Bill Evans The Complete Bill Evans On Verve
1997 18x CD, Box Set
Bop
Vocal
Modal
Post Bop
Cool Jazz
Contemporary Jazz

Main image
Verve Records
tracks 7-5, 7-10 arranged by Bill Evans
tracks 16-15, 17-1 to 17-3, 17-10, 17-14 to 17-21, 18-1, 18-2 arranged by, conductor Michael Leonard
art direction, design Patricia Lie
tracks 4-14 to 4-20, 5-1 to 5-15, 6-1 to 6-17, 7-1 to 7-19, 8-1 to 8-16, 9-1 to 9-4, 9-6 to 9-8, 10-7 to 10-15 bass Chuck Israels
tracks 11-8 to 11-16, 12-1 to 12-14, 13-1 to 13-15, 14-1 to 14-14, 15-2 to 15-5, 16-1 to 16-15, 17-1 to 17-21, 18-1 to 18-8 bass Eddie Gomez
tracks 18-9 to 18-12 bass Ernie Furtado
tracks 2-11 to 2-18, 3-1 to 3-18, 4-1 to 4-13 bass Gary Peacock
tracks 1-1 to 1-6 bass Monty Budwig
tracks 1-7 to 1-12 bass Richard Davis
tracks 17-1 to 17-3 bass trombone Paul Fralise
tracks 1-7 to 1-12 cello Aaron Juvelier
tracks 17-1 to 17-3 cello George Ricci
tracks 1-7 to 1-12 cello Joe Tekula
tracks 17-1 to 17-3, 17-10, 18-2 cello Seymour Barab
tracks 1-7 to 1-12 clarinet Phil Woods
tracks 2-3, 16-6 composed by Alex North
tracks 8-11 composed by Alexander Scriabine
tracks 11-13, 13-5, 13-13, 14-6 composed by Allie Wrubel
tracks 12-2, 12-9, 13-3, 13-11, 14-4 composed by André Previn
tracks 15-8, 15-12 composed by Ben Raleigh
tracks 2-7, 4-1 to 4-2, 4-19, 5-14, 7-8, 8-12, 8-15, 9-5, 9-8, 10-3, 10-7, 10-9, 10-14, 10-15, 11-4, 11-10, 11-14, 12-1, 12-10, 13-7, 13-15, 14-3, 14-8, 14-10, 15-5, 16-5, 17-3, 17-7 to 17-10, 18-3 to 18-5 composed by Bill Evans
tracks 16-3 composed by Bob Haggart
tracks 12-5, 14-2 composed by Bronislaw Kaper
tracks 11-12, 12-13, 13-4, 13,12 composed by Burt Bacharach
tracks 2-2, 15-9 composed by Burton Lane
tracks 8-14, 10-5 composed by Claus Ogerman
tracks 2-1, 5-3, 8-3, 12-5 composed by Cootie Williams
tracks 10-10 composed by David Raksin
tracks 11-7, 14-14 composed by Denny Zeitlin
tracks 2-9 composed by Denzil Best
tracks 5-8, 6-6, 6-12, 8-2, 8-5, 14-12, 17-4 to 17-6 composed by Earl Zindars
tracks 7-6 composed by Eddie Barclay
tracks 9-6 composed by Egbert Van Alstyne
tracks 8-9 composed by Enrique Granados
tracks 10-11 composed by Ernie Burnett
tracks 4-20, 15-4 composed by Frank Churchill
tracks 8-16 composed by Frédéric Chopin
tracks 8-13 composed by Gabriel Fauré
tracks 10-12, 12-8 composed by George Bassman
tracks 10-2 composed by George Gershwin
tracks 2-10, 2-12, 7-7, 11-8, 14-11 composed by Harold Arlen
tracks 12-4, 12-14, 13-8, 14-1, 14-5 composed by Harry Barris
tracks 11-2 composed by Jerome Kern
tracks 2-8 composed by Jesse Greer
tracks 10-6 composed by Jim Hall
tracks 10-4, 15-8, 15-12 composed by Joe Zawinul
tracks 8-10 composed by Johann Sebastian Bach
tracks 6-8, 8-1 composed by John Carisi
tracks 11-5, 15-7, 15-11 composed by Johnny Mandel
tracks 16-4 composed by Joseph Kosma
tracks 5-4, 6-11, 9-4 composed by Jule Styne
tracks 3-13 to 3-16 composed by Lars Färnlöf
tracks 11-4 composed by Lawrence Coleman
tracks 7-9, 7-12, 7-16 composed by Leonard Bernstein
tracks 17-15 to 17-21, 18-1, 18-2 composed by Luiz Eça
tracks 2-16 composed by Matt Dennis
tracks 7-6 composed by Michel Legrand
tracks 4-18, 14-13, 16-7 composed by Miles Davis
