design [package] Nathanial Hornblower
engineer Jon Weiner
engineer, producer, written-by Beastie Boys
illustration [drawing] Matteo Pericoli
liner notes Ralph Spaulding
management Silva Artist Management
mastered by Chris Athens
mixed by DURO
tracks 1, 6, 13 performer [samples] David Cross
tracks 1, 6, 13 performer [samples] Joe Frank
scratches, turntables Mix Master Mike
written-by Beastie Boys
Phonographic Copyright (p) Capitol Records, Inc.
Copyright (c) Capitol Records, Inc.
Manufactured By Capitol Records, Inc.
Phonographic Copyright (p) Beastie Boys
Copyright (c) Beastie Boys
Recorded At Oscilloscope Laboratories
Mixed At Oscilloscope Laboratories
Mastered At Sterling Sound
Copyright (c) Brooklyn Dust Music
Published By PolyGram International Publishing, Inc.
Published By Brooklyn Dust Music
Glass Mastered At Cinram, Richmond, IN
Glass Mastered At Cinram, Richmond, IN
Glass Mastered At Cinram, Richmond, IN
Pressed By Cinram, Richmond, IN
Publishing:
Track 1, 3 to 5, 7 to 10 & 13 to 15 © 2004 Brooklyn Dust Music/Universal - PolyGram International Publishing, Inc. (ASCAP).
Track 2 by Brooklyn Dust Music/Universal - PolyGram International Publishing, Inc. (ASCAP)/Screen Gems - EMI Music, Inc. (BMI)
Track 6 by Brooklyn Dust Music/Universal - PolyGram International Publishing, Inc. (ASCAP)/Bernard's Other Music (BMI), administered by Warner-Tamerlane Publishing Corp. & Sony/ATV Songs LLC (BMI)
Track 11 by Brooklyn Dust Music/Universal - PolyGram International Publishing, Inc. (ASCAP)/Warner-Tamerlane Publishing Corp./Gang Music Ltd./Second Decade Music Co. (BMI)
Track 12 by Brooklyn Dust Music/Universal - PolyGram International Publishing, Inc./C.B.G.B's, Inc. & Bleu Disque Music Co., Inc., adminstered by Larry Spier, Inc. (ASCAP)

Skits at beginning of track 1, track 6 and end of 13 are samples from The O.J. Chronicles, an episode of The Joe Frank Show
Track 2 contains a sample from The Devil Rides In Jericho, published by Duchess Music Corporation (BMI), courtesy of Verve Records, under license from Universal Music Enterprises and embodies a portion of I Would Have Loved You Anyway, published by Screen Gems - EMI Music, inc. (BMI), under license from Arista Records. Skit in beginning of track 2 is a sample of Cool In The Furnace, courtesy of Word Records.
Track 3 contains a sample from the Radio album, courtesy of Def Jam Recordings, under license from Universal Music Enterprises.
Track 5 contains a sample courtesy of Def Jam Recordings, under license from Universal Music Enterprises.
Track 6 contains elements that were inspired by the lyric from Double Trouble At The Amphitheatre, published by Mad Monkey Music (ASCAP); and elements from Rapper's Delight, published by Bernard's Other Music (BMI) (administered by Warner-Tamerlane Publishing Corp.) & Sony/ATV Songs LLC (BMI), courtesy of Sugar Hill Records.
Track 7 contains a sample from Bellevue Patient, courtesy of Tuff City Records and Street Tuff Tunes, publisher for E. Lockett and a sample from The Symphony, published by CAK Music, inc./Songs of Marl/Cold Chillin' Music (ASCAP), courtesy of Songs of Marl & Third Power Enterprises, Inc.
Track 9 contains a sample from Rock Box, under license from Arista Records.
Skit at end of track 10 is a sample from Sounds, published by Alley Music Corp. & Trio Music Corp. (BMI), courtesy of Atlantic Recording Corporation by arrangement with Warner Strategic Marketing.
Track 11 contains elements from Open Sesame, published by Warner-Tamerlane Publishing Corp., Gang Music Ltd. & Second Decade Music Co. (BMI), administered by Warner-Tamerlane Publishing Corp. (BMI), courtesy of DeLite Records, under license from Universal Music Enterprises and a sample from Do What You Wanna Do, courtesy of King Records.
Track 12 contains elements from Sonic Reducer, published by C.B.G.B.'s, Inc. & Bleu Disque Music Co., Inc., administerd by Larry Spier, Inc. (ASCAP), courtesy of Sire Records, by arrangement with Warner Strategic Marketing; a sample courtesy of 50 Cent; a sample courtesy of Wu-Records/Sancutuary Records; and a sample courtesy of Sony Music Entertainment. Skit at beginning of 12 is a sample from New York's My Home, published by Universal MCA Music Publishing (ASCAP), courtesy of Sony Music Entertainment.
Track 15 (skit at end) embodies a portion of They Punctured My Yolk, published by EMI Blackwood Music, inc. & Lovely Sorts Of Death Music (administered by EMI Blackwood Music, Inc.), courtesy of Warner Bros. Records, by arrangement with Warner Strategic Marketing.

Drawing of New York City skyline by Matteo Pericoli, from his book Manhattan Unfurled.

Contains Macromedia Projector including a video for Rhyme The Rhyme Well and provides quick link to www.beastieboys.com.

Capitol Records is a Capitol Music label.

Digipak comes in cardboard slipcase with matching artwork.
Barcode: 7 2435-84571-0 0 (Text)
Barcode: 724358457100 (Scanned)
Matrix / Runout: 7325 724358457100 F40516-15 MT (Variant 1)
Matrix / Runout: 7325 724358457100 D40516-11 MT (Variants 2, 5)
Matrix / Runout: 7325 724358457100 E40516-16 MT (Variant 3)
Mastering SID Code: L384 (Variant 1)
Mastering SID Code: L388 (Variants 2, 5)
Mastering SID Code: L383 (Variant 3)
Mould SID Code: IFPI 6100 (Variants 1 to 3, 5)