contrabass [kontrabas], acoustic guitar [akustická kytara], electric guitar [el. kytara], bass guitar [basová kytara], voice [hlas] Antonín Šturma
design Richard Pešek
engineer [zvuk], mixed by [mix] Gabriela Vermelho
engineer [zvuk], mixed by [mix] Tomáš Krupka
libretto by [libreto] Alena Pešková
mastered by [mastering] Alexej Charvát
music by [hudba] Gabriela Vermelho
oboe [hoboj] Romana Mazáková
photography by [photo] Jiří Šlemar
photography by [photo] Petr Berounský
photography by [photo] Ája Dvořáčková
sampler [samply] Tomáš Krupka
vocals [zpěv], violin [housle], violone [quinton / kvinton], accordion [akordeon], piano [prepared / preparovaný klavír], flute [slovak overtone fipple flute without finger holes / koncovka], djembe, chimes, performer [breath / dech], instruments Gabriela Vermelho
Distributed By Indies Scope
Phonographic Copyright (p) GaRe
Copyright (c) GaRe
Recorded At Studio Garbage, Pankrác
Mastered At Studio Svengali
Pressed By ZRDISC
Total Time: 71:35

Instruments:
Skleničky (glasses), vařečky (spoons), struhadlo na brambory (potatoes grater), čajová konvice (teapot), škrabka (scraper), příbory (cutlery), trychtýř (funne), igelitový sáček (plastic bag), lustr (chandelier).
[List of other instruments used by Gabriela Vermelho]

Hudba k tanečnímu hororu o deseti obrazech, prologu a epilogu, podle stejnojmenné novely Alexandra Grina

Představení bylo vytvořeno pro Malostranskou besedu v Praze a následně také jako adaptace pro Severočeské divadlo opery a baletu v Ústí nad Labem.

Natočeno v únoru a březnu 2010 v příležitostném studiu Garbage, Pankrác

P+C 2012 GaRe
www.gabrielavermelho.cz

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Packaging: 3-panel foldout digipak with inserted 12-page booklet in Czech only.

Note taken from the website by Alena Pešková (libretto, direction, choreography):
Original music to the dance theatre (horror) Jessie and Morgiana by Gabriela Vermelho, who passes through the whole performance as a narrator.
The performance is freely based on the eponymous novel by Alexander Grin. Even if this performance is called a dance theatre (horror), it is more a synthetic theatre. Althought its dominant component remains modern expressional ballet with all its atributes - dance with ballet shoes, combination of classical dance technique with modern techniques - all this in form typical for Ultra-Minimal-Ballet (minimal space, minimal number of dancers, minimal music...).

Matrix / Runout: ZRDISC 7594
Rights Society: OSA