tracks 18-6 to 18-8 composed by Sam Brown
tracks 8-8, 12-7 composed by Tadd Dameron
tracks 2-1, 2-4, 2-9, 5-3, 8-3, 12-5, 16-1 composed by Thelonious Monk
tracks 2-5, 5-2, 5-15, 9-6, 9-7, 10-8, 11-16 composed by Victor Young
tracks 9-6 composed by Wayne King
tracks 8-9 to 8-16 conductor, arranged by Claus Ogerman
coordinator [production coordination] Aric Lach Morrison
design [coordination] Nichell Delvaille
tracks 11-8 to 11-16, 12-1 to 12-14, 13-1 to 13-15, 14-1 to 14-8 drums "Philly" Joe Jones
tracks 18-9 to 18-12 drums Al Beldini
tracks 9-1 to 9-4, 9-6 to 9-8, 10-7 to 10-15 drums Arnold Wise
tracks 1-7 to 1-12 drums Ed Shaughnessy
tracks 17-1, 17-2 drums Gary Chester
tracks 8-9 to 8-16 drums Grady Tate
tracks 14-9 to 14-14, 15-2 to 15-5 drums Jack DeJohnette
tracks 4-14 to 4-20, 5-1 to 5-15, 6-1 to 6-17, 7-1 to 7-18, 8-1 to 8-8 drums Larry Bunker
tracks 16-1 to 16-15, 17-1 to 17-8, 17-10 to 17-21, 18-1 to 18-8 drums Marty Morell
tracks 2-11 to 2-18, 3-1 to 3-18, 4-1 to 4-13 drums Paul Motian
tracks 1-1 to 1-6 drums Shelly Manne
tracks 17-1 to 17-3 drums Sol Gubin
tracks 18-1, 18-2 electric bass John Beal
tracks 17-1, 17-2, 17-4 to 17-21, 18-1, 18-2, 18-4, 18-5 electric piano Bill Evans
tracks 14-9 to 14-14, 15-1 to 15-5 engineer Jean-Claude Martin
tracks 11-8 to 11-16, 12-1 to 12-14, 13-1 to 13-15, 14-1 to 14-8 engineer Phil Ramone
tracks 14-9 to 14-14, 15-1 to 15-5 engineer Pierre Grandjean
tracks 2-1 to 2-10, 11-1 to 11-7, 15-6 to 15-12, 16-1 to 16-7 engineer Ray Hall
tracks 1-1 to 1-6, 8-1 to 8-16, 9-1 to 9-8, 10-1 to 10-15 engineer Rudy Van Gelder
tracks 1-7 to 1-12, 2-1 to 2-18, 3-1 to 3-7, 8-9 to 8-16, 10-1 to 10-6, 11-1 to 11-7, 15-6 to 15-12, 16-1 to 16-7 engineer [direction] Val Valentin
tracks 3-8 to 3-18, 4-1 to 4-13 engineer [remix] Angel Balestier
tracks 4-14 to 4-20, 5-1 to 5-15, 6-1 to 6-17, 7-1 to 7-3 engineer [remix] Edwin Outwater
executive-producer Richard Seidel
tracks 17-1 to 17-3, 17-10, 18-2 flute Harvey Estrin
tracks 16-1 to 16-7 flute Jeremy Steig
tracks 1-7 to 1-12 flute, alto flute Spencer Sinatra
tracks 17-1 to 17-3 french horn Ray Alonge
tracks 1-7 to 1-12 guitar Jim Hall
tracks 10-1 to 10-6 guitar Jim Hall
tracks 16-8 to 16-15, 17-1 to 17-21, 18-1 to 18-8 guitar Sam Brown
tracks 15-9 lyrics by Alan Jay Lerner
tracks 7-8 lyrics by Beppe Wolgers
tracks 5-4, 6-11, 7-9, 7-12, 7-16, 9-4 lyrics by Betty Comden And Adolph Green
tracks 12-4, 12-14, 13-8, 14-1, 14-5 lyrics by Billy Moll
tracks 8-8, 12-7 lyrics by Carl Sigman
tracks 7-7, 12-2, 12-9, 13-3, 13-11, 14-4 lyrics by Dory Previn
tracks 10-2, 15-1 lyrics by DuBose Heyward
tracks 11-8 lyrics by E.Y. Harburg
tracks 10-3 lyrics by Gene Lees
tracks 10-11 lyrics by George A. Norton
tracks 11-12, 12-13, 13-4, 13,12 lyrics by Hal David
tracks 2-10, 14-11 lyrics by Harold Arlen
tracks 9-6 lyrics by Haven Gillespie
tracks 11-13, 13-5, 13-13, 14-6 lyrics by Herbert Magidson
tracks 16-4 lyrics by Jacques Prévert
tracks 16-3 lyrics by Johnny Burke
tracks 10-10 lyrics by Johnny Mercer
tracks 4-20, 15-4 lyrics by Larry Morey
tracks 2-5, 5-2, 5-15, 9-7, 10-8, 10-12, 11-16, 12-6, 12-8, 14-2 lyrics by Ned Washington
