art direction [box set], design [box set] Masashi Momozo Oyama art direction [in cooperation with - strategies against architecture cd] Blixa Bargeld art direction [strategies against architecture cd] Fritz Jan Thaddaeus Brinckmann design [special effects designed by - strategies against architecture cd] Aaron S. Koenig film director [½ mensch] Sogo Ishii interviewer Yasuhito Higuchi interviewer [f.m. einheit & blixa bargeld] Tatsuko Takamura lyrics by Blixa Bargeld tracks cd2-10 mixed by Alexander Hacke tracks cd3-11 mixed by Einstürzende Neubauten tracks cd2-3, cd2-6, cd2-8, cd3-6, cd3-12 mixed by Gareth Jones tracks cd2-1, cd2-2, cd2-4, cd2-5, cd2-7, cd2-9, cd2-11 to cd3-5, cd3-7, cd3-8, cd3-10 mixed by Jon Caffery music by Alexander Hacke music by Blixa Bargeld music by F.M. Einheit music by Marc Chung music by N. U. Unruh photography by [backcover and booklet front photography] Fritz Jan Thaddaeus Brinckmann photography by [book - p.110/111] Alexander Heß photography by [book - p.12/13/112/113] Ar/Gee Gleim photography by [book - p.16/17/20/21/74/116/117] Peter Gruchot photography by [book - p.33/37/38/39] Haruko Minakami photography by [book - p.4/30/31/40/41/50/51/54/55/58/59/62/63/66/67/70/71/121] Fritz Jan Thaddaeus Brinckmann photography by [book - p.42/43/44/45] Kenji Kubo photography by [book - p.46/47/48/82/88/95/102] Anton Corbijn photography by [book - p.6/7/115/118] Petra Gall photography by [book - p.69] Nielsen photography by [book - p.8/10] Sabine Schwabroh photography by [strategies against architecture ii booklet] B. Heinrich-Bu photography by [strategies against architecture ii booklet] Gin Satoh photography by [strategies against architecture ii booklet] Kerstin Behrendt photography by [strategies against architecture ii booklet] Peter Gruchot photography by [strategies against architecture ii booklet] Petra Gall photography by [strategies against architecture ii booklet] Sabine Schwabroh producer Einstürzende Neubauten technician [compilationwork - live recordings], mixed by [mixing - live recordings], technician [processing - live recordings], edited by [reediting], mastered by Jon Caffery text by [book texts translation] Masanori Akashi text by [book texts] Satoshi Morita text by [book texts] Tatsuko Takamura text by [book texts] Yasuhito Higuchi Manufactured By Alfa Records, Inc Phonographic Copyright (p) Reihe EGO Phonographic Copyright (p) Some Bizzare Published By Freibank Published By Granite Music Corp. Mixed At Tritonus Tonstudio Edited At Tritonus Tonstudio Mastered At Tritonus Tonstudio Designed At HERZo Box set containing: 3xCD (Strategies Against Architecture & Strategies Against Architecture II) in double jewel case with 128 page book, featuring interviews, essays, discography notes plus photos + designs originally published in Klaus Maeck's book Listen With Pain. In German/Japanese. CD contains colour insert and fold-out booklet with extensive liner notes & photos. In English. Video by Japanese film director Sohgo Ishii. NTSC VHS.
CD notes -
Strategies Against Architecture:
Track CD1-1 - metal/drumkit/record player. Aug 81. Track CD1-2 - hollow metal object. Aug 81. Track CD1-3 - bass spring/metal/the sound of switching off studio effects and switching off the studio itself. Sept 81. Track CD1-4 - originally Steh Auf Berlin. Tools/metal plates/scratching metal/smashing glass. July 81. Track CD1-5 - performing an autopsy on tape; reassembling it illogically using the subconcious. 10 Oct 82. Live Copenhagen Oct 82. Track CD1-6 - amplified spring/glass. July 81. Track CD1-7 - Steel Version. Released on first single. Recorded in a hollow overpass using the sound of the bridge itself and drumming on its steel sides. June 80. Track CD1-8 - air conditioned duct. May 81. Track CD1-9 - chanting/water/voice; so the rubber mike supports are the only instrument. July 81. Track CD1-10 - Apr 81. Track CD1-11 - 10 Oct 82. Live Copenhagen Oct 82. Track CD1-12 - Aug 81. Tracks CD1-13 - tape stolen in Orf. The main musical element is the fact that it was stolen in Vienna 18 Feb 82. Feb 82. Track CD1-14 - this documents the way a song changes every time it is performed live (a mutation). 24 Jan 82. Live Oisterwijk. Jan 82.