Recorded in American Academy and Institute of Arts and Letters, New York, NY, March 12-14, 1991
Microphones: Two Schoeps M221-B Tube with MK-21 capsules Console: George Massenberg Labs Microphone Preamp into Ramsa 824B Console, custom engineered by John Windt Digital Recording Processor: Ultra-Analog 20-Bit, 128 times oversampling A/D custom engineered by Kenneth Hamann Microphone & Interconnecting Cables: Music Interface Technology Proline and MH-750 Shotgun Terminator Monitored through Madrigal Audio Labs Proceed PDP-II D/A Monitor Speakers: ADS 1530 wired with Monster Cable Power Amplifiers: Threshold SA/12e Stasis Pure Class A Exclusive Control Room Acoustic Treatment: RPG Diffusors & Abffusors Digital Editing: Sony DAE 3000
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.