tracks 9-1 to 9-17 art direction [costumes] Donna Zakowska
tracks 9-1 to 9-17 concept by [conceived and developed by] Beryl Korot
tracks 9-1 to 9-17 concept by [conceived and developed by] Steve Reich
coordinator Albert Lee
coordinator [editorial] Sidney Chen
design John Gall
design [assistant] Judy Hudson
tracks 9-1 to 9-17 design [technical designer] Ben Rubin
tracks 9-1 to 9-17 directed by [stage direction] Cary Perloff
tracks 9-1 to 9-17 directed by [technical director] Steven Ehrenberg
tracks 1-5, 4-1 to 5-1, 7-1 to 7-3 edited by [editing assistance] Jeanne Velonis
tracks 10-1 to 10-7 edited by [editing assistance] Jeanne Velonis
tracks 10-1 to 10-7 edited by [editing assistance] Karl Hereim
tracks 7-9 to 7-12, 8-7 to 8-9 edited by, mixed by Judith Sherman
tracks 7-9 to 7-12, 8-7 to 8-9 edited by, mixed by Steve Reich
tracks 3-2 engineer Paul Goodman
tracks 9-1 to 9-17 engineer [assistant] Andy Grassi
tracks 10-3 to 10-7 engineer [assistant] Carl Nappa
tracks 4-1 to 4-14 engineer [assistant] Chris Hilt
tracks 8-4 to 8-6 engineer [assistant] Gary Solomon
tracks 4-1 to 4-14, 9-1 to 9-17, 10-2 engineer [assistant] Glen Marchese
tracks 5-1, 10-1, 10-2 engineer [assistant] Greg Thompson
tracks 1-5 engineer [assistant] Jim Murray
tracks 5-1 engineer [assistant] Kevin Stone
tracks 8-1 to 8-3 engineer [assistant] Michael Ahearn
tracks 1-5 engineer [assistant] Takako Furuya
tracks 7-1 to 7-3 engineer [assistant] Tony Black
tracks 9-1 to 9-17 engineer [assistant] Yvonne Yedibalian
tracks 5-2 to 5-5 engineer [assistant], recorded by [additional recording] Andy Grassi
tracks 3-1, 7-9 to 7-12 engineer [engineered by] Dick Lewzey
tracks 5-2 to 5-5 engineer [engineered by] Hans Bedeker
tracks 1-5, 4-1 to 5-1, 7-1 to 7-3, 9-1 to 10-7 engineer [engineered by] John Kilgore
tracks 8-1 to 8-3 engineer [engineered by] Les Brockmann
tracks 1-2, 2-1 to 2-4, 3-3, 6-1 to 6-7, 7-4 to 7-8 engineer [engineered by] Paul Goodman
tracks 8-4 to 8-6 engineer [engineered by] Rob Eaton
tracks 8-7 to 8-9 engineer [engineered by] Simon Rhodes
executive-producer Robert Hurwitz
illustration [courtesy of] Jewish National & University Library
tracks 9-1 to 9-17 lighting [lighting design] Richard Nelson
liner notes John Adams
liner notes Michael Tilson Thomas
liner notes Robert Hurwitz
liner notes [interviewee] Steve Reich
liner notes [interviewer] Jonathan Cott
mastered by Bob Ludwig
tracks 9-1 to 9-17 mixed by Judith Sherman
tracks 9-1 to 9-17 mixed by Steve Reich
tracks 10-1, 10-3 to 10-7 mixed by [assistant mix engineer] Geraldo Lopez
tracks 10-3 to 10-7 mixed by [assistant mix engineer] Glen Marchese
tracks 4-1 to 4-14 mixed by [assistant mix engineer] Greg Thompson
tracks 1-5, 4-1 to 5-1, 7-1 to 7-3 mixed by [assistant mix engineer] Tony Black
tracks 8-1 to 8-3 mixed by [mix engineer] Ben Fowler
tracks 4-1 to 4-14, 9-1 to 9-17 mixed by [mix engineer] John Kilgore
tracks 3-3, 7-4 to 7-8 mixed by [mixing] Paul Goodman
tracks 3-3, 7-4 to 7-8 mixed by [mixing] Steve Reich
tracks 3-3, 7-4 to 7-8 mixed by [mixing] Tom Lazarus
tracks 6-1 to 6-7 mixed by [mixing], edited by [editing] Dr. Rudolf Werner
tracks 6-1 to 6-7 mixed by [mixing], edited by [editing] John Newton
tracks 1-2, 2-1 to 3-2, 5-2 to 5-5 mixed by [mixing], edited by [editing] Judith Sherman
tracks 6-1 to 6-7 mixed by [mixing], edited by [editing] Karl-August Naegler
