composed by, producer Nathan Johnson
conductor Cliff Masterson
contractor [orchestra] Lucy Whalley
copyist [music preparation] Dakota Music
design [package] Jay Shaw
design [package] Mo Shafeek
edited by [music editor] Joseph Bonn
leader [orchestra] John Mills
mastered by Sarah Register
music librarian Dave Hage
orchestra Tippett Quartet
orchestrated by Jeff Kryka
performer [tippet quartet] Bozidar Vukotic
performer [tippet quartet] Jeremy Isaac
performer [tippet quartet] John Mills
performer [tippet quartet] Lydia Lowndes-Northcott
piano, harpsichord Iain Farrington
proofreader Aaron Esposito
recorded by [protools recordist] Daniel Hayden
recorded by [recording assistants] Neil Dawes
recorded by [recording assistants] Wil Jones
recorded by, mixed by Kirsty Whalley
recorded by, mixed by Peter Cobbin
score editor Chris Barrett
technician [protools preparation], programmed by Judson Crane
Recorded At Abbey Road Studios
Mixed At Sweet Thunder Mix Room
2XLP edition of 1000, hand-numbered on the hype sticker. Records are protected by transparent inner sleeves and housed in a clear, single-sleeve PVC jacket. Credits are printed on a single sheet of vellum paper.

An undisclosed number of copies were made available to purchase at Amoeba Hollywood on 1/11/2023. Each purchase also came with an invitation similar to those in the film, as well as a ticket for an in-store signing with director Rian Johnson and composer Nathan Johnson later that same day.
Matrix / Runout: MOND-285 251028E1/A
Matrix / Runout: MOND-285 251028E2/A
Matrix / Runout: MOND-285 251028E3/A
Matrix / Runout: MOND-285 251028E4/A