art direction, restoration [images] Raymond Bannerman
booklet editor Adam Freeman
booklet editor Bruce Raggatt
booklet editor Philip Stuart
conductor Antal Dorati
tracks 1-1 to 1-10, 2-1 to 2-8, 3-1 to 3-5, 4-1 to 4-5, 5-1 to 5-8, 6-1 to 6-17, 7-1 to 7-8, 8-1 to 8-5, 9-1 to 9-9, 10-1 to 10-9, 11-1 to 11-4, 12-1 to 12-22, 13-1 to 13-3, 14-1 to 14-4, 15-1 to 15-9, 16-1 to 16-17, 17-1 to 17-4, 18-8, 19-1 to 19-4, 20-1 to 20-5, 21-1 to 21-8, 22-1 to 22-4, 23-1 to 23-8, 24-1 to 24-3, 25-1 to 25-4, 26-1 to 26-3, 27-1 to 27-25, 28-1 to 28-3, 29-1 to 29-10 edited by [tape editor] Harold Lawrence
tracks 10-1 to 10-9, 11-1 to 11-4, 12-1 to 12-22, 13-1 to 13-3, 14-1 to 14-4, 15-1 to 15-9, , 16-1 to 16-17, 17-1 to 17-4, 18-1 to 18-7, 19-1 to 19-4, 20-1 to 20-5, 21-1 to 21-8, 22-1 to 22-4, 23-1 to 23-8, 24-1 to 24-3, 25-1 to 25-4 engineer [associate engineer] Robert Eberenz
tracks 10-1 to 10-9, 11-1 to 11-4, 12-1 to 12-22, 13-1 to 13-3, 14-1 to 14-4, 15-1 to 15-9, , 16-1 to 16-17, 17-1 to 17-4, 18-1 to 18-7, 19-1 to 19-4, 20-1 to 20-5, 21-1 to 21-8, 22-1 to 22-4, 23-1 to 23-8, 24-1 to 24-3, 25-1 to 25-4 engineer [chief engineer] Robert Fine
tracks 6-18 to 6-26, 26-1 to 26-3, 27-1 to 27-25, 28-1 to 28-3, 29-1 to 29-10 engineer [recording engineer] Robert Eberenz
tracks 1-1 to 1-10, 2-1 to 2-8, 3-1 to 3-5, 4-1 to 4-5, 5-1 to 5-8, 6-1 to 6-17, 7-1 to 7-8, 8-1 to 8-5, 9-1 to 9-9 engineer [recording engineer] Robert Fine
tracks 26-1 to 26-3, 27-1 to 27-25, 28-1 to 28-3, 29-1 to 29-10 engineer [technical supervisor] Robert Fine
executive-producer [executive producer for eloquence] Cyrus Meher-Homji
tracks 1-1 to 1-10, 2-1 to 2-8, 3-1 to 3-5, 4-1 to 4-5, 5-1 to 5-8, 6-1 to 6-17, 7-1 to 7-8, 8-1 to 8-5, 9-1 to 9-9, 10-1 to 10-9, 11-1 to 11-4, 12-1 to 12-22, 13-1 to 13-3, 14-1 to 14-4, 15-1 to 15-9, , 16-1 to 16-17, 17-1 to 17, 18-1 to 18-8, 19-1 to 19-4, 20-1 to 20-5, 21-1 to 21-8, 22-1 to 22-4, 23-1 to 23-8, 24-1 to 24-3, 25-1 to 25-4, 26-1 to 26-3, 27-1 to 27-25, 28-1 to 28-3, 29-1 to 29-10 executive-producer [recording director] Wilma Cozart
liner notes David Patmore
orchestra London Symphony Orchestra
tracks 6-18 to 6-26 producer [recording producer] Harold Lawrence
tracks 1-1 to 1-10, 2-1 to 2-8, 3-1 to 3-5, 4-1 to 4-5, 5-1 to 5-8, 6-1 to 6-17, 7-1 to 7-8, 8-1 to 8-5, 9-1 to 9-9, , 10-1 to 10-9, 11-1 to 11-4, 12-1 to 12-22, 13-1 to 13-3, 14-1 to 14-4, 15-1 to 15-9, , 16-1 to 16-17, 17-1 to 17-4, 18-1 to 18-7, 19-1 to 19-4, 20-1 to 20-5, 21-1 to 21-8, 22-1 to 22-4, 23-1 to 23-8, 24-1 to 24-3, 25-1 to 25-4, 26-1 to 26-3, 27-1 to 27-25, 28-1 to 28-3, 29-1 to 29-10 producer [recording producer] Wilma Cozart
tracks 2-1 to 2-8, 3-1 to 3-5, 4-1 to 4-5, 18-8 recording supervisor [musical director] Alan Melville
tracks 1-1 to 1-10, 2-1 to 2-8, 3-1 to 3-5, 4-1 to 4-5, 5-1 to 5-8, 6-1 to 6-17, 7-1 to 7-8, 8-1 to 8-5, 9-1 to 9-9, 10-1 to 10-9, 11-1 to 11-4, 12-1 to 12-22, 13-1 to 13-3, 14-1 to 14-4, 15-1 to 15-9, 16-1 to 16-17, 17-1 to 17-4, 18-1 to 18-7, 19-1 to 19-4, 20-1 to 20-5, 21-1 to 21-8, 22-1 to 22-4, 23-1 to 23-8, 24-1 to 24-3, 25-1 to 25-4, 26-1 to 26-3, 27-1 to 27-25, 28-1 to 28-3, 29-1 to 29-10 recording supervisor [musical director] Harold Lawrence
reissue producer, remastered by [remastering & cd sequencing/authoring] Thomas Fine
research [repertoire and data] Andrew Dalton
research [tape archive research] Stephen Nowlan
transferred by [hd tape transfers & plangent process] Jamie Howarth
tracks cd28 transferred by [hd tape transfers & plangent process] John K. Chester
tracks cd28 transferred by [hd tape transfers and plangent process] Jamie Howarth
tracks cd28 transferred by [hd tape transfers and plangent process] John K. Chester
tracks cd10, cd12, cd15, cd16, 18-8 cd23, cd24, cd25, cd26, 29-1 to 29-5 transferred by [hd tape transfers] Jared Hawkes
Marketed By Universal Classics & Jazz
Phonographic Copyright (p) Universal International Music B.V.
Copyright (c) Universal Music Australia Pty Ltd
Pressed By Vantiva, Guadalajara, Mexico
Recorded At Watford Town Hall
Recorded At Walthamstow Assembly Hall
Recorded At Wembley Town Hall
Engineered At Abbey Road Studios
Engineered At Plangent Processes
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
Glass Mastered At Vantiva, Guadalajara, Mexico
This Edition: ℗ 2025 Universal International Music B.V. Artwork © 2025 Universal Music Australia Pty. Ltd. Marketed in Australasia by Universal Classics & Jazz, a division of the Universal Music Group under exclusive licence. Made in Australia. All rights of the owner of copyright in this recording reserved. Any copying, renting, lending, diffusion, public performance or broadcast of this record without the authority of the copyright owner is prohibited.