tracks 2-1 to 2-4 mixed by [mixing], edited by [editing] Paul Zinman
tracks 1-2, 2-1 to 3-2, 5-2 to 6-7 mixed by [mixing], edited by [editing] Steve Reich
tracks 6-1 to 6-7 mixed by [mixing], edited by [editing] Wolf-Dieter Karwatky
tracks 9-1 to 9-17 music by Steve Reich
photography by Allan Titmuss
photography by Betty Freeman
photography by Craig Cutler
photography by Deborah Feingold
photography by Edward Quigley
photography by Gary Faye
photography by Graphistock
photography by Jose Molina
photography by Lisa Spindler
photography by Mark Sink
photography by Nevin Shalit
photography by Photonica
photography by Ralph Steiner
photography by Richard Landry
photography by Tina Girouard
photography by Yusuke Yoshino
photography by [courtesy of] Houk Friedman
producer [american train sounds produced by], engineer [american train sounds engineered by] Brad Miller
tracks 6-1 to 6-7 producer [produced by] Dr. Rudolf Werner
tracks 1-1 to 3-2, 4-1 to 5-5, 7-1 to 7-3, 7-9 to 7-12, 8-1 to 10-7 producer [produced by] Judith Sherman
tracks 9-1 to 9-17 producer [produced by] Renee Levine
tracks 1-1 to 1-4, 2-1 to 2-4, 3-2, 3-3, 6-1 to 6-7, 7-4 to 7-8, 10-1 to 10-7 producer [produced by] Steve Reich
tracks 9-1 to 9-17 producer [produced by] The Reich Music Foundation Inc.
tracks 8-4 to 8-6 producer [production assistant] David Oakes
tracks 4-1 to 4-14 producer [production assistant] Jeanne Velonis
tracks 1-5, 4-1 to 5-1, 10-1 to 10-7 producer [production assistant] Sidney Chen
tracks 8-1 to 8-6 production manager [production coordinator] Jennifer Keats
tracks 5-2 to 5-5, 8-7 to 9-17 production manager [production coordinator] Karina Beznicki
research [ralph steiner photography courtesy of] The Metropolitan Museum Of Art, New York
tracks 9-1 to 9-17 set designer [stage design] John Arnone
translated by Abdullah Yusuf Ali
translated by [revised by], translated by Steve Reich
tracks 9-1 to 9-17 video editor [multi-channel video], design [screen design] Beryl Korot
Record Company Warner Music Group
Phonographic Copyright (p) Nonesuch Records
Copyright (c) Nonesuch Records
Phonographic Copyright (p) WEA International Inc.
Copyright (c) WEA International Inc.
Copyright (c) John Adams
Copyright (c) William Carlos Williams
Published By Reich Music Publications
Published By Universal Edition
Published By Hendon Music, Inc.
Published By Boosey & Hawkes
Recorded At RCA Studio A
Recorded At Edison Recording Studio, New York
Recorded At CTS Studios
Recorded At The Hit Factory
Recorded At Wisseloord Studios
Recorded At RCA Studios, New York
Recorded At Russian Hill Recording
Recorded At Power Station
Recorded At Abbey Road Studios
Edited At Soundbyte Productions
Edited At New York Digital Recording, Inc.
Mixed At The Hit Factory
Mixed At New York Digital Recording, Inc.
Mixed At Soundbyte Productions
Engineered At Mobile Fidelity Sound Lab
Produced At Mobile Fidelity Sound Lab
Mastered At Gateway Mastering
Glass Mastered At WEA Mfg. Olyphant
Glass Mastered At WEA Mfg. Olyphant
Glass Mastered At WEA Mfg. Olyphant
Glass Mastered At WEA Mfg. Olyphant
Glass Mastered At WEA Mfg. Olyphant
Glass Mastered At WEA Mfg. Olyphant
Glass Mastered At WEA Mfg. Olyphant
Glass Mastered At WEA Mfg. Olyphant
Glass Mastered At WEA Mfg. Olyphant
Glass Mastered At WEA Mfg. Olyphant
Box set contains 10 CDs in slim jewel cases, and a 136 page booklet.

