 68292164 (GRA - Track 2)
Other: 68292173 (GRA - Track 3)
Other: 68292182 (GRA - Track 4)
Other: 68292191 (GRA - Track 5)
Other: 68292206 (GRA - Track 6)
Other: 68292215 (GRA - Track 7)
Other: 68292224 (GRA - Track 8)
Other: 68292233 (GRA - Track 9)
Other: 68292242 (GRA - Track 10)
Other: 6829251 (GRA - Track 11)
Other: 68292260 (GRA - Track 12)
Other: 68292270 (GRA - Track 13)
Other: 68292289 (GRA - Track 14)
Other: 68292298 (GRA - Track 15)
Other: 68292302 (GRA - Track 16)
Rights Society: BMI
Rights Society: ASCAP
Matrix / Runout: 1-1-489843-01 2 * ** ******** MASTERED BY SME BRASIL (Variant 1 & 2)
Mastering SID Code: IFPI L391 (Variant 1 & 2)
Mould SID Code: IFPI 6605 (Variant 1)
Mould SID Code: IFPI 6604 (Variant 2)
Other: S M B (Inner Ring Mould, Variant 1 & 2)