Editor's Note: Used the character to separate parts or acts that ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
Editor's Note: Some tracks are divided into separate subtracks as clearly presented on disc sleeves or booklet, to manage multipart tracks. Track position is as printed or by using #.# convention. The printed track timing is entered as the first Sub-track's duration.

CD 1 35'30
Recording Location: Watford Town Hall, London, UK, 4 July 1957
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R)
Original Mercury Release: SR 90006: February 1959
℗ 1959 Universal International Music B.V.

CD 2 48'12
Recording Location: Walthamstow Town Hall, London, UK, 6 July 1956
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann U-47 microphones (L-R)
Original Mercury Release: SR 90121: May 1960
℗ 1960 Universal International Music B.V.

CD 3 37'10
Recording Location: Walthamstow Town Hall, London, UK, 4-5 July 1956
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann U-47 microphones (L-R)
Original Mercury Release: SR 90122: February 1959
℗ 1959 Universal International Music B.V.

CD 4 48'43
Recording Location: Walthamstow Town Hall, London, UK, 4-5 July 1956
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann U-47 microphones (L-R)
Original Mercury Release: SR 90123: May 1960
℗ 1960 Universal International Music B.V.

CD 5 38'20
Recording Location: Watford Town Hall, London, UK, 5 July 1957 (Impressions), 7 & 10 July 1957 (The Birds)
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R)
Original Mercury Release: SR 90153: December 1959
℗ 1959 Universal International Music B.V.

CD 6 56'17
Recording Location: Watford Town Hall, London, UK, 5-6 July 1957 (11-17), 9 July 1957 (1-10), 31 July 1965 (18-26)
Recorded on 3-track half-inch tape; 1-17: using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R); 18-26: using three Schoeps M201 microphones
Original Mercury Release: SR 90154 (1-17): June 1959; SR 90437 (18-26): March 1966
℗ 1959 (1-17), 1966 (18-26) Universal International Music B.V.

