tracks 53-1 to 54-17 editor Ingrid Baudler tracks 70-9 to 70-11, 82-1 to 82-15, 83-1 to 83-15, 84-1 to 84-18, 87-1 to 88-22 engineer [balance] Akira Ikeda tracks 87-1 to 88-22 engineer [balance] Allen Sides tracks 70-1 to 70-8, 85-1 to 85-15 engineer [balance] Brian Culverhouse tracks 2-5 to 2-8, 3-1 to 3-3, 8-1 to 8-6, 27-1 to 27-4, 30-3 to 30-6, 31-1 to 31-14, 35-1 to 35-14, 37-1 to 37-21, 41-1 to 41-7, 49-1 to 49-3, 65-1 to 65-3, 73-1 to 73-9 engineer [balance] Christopher Parker tracks 13-1 to 13-9 engineer [balance] Claus Strüben tracks 7-1 to 7-7, 12-1 to 12-4 engineer [balance] Douglas Larter tracks 34-1 to 34-7, 79-1 to 79-12, 86-6 to 86-13 engineer [balance] Ernst Rothe tracks 50-1 to 51-8 engineer [balance] Hans Schmid tracks 12-5 to 12-8 engineer [balance] Harold Davidson tracks 72-1 to 72-9 engineer [balance] Hartwig Paulsen tracks 6-1 to 6-6, 86-1 to 86-5, 86-14 to 86-19 engineer [balance] Horst Lindner tracks 74-1 to 74-7, 76-1 to 76-8, 78-1 to 78-8 engineer [balance] Johann-Nikolaus Matthes tracks 17-1 to 17-5, 29-1 to 29-18, 36-18, 38-1 to 38-4, 40-1 to 40-4, 47-1 to 47-15 engineer [balance] John Kurlander tracks 36-1 to 36-17, 43-1 to 43-9, 47-16 to 47-29, 61-1 to 61-3, 62-4 to 62-6, 75-1 to 75-7 engineer [balance] Michael Gray tracks 10-1 to 10-4, 11-1 to 11-5, 23-1 to 23-4, 32-1 to 32-5, 44-1 to 44-7, 46-1 to 46-12, 48-1 to 48-42, 66-1 to 66-6, 69-1 to 69-5, 75-1 to 75-7 engineer [balance] Michael Sheady tracks 2-1 to 2-4, 3-4 to 3-7, 4-1 to 4-8 engineer [balance] Mike Clements tracks 15-1 to 15-4, 18-1 to 18-4, 24-1 to 24-4, 33-1 to 33-6, 57-4 to 57-6, 74-1 to 74-7 engineer [balance] Neville Boyling tracks 63-1 to 64-6, 80-1 to 80-8, 82-16 to 82-18 engineer [balance] Paul Vavasseur tracks 53-1 to 54-17 engineer [balance] Peter Jütte tracks 57-1 to 57-3, 62-1 to 62-3, 67-1 to 67-5 engineer [balance] Robert Gooch tracks 19-1 to 19-4, 28-1 to 28-12, 30-1, 30-2, 30-7 to 30-13, 39-1 to 39-12, 56-1 to 56-9 engineer [balance] Stuart Eltham tracks 14-1 to 14-4 engineer [balance] Tony Faulkner tracks 45-1 to 45-9 engineer [balance] Walter Ruhlmann tracks 20-1 to 20-4, 22-1 to 22-5, 26-1 to 26-5, 55-1 to 55-12, 58-1 to 59-6 engineer [balance] Wolfgang Gülich tracks 71-1 to 71-30 engineer [recording] Dr. Erich Thienhaus tracks 1-1 to 1-8, 15-1 to 15-4, 24-1 to 24-4, 35-1 to 35-14, 52-10 to 53-10, 65-1 to 65-3, 82-1 to 83-15, 87-1 to 88-22, 90-1 to 90-14 liner notes [musical piece] Akemi Hara tracks 12-1 to 12-8, 43-1 to 43-9, 54-1 to 54-17, 71-1 to 71-30, 84-1 to 84-18 liner notes [musical piece] 佐野公男 tracks 30-1 to 30-13, 85-1 to 85-14 liner notes [musical piece] 保柳健 tracks 68-4 to 68-6 liner notes [musical piece] 大木正純 tracks 2-1 to 6-6, 9-1 to 10-4, 16-1 to 16-6, 20-1 to 20-4, 25-1 to 25-6, 33-1 to 33-6, 48-1 to 48-42, 68-1 to 68-3, 74-1 to 74-7, 76-1 to 76-8, 86-1 to 86-19, 89-1 to 89-7 liner notes [musical piece] 安藤博 tracks 14-1 to 14-4, 18-1 to 18-4, 42-1 to 42-4, 45-1 to 45-9 liner notes [musical piece] 小場瀬純子 tracks 8-1 to 8-6, 11-1 to 11-5, 17-1 to 17-5, 21-1 to 23-4, 26-1 to 26-5, 28-1 to 29-18, 34-1 to 34-7, 36-1 to 37-21, 39-1 to 41-7, 44-1 to 44-7, 46-1 to 47-29, 50-1 to 52-9, 55-1 to 55-12, 61-1 to 62-6, 64-1 to 64-6, 67-1 to 67-5, 69-1 to 70-11, 75-1 to 75-7, 78-1 to 81-15 liner notes [musical piece] 柴田龍一 tracks 7-1 to 7-7, 60-1 to 60-6, 72-1 to 73-9, 77-1 to 77-5 liner notes [musical piece] 百瀬喬 tracks 13-1 to 13-9, 19-1 to 19-4, 27-1 to 27-4, 31-1 to 32-5, 38-1 to 38-4, 49-1 to 49-3, 56-1 to 59-6, 63-1 to 63-7, 66-1 to 66-6 liner notes [musical piece] 青木秀彦 photography by Christian Steiner photography by Clive Barda photography by Malcolm Crowthers photography by Reg Wilson photography by Richard Holt photography by Roberto Estrada photography by Sophie Baker photography by Werner Neumeister tracks 2-1 to 2-8, 3-1 to 3-7 producer Andrew Keener tracks 70-1 to 70-8, 85-1 to 85-15 producer Brian Culverhouse tracks 34-1 to 34-7, 58-1 to 58-6, 86-1 to 86-5, 86-14 to 86-19 producer Christfried Bickenbach tracks 8-1 to 8-6, 27-1 to 27-4, 30-3 to 30-10, 31-1 to 31-14, 36-1 to 36-17, 47-16 to 47-29, 49-2 to 49-3, 57-4 to 57-6, 65-1 to 65-3 producer Christopher Bishop tracks 17-5 producer David Groves tracks 13-1 to 13-9 producer David Mottley tracks 88-1 to 88-22 producer Dick Wagner tracks 13-1 to 13-9 producer Dieter-Gerhardt Worm tracks 63-4 to 63-7, 80-1 to 80-8, 82-16 to 82-18 producer Eric Macleod tracks 6-1 to 6-6, 86-1 to 86-5 producer Fritz Ganss tracks 58-1 to 58-6, 72-1 to 72-9, 76-1 to 76-8, 79-1 to 79-12 producer Gerd Berg tracks 86-6 to 86-13 producer Hans Ritter tracks 14-1 to 14-4, 17-1 to 17-4 producer James Mallinson tracks 28-1 to 28-12, 30-1, 30-2, 30-11 to 30-13, 37-1 to 37-21, 38-1 to 38-3, 39-1 to 39-12, 56-1 to 56-9, 66-1 to 66-6, 69-1 to 69-5, 78-1 to 78-8 producer John Fraser tracks 18-1 to 18-4, 19-1 to 19-4, 36-18, 47-1 to 47-15, 64-1 to 64-6 producer John Mordler tracks 10-1 to 10-4, 11-1 to 11-5, 15-1 to 15-4, 23-1 to 23-4, 24-1 to 24-4, 29-1 to 29-18, 32-1 to 32-5, 33-1 to 33-6, 35-1 to 35-14, 38-4, 40-1 to 40-4, 43-1 to 43-9, 44-1 to 44-7, 46-1 to 46-12, 67-1 to 67-5 producer John Willan tracks 50-1 to 51-8, 53-1 to 54-17, 83-1 to 83-15, 84-9, 84-10 producer Kiyoshi Satomi tracks 20-1 to 20-4, 22-1 to 22-5, 26-1 to 26-5, 59-1 to 59-6, 63-1 to 63-3, 66-1 to 66-6 producer Michel Glotz tracks 70-9 to 70-11, 82-1 to 82-15, 84-1 to 84-8, 84-11 to 84-18, 87-1 to 88-22 producer Motohiko Nakada tracks 55-1 to 55-12 producer Peter Alward tracks 21-1 to 21-6 producer Peter Andry tracks 45-1 to 45-9 producer René Challan tracks 16-1 to 16-6 producer Ronald Kinloch Anderson tracks 53-1 to 54-17 producer Ronald Schmidt-Boelcke tracks 4-1 to 4-8 producer Roy Emerson tracks 41-1 to 41-7, 48-1 to 49-1, 57-1 to 57-3, 61-1 to 62-6, 73-1 to 74-7, 75-1 to 75-7 producer Suvi Raj Grubb tracks 7-1 to 7-7, 12-1 to 12-8 producer Walter Legge tracks 50-1 to 51-8 producer Wilhelm Meister tracks 54-7, 54-11 recording supervisor Michael Kempff tracks 53-1 to 54-6, 54-8 to 54-10, 54-12 to 54-17 recording supervisor Wolfram Graul tracks 48-13 to 48-42 translated by Hiroe Kimura tracks 9-4 translated by Setsuo Sasaki tracks 31-1 to 31-14 translated by 三浦淳史 tracks 39-4, 39-8, 39-10, 39-12 translated by 小林一夫 tracks 90-2 to 90-4, 90-6 to 90-8, 90-10, 90-11, 90-13, 90-14 translated by 小林英夫 tracks 25-1 to 25-6, 86-1 to 86-19 translated by 西野茂雄 tracks 48-1 to 48-12 translated by 鈴木松子 tracks 24-4 translated by 門馬直美 tracks 89-1 to 89-7 translated by 高崎保男 Distributed By Toshiba EMI Ltd Manufactured By Toshiba EMI Ltd Phonographic Copyright (p) Toshiba EMI Ltd Copyright (c) Toshiba EMI Ltd Recorded At Abbey Road Studios Recorded At Arakawa Kumin Kaikan Recorded At Arts Centre University Of Warwick Recorded At Casino Baumgarten Recorded At Cathédrale Notre-Dame de Chartres Recorded At Festspielhaus, Bayreuth Recorded At Severance Hall Recorded At Jesus-Christus-Kirche, Berlin Recorded At Studio Dejvice Recorded At Evangelische Kirche, Seon Recorded At Fredric R. Mann Auditorium Recorded At Grunewaldkirche Recorded At Henry Wood Hall, London Recorded At Herkulessaal, München Recorded At Historischer Reitstadel, Neumarkt Recorded At Ishibashi Memorial Hall Recorded At Kingsway Hall Recorded At Kreuzkirche, Heilbronn Recorded At L'Église Saint Roch, Paris Recorded At Studio Lukaskirche, Dresden Recorded At Martin Luther-Haus Recorded At Medinah Temple Recorded At Maeda Hall Recorded At Memorial Hall, Fairmount Park, Philadelphia Recorded At Großer Saal, Wiener Musikverein Recorded At Old Met, Philadelphia Recorded At Ongaku No Tomo Hall Recorded At Salle Garnier De Monte Carlo Recorded At Berliner Philharmonie Recorded At Sala Nezahualcóyotl Recorded At Salle Wagram, Paris Recorded At Palast Hohenems Recorded At St. Barnabas Church, London Recorded At Studio 1 des Bayerischen Rundfunks, München Recorded At Französische Kirche, St. Moritz Recorded At Toshiba EMI Studio 1 Recorded At Toshiba EMI Studio III Recorded At Watford Town Hall Recorded At Zeremoniensaal, Hofburg, Vienna 発売元:東芝EMI株式会社 ℗ 1988
Title variation: The Best Classics On Compact Disc - guide book front THE BEST CLASSICS ON CD - disc label 新・名曲の世界 - CD jewel case back and spine CD 新・名曲の世界 - guide book colophon, promotional flyer
Each CD, including the sampler, is packaged in an individual jewel case, and has no inserts other than the track list on the back. Explanations of the musical pieces are printed in a separate guide book. Each jewel case is individually wrapped in film. Basically, each disc has MFD. BY TOSHIBA EMI LTD. IN JAPAN. printed on it, but there are also some with MADE IN UK printed.