design Bamber Forsyth
tracks a1 to a8 plated by Maxwell Anandappa
Mastered At Immediate Sound Services Ltd.
Mastered At Lyntone Recordings Ltd.
Mastered At Lyntone Recordings Ltd.
Mastered At Lyntone Recordings Ltd.
Mastered At Lyntone Recordings Ltd.
Mastered At Lyntone Recordings Ltd.
Pressed By Allied Records Ltd.
Compared with The Trojan Story–Part One this release was also pressed by Allied Records Ltd. but comes with different labels, which don't contain This compilation ℗ 1980.

Collection of rocksteady, reggae and ska from 1961-'71, most from '66-'68.
Includes a roughly 12 double-sided insert.

E8 and F2 are mislabelled on the labels and the insert.
E8 is labelled as I've Got To Get You Off My Mind, but is actually Second Fiddle.
F2 is labelled as Second Fiddle but is actually I've Got To get You Off My Mind.

The Trojan Story was originally released in 1972. Following a burst of ska-influenced records it was re-issued as a limited edition. The tracks and music are identical to the original release.

[On front cover:]
A history of the original Ska, Rock-Steady and early Reggae Music

[On labels:]
Various artists
Made in England

A1. 1961 - “All Stars Recording”.
A2. 1961 - A “Smiths” Recording.
A3. 1961
A4. 1962 - Produced by Leslie Kong. A “Beverley's” Recording.
A5. 1962 - Produced by Leslie Kong. A “Beverley's” Recording.
A6. 1963 - Produced by Chris Blackwell.
A7. 1963 - A “D. Darling” Recording.
A8. 1963 - A “Duke Reid” Recording.
B1. 1963 - A “Randy's” Recording.
B2. 1964
B3. 1966 - A “Top Deck” Recording.
B4. 1961
B5. 1965 - A “Wirl” Recording.
B6. 1965
B7. 1965
B8. 1965
C1. 1967
C2. 1967 - A “B.K. Calnek” Production.
C3. 1962 - A “Beverley’s” Recording.
C4. 1966
C5. 1966 - Produced by Terry Nelson.
C6. 1966
C7. 1966
C8. 1966 - A “Beverley’s” Recording.
D1. 1967
D2. 1966 - A “Duke Reid” Recording.
D3. 1967 - A “Wirl” Recording.
D4. 1967
D5. 1967 - A “Wirl” Recording.
D6. 1966 - A “Treasure Isle” Recording.
D7. 1967 - Produced by Sonia Pottinger for her Gayfleet label.
D8. 1967 - Produced by Leslie Kong. A “Beverley’s” Recording.
E1. 1966 - Produced by Duke Reid for “Treasure Isle” Records.
E2. 1966
E3. 1967 - Produced by E.K. McDermott for “Jolly” Records.
E4. 1967 - Produced by K. Foster for “Sue” Records.
E5. 1967 - Produced by Duke Reid for “Treasure Isle” Records.
E6. 1968 - Produced by Leslie Kong for “Beverley’s” Records.
E7. 1968
E8. 1968 - Produced by George Murphy.
F1. 1968 - Produced by Lee Perry for his “Upsetter” label.
F2. 1968 - Produced by Duke Reid for “Treasure Isle” Records.
F3. 1968 - Produced by Leslie Kong for “Beverley’s” Records.
F4. 1968 - Produced by Neremiah Reid.
F5. 1969 - Produced by Joel Gibson for “Amalgamated”.
F6. 1970 - Produced by Leslie Kong. A “Beverley's” Recording.
F7. 1971 - Produced by A. Ranglin for “G.G.” Records.
F8. 1971 - Produced by Lloyd Charmers for “Splash” Records.
Matrix / Runout: TALL 100 A.1 ✱ MAX (Side A runout)
Matrix / Runout: (ALI) TALL 100 B.1 LYN 12996 (Side B runout)
Matrix / Runout: (ALI) TALL 100 C.1 LYN 12997 (Side C runout)
Matrix / Runout: (ALI) TALL 100 D.1 LYN 12998 (Side D runout)
Matrix / Runout: (ALI) TALL 100 E.1 LYN 12999 (Side E runout)
Matrix / Runout: (ALI) TALL 100 F.1 LYN 13000 (Side F runout)