cello Tomás Ibáñez
congas [tumbadora] Guido Sarría
congas [tumbadora] Mario Ortega
contrabass Gonzalo Noroña
tracks a2, a3 double bass Jim Barr
engineer Manuel López
flute, piano, composed by Richard Egües
guiro, voice [piropo] Pedro Ariosa
tracks a2 harmonica Keith Warmington
rap, flute, lyrics by, artwork, composed by, arranged by, producer Señor Roody
saxophone César López
tracks a3, c3 saxophone Martin Genge
technician [studio technique], composed by, keyboards Clandestine Ein
timbales [paila] Blas Egües
tracks a1 trumpet Andy Hague
trumpet Juan Larrinaga
typography [typesetting] Haydn Suckling
viola Jorge Padilla
violin Esneldo Sánchez
violin Lázaro Hernández
vocals Carlos de Valle
vocals Pedro Jiménez
vocals Pepe Olmo
vocals Vicente Mora
Distributed By Vital (2)
Recorded At Estudio Sonocaribe
Lacquer Cut At The Exchange
Phonographic Copyright (p) Ninja Tune
Copyright (c) Ninja Tune
Recorded at Sonocaribe Studio, Calle 23, La Habana, Cuba, and St. Andrews, Bristol, U.K.
Compiled in Bristol.
Record cut at 'The Exchange', Camden Town, London.
Track A2 includes a poem taken from 'Our Man In Havana' by Graham Greene.

Contains insert
Barcode: 5 021392 239187
Barcode: 5021392239187 (Scanned)
Matrix / Runout: ZEN 58-A THROUGH AN APERTURE OF YOUTH (Runout A, etched)
Matrix / Runout: ZEN 58-B EL PAIS QUE ME ADMITO COMO HIJO SUYO (Runout B, etched)
Matrix / Runout: ZEN 58-C ... OF DARK VOICES ON SALT AIR..! (Runout C, etched)
Matrix / Runout: ZEN 58-D OH MI BALCON, QUE BONITO ES! (Runout D, etched)