a&r Monte Conner band [sepultura], bass Paulo Jr. band [sepultura], drums, percussion Igor Cavalera band [sepultura], guitar, vocals Andreas Kisser band [sepultura], vocals Derrick Green booking [u.s., for] The Agency Group booking [u.s.] Dave Kirby booking [worldwide, for] Helter Skelter booking [worldwide] Ian Sales co-producer Sepultura coordinator [assistant coordinator] Dany O'Bryan coordinator [production coordination] Emily Brown cover [cover art], artwork [cover art] Mike Curry creative director [creative direction] Lynda Kusnetz crew [sepulcrew] Eduardo Rocha crew [sepulcrew] Kenny Supla crew [sepulcrew] Marcos Kichimoto crew [sepulcrew] Nino Notaro crew [sepulcrew] Rudy Tea Bag crew [sepulcrew] Scott "Goody" Goodwine crew [sepulcrew] Silvio Gomes design concept [cover concept] Igor Cavalera design, layout Mike Curry design, layout Skouras Design drawing [kanji drawing by] Takeshi Sakamoto edited by [digital editing by] Carlo Bartolini edited by [digital editing by] Howard Benson engineer [assistant engineer] Daniel Mantovani engineer [assistant engineer] David Bryant engineer [assistant engineer] James Bennett engineer [assistant engineer] Toshi Kasai illustration [japanese illustration by] Akiko Naomura liner notes Hiro Arishima liner notes Yasumichi Noma liner notes [対訳] Azumi Takahata management Singerman Entertainment mastered by Dave Collins merchandising [sepultura merchandise] Blue Grape Merchandising tracks 7, 9, 15 mixed by Bobby Brooks tracks 7, 9, 15 mixed by Howard Benson mixed by [for worlds end (america) inc.] Tim Palmer mixed by [mix assistant] James Saez mixed by [mix assistant] Mark Moncrief photography by [band photos by] Stefan Schipper photography by [mask shots by] Kevin Estrada photography by [sepultura/kodo photo by] Masayuki Noda producer [produced by] Howard Benson promotion [brasilian fan club] Sepultura Official Brasilian Fan Club promotion [worldwide official fan club] Sepulfreak recorded by, engineer [engineered by] Carlo Bartolini technician [studio tech] Marcos Kichimoto technician [studio tech] Silvio Gomes Licensed From The All Blacks B.V. Licensed To Roadrunner Records Manufactured By Roadrunner Japan, Inc. Phonographic Copyright (p) The All Blacks B.V. Copyright (c) The All Blacks B.V. Published By Roadblock Music, Inc. Published By WB Music Corp. Published By Jasonic Music Published By Bad Brains Publishing Recorded At ÍON Studios, São Paulo, Brazil Recorded At House Of Blues Studios, Encino Recorded At Hook Studios Recorded At Sparky Dark Studio Recorded At Image Recording Studios Recorded At The Chophouse Recorded At Golden Track Studio Recorded At Kodo Village Mixed At Scream Studios Mixed At The Gallery, Sherman Oaks, CA Mastered At A&M Mastering Studios Issued in a clear tray standard jewel case, with a 12-page booklet, a 12-page japanese booklet and an obi-strip.
16 & 17 are bonus tracks.
[Kamaitachi] Recorded and engineered on April 27th 1998, at KODO Village, Sado Island, Japan
[Hatred Aside] Recorded May 12-17, 1998 at the Chophouse, Walnut Creek, CA
[T3rcermillennium] The first half of this song was written and recorded simultaneously in Encinitas, CA on a portable DAT machine with one microphone, and later completed in Los Angeles at The Hook Studios.
All songs published by Roadclock Music, Inc. (ASCAP), except F.O.E. by WB Music Corp. (ASCAP), Hatred Aside by Roadblock Music, Inc./Jasonic Music (ASCAP) and Gene Machine/Don't Bother Me by Bad Brains Publishing (ASCAP).
Jason Newsted appears courtesy of [l25487]. Kodō appear courtesy of [l42738], a Division of [l32822] Zebrahead appear courtesy of [l93330]
Recorded at: ION Studios, São Paulo, Brazil · House Of Blues Studios, Encino, CA · The Hook Studios, N. Hollywood, CA · Sparky Dark Studios, Calabasas, CA · Image Studios, Los Angeles, CA · Chophouse Studio, Walnut Creek, CA · Golden Track Studio, San Diego, CA and KODO Village, Sado Island, Japan
Mixed at Scream Studios, Studio City, CA Tracks 7, 9, 15 mixed at The Gallery, Encino, CA