CD 7 50'25
Recording Location: Watford Town Hall, London, UK, 7-10 July 1957
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R)
Original Mercury Release: SR 90155: April 1960
℗ 1960 Universal International Music B.V.

CD 8 30'22
Recording Location: Watford Town Hall, London, UK, 9 July 1957
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R)
Original Mercury Release: SR 90156: February 1959
℗ 1959 Universal International Music B.V.

CD 9 31'00
Recording Location: Watford Town Hall, London, UK, 6 July 1957 (Water Music Suite), 8 July 1957 (Music for the Royal Fireworks)
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R)
Original Mercury Release: SR 90158: February 1959
℗ 1959 Universal International Music B.V.

CD 10 40'10
Recording Location: Watford Town Hall, London, UK, 20 June 1959 (Tchaikovsky); Wembley (Brent) Town Hall, London, UK, 15 & 17 June 1960 (Khachaturian)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90209: November 1961
℗ 1961 Universal International Music B.V.

CD 11 47'28
Recording Location: Wembley (Brent) Town Hall, London, UK, 6-7 June 1960 (Liszt), 8 June 1960 (Mussorgsky), 9 June 1960 (Smetana), 13 June 1960 (Sibelius)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90214: September 1961
℗ 1961 Universal International Music B.V.

CD 12 41'34
Recording Location: Watford Town Hall, London, UK, 7-8 June 1959
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90226: March 1960
℗ 1960 Universal International Music B.V.

CD 13 41'05
Recording Location: Watford Town Hall, London, UK, 9 & 14 June 1959
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90234: April 1960
℗ 1960 Universal International Music B.V.

CD 14 43'20
Recording Location: Wembley (Brent) Town Hall, London, UK, 13-14 June 1960
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90235: May 1961
℗ 1961 Universal International Music B.V.

CD 15 80'51
Recording Location: Watford Town Hall, London, UK, 19-20 June 1959 (Symphony No. 8, Carnaval Overture), 17-18 July 1963 (Symphony No. 7)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Releases: SR 90236 (Symphony No. 8, Carnaval Overture*): October 1960; SR 90516 (Symphony No. 7, Carnaval Overture): April 1969
℗ 1960 (No. 8, Carnaval Overture), 1969 (No. 7) Universal International Music B.V.
*FIRST RELEASE ON CD

CD 16 59'09
Recording Location: Watford Town Hall, London, UK, 15, 16 & 24 June 1961
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90246: May 1962
℗ 1962 Universal International Music B.V.

CD 17 46'51
Recording Location: Watford Town Hall, London, UK, 23 June 1961
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90255: July 1962
℗ 1962 Universal International Music B.V.

CD 18 53'26
Recording Locations: Watford Town Hall, London, UK, 6 June 1959 (1-7), Walthamstow Town Hall, London, UK. 4 July 1956 (8)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones (1-7), and two Neumann U-47 microphones (L-R) (8)
Original Mercury Release: SR 90265: November 1960
℗ 1960 Universal International Music B.V.

CD 19 42'05
Recording Location: Watford Town Hall, London, UK, 16 & 18 June 1959
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90268: December 1960
℗ 1960 Universal International Music B.V.

CD 20 43'19
Recording Location: Wembley (Brent) Town Hall, London, UK, 7, 9 & 12 June 1960
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: LPS 9000: February 1961
℗ 1961 Universal International Music B.V.

CD 21 56'32
Recording Location: Watford Town Hall, London, UK, 19, 20, 22 & 24 June 1961
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90278: November 1961
℗ 1961 Universal International Music B.V.

CD 22 40'32
Recording Location: Wembley (Brent) Town Hall, London, UK, 12 June 1960
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90279: February 1962
℗ 1962 Universal International Music B.V.

CD 23 55'46
Recording Location: Watford Town Hall, London, UK, 22 June 1961 (Haydn), 23 June 1961 (Mozart)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90280: December 1962
℗ 1962 Universal International Music B.V.

CD 24 37'55
Recording Location: Watford Town Hall, London, UK, 16-18 June 1961
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90283: November 1961
℗ 1961 Universal International Music B.V.

CD 25 42'57
Recording Locations: Watford Town Hall, London, UK, June 9 and 14, 1959 (Tannhäuser); Wembley (Brent) Town Hall, London, UK, June 4, 1960 (Die Meistersinger, Parsifal, Lohengrin)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90287: September 1962
℗ 1962 Universal International Music B.V.

