2023 3x Cassette 
Blank Forms Editions
mastered by Stephan Mathieu
3xCassette in 3 separate clamshell cases in slipcase
'Turning in Space,' compiles a series of sonic choreographies conducted at the artist's living and studio space in suburban East London. Since summer 2015, O'Dwyer has been a resident of the Lady Helen Seymour House, a former hospital, in a building-wide unit that gives the artist a stereophonic impression of the auditory surround. Inspired by the natural musics of the house's structure (its acoustics, creaks, and room tone) and the community that holds it (sirens, bells, the weather, pedestrian murmurs), O'Dwyer live-mixes multiple vantage points—an extension of her search for Klangfarbenmelodie, a melody split between instruments, which binds together both the intrinsic and extraneous in real-time. These three albums, recorded between 2019 and 2023, capture an array of post-collagist techniques, in which splicing, over-dubbing, and dissolving are performed live, and O'Dwyer's subtle compositions for found-tune piano and synthesizer blend seamlessly with the environment, keeping true to her belief that listening is both an instrument and a compositional element in her work.
3xCassette in 3 separate clamshell cases in slipcase
'Turning in Space,' compiles a series of sonic choreographies conducted at the artist's living and studio space in suburban East London. Since summer 2015, O'Dwyer has been a resident of the Lady Helen Seymour House, a former hospital, in a building-wide unit that gives the artist a stereophonic impression of the auditory surround. Inspired by the natural musics of the house's structure (its acoustics, creaks, and room tone) and the community that holds it (sirens, bells, the weather, pedestrian murmurs), O'Dwyer live-mixes multiple vantage points—an extension of her search for Klangfarbenmelodie, a melody split between instruments, which binds together both the intrinsic and extraneous in real-time. These three albums, recorded between 2019 and 2023, capture an array of post-collagist techniques, in which splicing, over-dubbing, and dissolving are performed live, and O'Dwyer's subtle compositions for found-tune piano and synthesizer blend seamlessly with the environment, keeping true to her belief that listening is both an instrument and a compositional element in her work.