tracks 11-2 lyrics by Otto Harbach
tracks 11-5, 15-7, 15-11 lyrics by Paul Francis Webster
tracks 2-2 lyrics by Ralph Freed
tracks 2-8 lyrics by Raymond Klages
tracks 12-4, 12-14, 13-8, 14-1, 14-5 lyrics by Ted Koehler
tracks 2-16 lyrics by Tom Adair
tracks 2-10, 2-12, 14-11 lyrics by Truman Capote
tracks 6-1, 6-13 lyrics by Walter Hirsch
tracks 17-11 to 17-14 lyrics by [english] Alan & Marilyn Bergman
tracks 7-6 lyrics by [english] Johnny Mercer
tracks 7-6 lyrics by [french] Eddy Marnay
mastered by Suha Gur
tracks 18-9 to 18-12 mellophone, vibraphone, bongos Don Elliott
tracks 11-8 to 11-16, 12-1 to 12-14, 13-1 to 13-15, 14-1 to 14-8 mixed by Frank Laico
tracks 6-1, 6-13 music by Fred Rose
tracks 1-7 to 1-12 orchestra The Gary McFarland Orchestra
tracks 17-10 percussion Gary Chester
photography by Chuck Stewart
photography by Giuseppe Pino
photography by Ian Persson
piano Bill Evans
tracks 2-1 to 2-10, 11-1 to 11-7 piano [overdubs] Bill Evans
tracks 1-1 to 7-3, 7-19 to 10-15 producer [original recordings] Creed Taylor
tracks 11-1 to 18-8 producer [original recordings] Helen Keane
tracks 18-9 to 18-12 producer [original recordings] Norman Granz
producer [production assistance] Deborah Hay
producer [production assistance] Jared Patterson
producer [production assistance] Robert Silverberg
tracks 2-11 to 2-18, 3-1 to 3-7 recorded by Bob Simpson
tracks 4-14 to 4-20, 5-1 to 5-15, 6-1 to 6-17, 7-1 to 7-3 recorded by Wally Heider
tracks 17-10, 18-2 reeds Harvey Estrin
tracks 17-1 to 17-3 reeds Romeo Penque
research, other [restore] Ben Young
supervised by Michael Lang
tracks 3-8 to 3-18, 4-1 to 4-13 tenor saxophone Stan Getz
transcription by [interview transcription] Bea Mullings
tracks 17-1 to 17-3 trombone John Messner
tracks 17-1 to 17-3 trombone Mickey Gravine
tracks 17-1 to 17-3 trombone Wayne Andre
tracks 17-1 to 17-3 trumpet Jerome Kail
tracks 17-1 to 17-3 trumpet, flugelhorn George Triffon
tracks 1-7 to 1-12 vibraphone, arranged by, conductor, composed by Gary McFarland
tracks 17-1 to 17-3 viola Alfred Brown
tracks 1-7 to 1-12 viola Alla Goldberg
tracks 1-7 to 1-12 viola Julien Barber
tracks 17-1 to 17-3, 17-10, 18-2 viola Norman Forrest
tracks 17-1 to 17-3 violin Aaron Rosand
tracks 17-1, 17-2, 17-10, 18-2 violin David Nadien
tracks 17-1 to 17-3, 17-10, 18-2 violin George Ockner
tracks 17-1 to 17-3, 17-10, 18-2 violin Karen Jones
tracks 17-1 to 17-3, 17-10, 18-2 violin Leo Kahn
tracks 17-1 to 17-3, 17-10, 18-2 violin Raoul Poliakin
tracks 17-1 to 17-3, 17-10, 18-2 violin Tosha Samaroff
tracks 17-1, 17-2, 17-10, 18-2 violin, viola David Schwartz
tracks 7-19 vocals Bill Evans
tracks 7-3 to 7-18 vocals Monica Zetterlund
tracks 17-1, 17-2, 17-10, 18-2 woodwind Don Ashworth
tracks 17-1, 17-2 woodwind Harvey Estrin
tracks 17-1, 17-2, 17-10, 18-2 woodwind Joe Soldo
tracks 17-1, 17-2, 17-10 woodwind Romeo Penque
tracks 6-15, 7-3, 11-11, 12-11, 13-2, 13-10 written-by Al Jolson
tracks 3-17 written-by Alan Jay Lerner
tracks 5-9, 6-3, 6-17, 8-6, 9-3 written-by Anthony Newley
tracks 9-1 written-by Axel Stordahl
tracks 6-15, 7-3, 11-11, 12-11, 13-2, 13-10 written-by Buddy G. De Sylva
