art direction Geoff Gans compilation producer [produced for release by] Gary Stewart compiled by Gary Stewart design Monster X illustration Gary Panter liner notes Pleasant Gehman photography by Donna Santisi photography by Jenny Lens photography by [courtesy] Bomp photography by [courtesy] Michael Ochs Archives producer [sound produced by] Bill Inglot project manager [project assistance] Austin Powell project manager [project assistance] Bob Emmer project manager [project assistance] Danny Benair project manager [project assistance] Mark Pinkus project manager [project assistance] Michelle Eagle-Wolfe remastered by Bill Inglot remastered by Ken Perry research Chris Clarke research Gary Peterson research Jeff Wolfe research Reggie Collins research [editorial assistance] Darcy Sullivan research [editorial assistance] Jamie Davis research [editorial assistance] Norma Edwards research [editorial assistance] Russell Briggs research [editorial assistance] Stephen K. Peeples research [tape and photo] Andrew Sandoval supervised by [project supervision] David McLees Phonographic Copyright (p) Rhino Records Inc. Copyright (c) Rhino Records Inc. Phonographic Copyright (p) Saintly Endeavors Phonographic Copyright (p) Loren Molinare Phonographic Copyright (p) The Motels Phonographic Copyright (p) What Records? Phonographic Copyright (p) Bomp Records Phonographic Copyright (p) Bob Willingham Phonographic Copyright (p) The Quick Phonographic Copyright (p) Backlash Phonographic Copyright (p) Gregg Embrey & Jeff Wolfe Phonographic Copyright (p) Dangerhouse Records Phonographic Copyright (p) Cliff Roman Phonographic Copyright (p) Slash Records Phonographic Copyright (p) Plug Recordz Phonographic Copyright (p) A&M Records, Inc. Licensed From Allan Rinde Licensed From Loren Molinare Licensed From The Motels Licensed From Chris Ashford Licensed From Bomp Records Licensed From Danielle Faye Licensed From Danny Benair Licensed From Vitus Mataré Licensed From Jeff Wolfe Licensed From Dangerhouse Records Licensed From Cliff Roman Licensed From Slash Records Licensed From Restless Records Licensed From A&M Records, Inc. Pressed By Specialty Records Corporation Track 19, listed as TAQN by Eyes, is incorrect. The Eyes song in this compilation is its b-side, Topological Lies.
Tracks 2, 7, 8, 11, 19, and 20 are CD bonus tracks.
Track 1: Back Door Man maxi-single #5001 ℗ 1977 Saintly Endeavors, licensed from Allan Rinde. Track 2: Dynamic single #RN 110, ℗ 1976 Loren Molinare, licensed from Loren Molinare. Track 3: First issued on the album Saturday Night Pogo, Rhino #RNLP 003 ℗ 1978 The Motels, licensed from The Motels. Track 4: What? single #WHAT01 ℗ 1977 What Records?, licensed from What Records?. Track 5: What? single #WHAT 02 ℗ 1977 What Records?, licensed from What Records?. Track 6: Bomp! single #BOMP 110 ℗ 1977 Bomp Records, licensed from Bomp Records. Track 7: Bomp! maxi-single #BOMP 112 ℗ 1977 Bomp Records, licensed from Bomp Records. Track 8: Back Door Man single #5002 ℗ 1978 Bob Wallingham, licensed from Danielle Faye. Track 9: From the maxi-single In Tune With Our Times (In Tune With Our Times) [fan club issue] #QUICK 1℗ 1977 The Quick, licensed from Danny Benair. Track 10: Backlash single #LS001 ℗ 1977 Backlash, licensed from Vitus Mataré. Track 11: Double R single #1011 ℗ 1978 Gregg Embrey & Jeff Wolfe, licensed from Jeff Wolfe. Track 12: Dangerhouse single #SLA 268 ℗ 1978 Dangerhouse Records, licensed from Dangerhouse Records. Track 13: Dangerhouse single #D 88 ℗ 1978 Dangerhouse Records, licensed from Dangerhouse Records. Track 14: Dangerhouse single #SP 1063 ℗ 1978 Cliff Roman, licensed from Cliff Roman. Track 15: Slash maxi-single #SCAM 101 ℗ 1978 Slash Records, licensed from Slash Records. Track 16: Dangerhouse single ℗ 1978 Dangerhouse Records, licensed from Dangerhouse Records. Track 17: From the album Electrify Me, #Plug PR 001 ℗ 1979 Plug Recordz, licensed from Restless Records. Track 18: A&M maxi-single #SP 12008 ℗ 1978 A&M Records, Inc., licensed from A&M Records, Inc. Track 19: Dangerhouse single #IZE 45 ℗ 1979 Dangerhouse Records, licensed from Dangerhouse Records. