cover Stanley Mouse crew [road crew, carpenter] Peter DeAnda crew [road crew, carpenter] Steve Lelacheur crew [road crew], engineer [live sound engineer] Kevin Elson crew [road crew], equipment [electronics] Steve Hill crew [road crew], equipment [guitars] John Griswold crew [road crew], equipment [keyboards] Jack Villanueva crew [road crew], lighting [lighting design] Ken Mednick crew [road crew], production manager Jim McCandless crew [road crew], production manager Peyton Wilson crew [road crew], stage manager Benny Collins crew [road crew], tour manager [road manager] Pat Morrow crew [trucking] Joe DeAnda crew [trucking] Joey Albright crew [trucking] Merton Mead crew [trucking] Michael DeContreras crew [trucking] Peter Casanova crew [trucking] Rebanda Transportation design [overall package design], cover [back cover] Jim Welch engineer [asst. engineer] Akira Fukada engineer [asst. engineer] Tomoo Suzuki tracks d4 engineer [asst. engineer] Wally Buck engineer [remote recording, asst. engineers] Cliff Bonnell engineer [remote recording, asst. engineers] Daniel Aumais engineer [remote recording, asst. engineers] Guy Charbonneau lacquer cut by Anna Pate lacquer cut by Bill Kipper lacquer cut by MKC lighting [lights] John Lobel lighting [lights] Ken Mednick lighting [lights] Nightlights lighting [lights] Paul Elliott lighting [lights], production manager Valdis Dauksts management [journey management] Herbie Herbert management [journey management] Nightmare, Inc. management [management staff, accounting] Gigi Lebugle management [management staff, communications] Mick Anger management [management staff], administrator [administration] James Hernandez management [management staff], administrator [business administration] Carolina Bagnarol management [management staff], creative director [creative services] Jim Welch management [management staff], management [manager] Herbie Herbert management [management staff], project manager [special projects] Van Jarvis management [management staff], promotion, public relations [publicity] John Villanueva management [management staff], promotion, public relations [publicity] Sandy Einstein mastered by Bob Ludwig merchandising Dell Furano merchandising Jim Welch merchandising Mike Harkins merchandising Terry Brennan merchandising Winterland Productions mixed by [re-mixed by] Kevin Elson mixed by [re-mixed by] Rodney Mills performer Gregg Rolie performer Neal Schon performer Ross Valory performer Steve Perry performer Steve Smith photography by [concert photographers] Hisao Takahasi photography by [concert photographers] John Hamlin photography by [concert photographers] John Maginnis photography by [concert photographers] Michael Mendelson photography by [concert photographers] Mike Hausmann photography by [concert photographers] Paul Natkin photography by [concert photographers] Randy Bachman producer [produced by], engineer [engineered by] Kevin Elson technician [sound, audio analysts, monitors] Chris Tervit technician [sound, audio analysts] Bert Paré technician [sound, audio analysts] Dickie Offeringa technician [sound, audio analysts] Monique Paré technician [sound, audio analysts] Peter Paré technician [sound, audio analysts] Randy Boyd technician [sound, audio analysts] Rocky Holman technician [sound] Audio Analysts Manufactured By Columbia Records Manufactured By CBS Inc. Phonographic Copyright (p) CBS Inc. Copyright (c) CBS Inc. Copyright (c) Nightmare Inc. Recorded By Le Mobile Recorded By CBS/Sony Inc. Recorded At Fantasy Studios Remixed At Studio One, Doraville Mastered At Masterdisk Lacquer Cut At Masterdisk Lacquer Cut At Columbia Mastering Mastered At Customatrix Mastered At Columbia Records Pressing Plant, Carrollton, GA Pressed By Columbia Records Pressing Plant, Pitman P stamped or etched in runouts denotes Columbia Records Pressing Plant, Pitman, pressing. Remainder of runouts mostly etched, except side A runouts mostly stamped. Mastering variant, with LP2 sourced from Columbia Records Pressing Plant, Carrollton, GA, plant.
Catalog number KC2 37016 on spine, labels; 37016 inside gatefold, inner sleeves.
Track D4 on label, inner sleeve: The Party's Over
This album was recorded around the world from March 1980 until October 1980. Re-mixed at Studio One, Doraville, Georgia. Remote Recording: Le Mobile Filtroson. Track D4 recorded at Fantasy Studios, Berkeley, California. Japan Tour Remote Recording: CBS/Sony, Inc. Mastered at Masterdisk