CD 26 48'08
Recording Location: Watford Town Hall, London, UK, 6, 7 & 10 July 1962
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90303: December 1962
℗ 1962 Universal International Music B.V.

CD 27 79'46
Recording Location: Watford Town Hall, London, UK, 11-13, 15 July 1962
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90306-7 (SR2-9013): December 1962
℗ 1962 Universal International Music B.V.

CD 28 40'25
Recording Location: Watford Town Hall, London, UK, 18 & 22 July 1962
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
HD Tape Transfers and Plangent Process: John K. Chester and Jamie Howarth
Original Mercury Release: SR 90308: December 1962
℗ 1962 Universal International Music B.V.

CD 29 78'20
Recording Location: Watford Town Hall, London, UK, 15, 17, 20 & 25 July 1962 (Beethoven), 18 & 19 July & 1963 (Schumann), 27 July 1962 (Weber)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Releases: SR 90415 (Beethoven): November 1964; SR 90511 (Schumann): June 1969; SR 90259 (SR 2-9134) (Weber): February 1971
℗ 1964 (Beethoven), 1969 (Schumann) 11971 (Weber) Universal International Music B.V.
Barcode: 0 028948 470150 (Text)
Barcode: 0028948470150 (Scanned)
SPARS Code: ADD
Matrix / Runout: (1289302) 00028948470167 02 0001 (CD1)
Mould SID Code: IFPI LV77 (CD1, CD2, CD4, CD6, CD8, CD10 to CD13, CD15, CD20, CD22 to CD24, CD29)
Mastering SID Code: IFPI KK3F (CD1, CD4, CD5, CD22, CD23)
Matrix / Runout: (1289311) 00028948470174 01 0001 (CD2)
Mould SID Code: IFPI KK4I (CD2, CD6, CD8, CD9, CD11, CD13, CD14, CD16, CD18, CD20, CD28)
Matrix / Runout: (1289324) 00028948470181 01 0001 (CD3)
Mastering SID Code: IFPI LW66 (CD3, CD5, CD7, CD9, CD14, CD16 to CD19, CD21, CD25 to CD28)
Mould SID Code: IFPI KKQ1 (CD3)
Matrix / Runout: (1289304) 00028948470198 01 0001 (CD4)
Matrix / Runout: (1289315) 00028948470204 01 0001 (CD5)
Matrix / Runout: (1289330) 00028948470211 01 0001 (CD6)
Matrix / Runout: (1289306) 00028948470228 03 0001 (CD7)
Mould SID Code: IFPI KKV7 (CD7, CD12, CD15, CD20, CD21, CD25, CD26)
Matrix / Runout: (1289319) 00028948470235 01 0001 (CD8)
Matrix / Runout: (1289332) 00028948470242-V2 01 0001 (CD9)
Matrix / Runout: (1289308) 00028948470259 01 0001 (CD10)
Mould SID Code: IFPI KK0I (CD10, CD18, CD19, CD24, CD27, CD29)
Matrix / Runout: (1289333) 00028948470266 01 0001 (CD11)
Matrix / Runout: (1289335) 00028948470273 01 0001 (CD12)
Matrix / Runout: (1289348) 00028948470280 01 0001 (CD13)
Matrix / Runout: (1289349) 00028948470297 01 0001 (CD14)
Matrix / Runout: (1289350) 00028948470303 01 0001 (CD15)
Matrix / Runout: (1289351) 00028948470310 01 0001 (CD16)
Matrix / Runout: (1289352) 00028948470327 01 0001 (CD17)
Matrix / Runout: (1289353) 00028948470334-V2 01 0001 (CD18)
Matrix / Runout: (1289354) 00028948470341 01 0001 (CD19)
Matrix / Runout: (1289355) 00028948470358-V2 01 0001 (CD20)
Matrix / Runout: (1289356) 00028948470365-V2 01 0001 (CD21)
Matrix / Runout: (1289357) 00028948470372 01 0001 (CD22)
Matrix / Runout: (1289358) 00028948470389 01 0001 (CD23)
Matrix / Runout: (1289359) 00028948470396 01 0001 (CD24)
Matrix / Runout: (1289360) 00028948470401 01 0001 (CD25)
Matrix / Runout: (1289361) 00028948470419 01 0001 (CD26)
Matrix / Runout: (1289362) 00028948470426 01 0001 (CD27)
Matrix / Runout: (1289363) 00028948470433 01 0001 (CD28)
Matrix / Runout: (1289364) 00028948470440 01 0001 (CD29)