art direction [album] Judy Kaganowich composed by [original score] Christopher Young conductor [orchestra] Pete Anthony contractor [u.k.] Isobel Griffiths coordinator [synthesizer] John Van Houten copyist [librarian] Jill Streater copyist [music preparation] Joann Kane Music Service edited by [digital editing] Kevin Reeves edited by [music] Thomas Milano engineer [assistant] Chad Blinman engineer [assistant] Elizabeth Magro engineer [assistant] Jonathan Allen executive-producer Budd Carr executive-producer [milan] Emmanuel Chamboredon executive-producer [milan] Toby Pieniek mastered by Wally Traugott mixed by [synthesizer scoring mixer] Larry Mah programmed by [synthesizer] Mark Zimoski recorded by, mixed by Robert Fernandez soloist, piano Gary Nesteruk supervised by [album], producer [album] David Franco supervised by [package supervision] Tricia Lutz supervised by [synthesizer music], programmed by [synthesizer music] Daniel Licht Recorded At The Complex Recorded At Abbey Road Studios Mixed At Abbey Road Studios Phonographic Copyright (p) Monarchy Enterprises B.V. Phonographic Copyright (p) Regency Entertainment (USA), Inc. Copyright (c) Monarchy Enterprises B.V. Copyright (c) Regency Entertainment (USA), Inc. Copyright (c) Milan Entertainment, Inc. Marketed By Éditions Milan Music Manufactured By Éditions Milan Music Record Company Bertelsmann Music Group Distributed By BMG Published By New Enterprises Music Track 19 Largo Al Factotum from the opera The Barber Of Seville Track 20 Vissi D'Arte from the opera Tosca
Recorded and mixed at EMI Abbey Road, London. Synthesizer recorded at The Complex Studio. Music Score published by New Enterprises Music (BMI).