The track timings listed here are the actual track timings, not what is printed on the release.

Disc 1
Come Out originally released on New Sounds In Electronic Music. Compiled to Nonesuch 79169. Composed 1966.
Piano Phase originally released on Orchestral Space '68 = オーケストラル・スペース. This version recorded May 1986 at RCA Studio A, New York and released on Nonesuch 79169. Composed 1967.
It's Gonna Rain originally released on Live / Electric Music. Compiled to Nonesuch 79169. Composed 1965.
Four Organs originally appeared as Four Organs / Phase Patterns. This version recorded June 1996 at the Edison Studio, New York. Composed 1970.

Disc 2
Drumming originally appeared 1974 as Deutsche Grammophon 2740 106. This version recorded May 1987 at RCA Studio A, New York, and originally released as Nonesuch 79170. Composed 1971.

Disc 3
Music For Mallet Instruments, Voices And Organ originally released as Nonesuch 79220. Recorded November 1988 at CTS Studios, London. Composed 1973.
Clapping Music originally released on Nonesuch 79169. Recorded May 1987 at RCA Studio A, New York. Composed 1972.
Six Marimbas originally released on Nonesuch 79138. Recorded May 1986 at RCA Studios, New York. Composed 1973-1986.

Disc 4
Music For 18 Musicians originally appeared 1978. This version recorded October 1996 at the Hit Factory, New York. Composed 1976.

Disc 5
Eight Lines originally appeared 1984. This version recorded June 1996 at the Hit Factory, New York. Composed 1979.
Tehillim originally appeared 1982. This version recorded August 1993 at Wisseloord Studios, Hilversum, The Netherlands, and released on Nonesuch 79295. Composed 1981.

Disc 6
The Desert Music originally released as Nonesuch 79101. Recorded October 1984 at RCA Studio A, New York. Composed 1984.

Disc 7
New York Counterpoint originally appeared 1986. This version recorded January 1996 at the Hit Factory, New York. Composed 1985.
Sextet originally released on Nonesuch 79138. Recorded May 1986 at RCA Studios, New York. Composed 1985.
The Four Sections originally released as Nonesuch 79220. Recorded November 1988 at CTS Studios, London. Composed 1987.

Disc 8
Different Trains originally released as Nonesuch 79176. Recorded August-September 1988 at Russian Hill Recording, San Francisco. Composed 1988.
Electric Counterpoint originally released as Nonesuch 79176. Recorded September-October 1987 at the Power Station, New York. Composed 1987.
Three Movements originally released as Nonesuch 79295. Recorded February 1992 at Abbey Road Studios, London. Composed 1986.

Disc 9
The Cave originally released as Nonesuch 79327. Recorded December 1994 at Edison Studio, New York. Composed 1993.

Disc 10
Proverb originally released as Nonesuch 79430. Recorded June 1996 at the Hit Factory, New York. Composed 1995.
Nagoya Marimbas originally released as Nonesuch 79430. Recorded June 1996 at the Hit Factory, New York. Composed 1994.
City Life originally released as Nonesuch 79430. Recorded June 1996 at the Hit Factory, New York. Composed 1994.
Barcode: 075597945126 (Scanned)
Barcode: 0-7559-79451-2 6 (Printed)
Matrix / Runout: Wea mfg. OLYPHANT Y1829 2 79451-2.1 03 M2S3 (CD 1)
Mastering SID Code: ifpi L903 (CD 1)
Mould SID Code: IFPI 2U3D (CD 1)
Matrix / Runout: Wea mfg. OLYPHANT X2189 2 79451-2.2 02 M1S4 (CD 2)
Mastering SID Code: ifpi L902 (CD 2)
Mould SID Code: IFPI 2U3D (CD 2)
Matrix / Runout: Wea mfg. OLYPHANT X2183 2 79451-2.3 01 M1S4 (CD 3)
Mastering SID Code: ifpi L902 (CD 3)
Mould SID Code: IFPI 2U3D (CD 3)
Matrix / Runout: Wea mfg. OLYPHANT Y1544 2 79451-2.4 01 M1S4 (CD 4)
Mastering SID Code: ifpi L903 (CD 4)
Mould SID Code: IFPI 2U3D (CD 4)
Matrix / Runout: Wea mfg. OLYPHANT W571 2 79451-2.5 01 M1S4 (CD 5)
Mastering SID Code: ifpi L901 (CD 5)
Mould SID Code: IFPI 2U3D (CD 5)
Matrix / Runout: Wea mfg. OLYPHANT X2182 2 79451-2.6 01 M1S5 (CD 6)
Mastering SID Code: ifpi L902 (CD 6)
Mould SID Code: IFPI 2U3D (CD 6)
Matrix / Runout: Wea mfg. OLYPHANT W570 2 79451-2.7 01 M1S4 (CD 7)
Mastering SID Code: ifpi L901 (CD 7)
Mould SID Code: IFPI 2U3D (CD 7)
Matrix / Runout: Wea mfg. OLYPHANT X2181 2 79451-2.8 01 M1S5 (CD 8)
Mastering SID Code: ifpi L902 (CD 8)
Mould SID Code: IFPI 2U3D (CD 8)
Matrix / Runout: Wea mfg. OLYPHANT X2180 2 79451A-2.9 01 M1S4 (CD 9)
Mastering SID Code: ifpi L902 (CD 9)
Mould SID Code: IFPI 2U3D (CD 9)
Matrix / Runout: Wea mfg. OLYPHANT X2192 2 79451B-2.10 02 M1S4 (CD 10)
Mastering SID Code: ifpi L902 (CD 10)
Mould SID Code: IFPI 2U3D (CD 10)
Rights Society: BMI