tracks 3-4 to 3-6, 5-7, 11-6 written-by Buddy Kaye
tracks 3-17 written-by Burton Lane
tracks 4-10 to 4-12, 5-1, 5-10, 7-1, 10-1, 18-11 written-by Cole Porter
tracks 10-13 written-by Don Raye
tracks 2-11, 12-11 written-by Donald Meyer
tracks 11-9, 13-1, 13-9 written-by Duke Ellington
tracks 2-11 written-by Elise Bretton
tracks 4-4 to 4-9 written-by Elmer Bernstein
tracks 1-6 written-by Frank Loesser
tracks 1-2 written-by Fred E. Weatherly
tracks 3-4 to 3-6, 5-7 written-by Fred Wise
tracks 10-13 written-by Gene DePaul
tracks 4-15, 6-14, 8-4, 15-1, 15-3, 18-12 written-by George & Ira Gershwin
tracks 4-16, 6-2 written-by George Forrest
tracks 1-5 written-by Gordon Jenkins
tracks 15-12 written-by Hammerstein-Kern
tracks 6-5, 7-4, 7-14, 7-15, 8-7 written-by Harold Arlen & Johnny Mercer
tracks 2-18, 7-19, 11-3 written-by Haven Gillespie
tracks 16-8 to 16-15, 17-1 written-by Herbert Martin
tracks 5-6, 5-13 written-by Hugh Martin
tracks 1-1, 1-3, 2-13 to 2-15, 4-14 written-by Irving Berlin
tracks 2-18, 7-19, 11-3 written-by J. Fred Coots
tracks 2-6 written-by Jerry Ross
tracks 16-2 written-by Jimmy Davis
tracks 16-2 written-by Jimmy Sherman
tracks 4-3, 7-11, 7-17, 7-18, 11-15, 15-6, 17-2 written-by Jimmy Van Heusen And Johnny Burke
tracks 11-1, 12-3, 12-12, 13-6, 13-14, 14-7 written-by Johnny Mandel
tracks 11-1, 12-3, 12-12, 13-6, 13-14, 14-7 written-by Johnny Mercer
tracks 6-15, 7-3, 11-11 written-by Joseph Meyer
tracks 4-13 written-by Larry Greene
tracks 5-9, 6-3, 6-17, 8-6, 9-3 written-by Leslie Bricusse
tracks 15-10 written-by Livingston & Evans
tracks 16-8 to 16-15, 17-1 written-by Michael Leonard
tracks 17-11 to 17-14 written-by Michel Legrand
tracks 3-1 to 3-3 written-by Noël Coward
tracks 7-13 written-by Olle Adolphson
tracks 9-1 written-by Paul Weston
tracks 5-6, 5-13 written-by Ralph Blane
tracks 5-11, 15-2 written-by Ray Noble
tracks 2-6 written-by Richard Adler
tracks 4-16, 6-2 written-by Robert Craig Wright
tracks 1-4, 3-7 to 3-12 ,9-2 written-by Rodgers & Hart
tracks 16-2 written-by Roger Ramirez
tracks 9-1 written-by Sammy Cahn
tracks 2-17, 6-7, 6-10, 7-2, 18-10 written-by Schwartz & Dietz
tracks 2-11 written-by Sherman Edwards
tracks 3-4 to 3-6, 5-7, 11-6 written-by Sid Lippman
tracks 3-18, 7-5, 7-10 written-by Traditional
Phonographic Copyright (p) Polygram Records, Inc.
Copyright (c) PolyGram Records, Inc.
Manufactured By Verve Records
Marketed By Verve Records
Mastered At Polygram Studios
The packaging of this box is untreated steel and has been designed to be a unique collector's item that will change in color, texture, appearance over time, and will eventually rust naturally.

© 1997 Polygram Records, Inc.

Mastered at Polygram Studios

(mst) master take : The version of the song originally issued
(ct) complete take : A fully realized version other than the master take
(inc) incomplete take : A version truncated bu the recording engineer
(bd) breakdown : A version shortened by the musicians
(fs) false start : A version aborted by the musicians

Booklet : 157 pages

CD 1 (1-6) : Bill Evans/Shelly Manne with Monty Budwig Empathy (Verve V6-8497)
Barcode: 7 31452 79532 8 (Text)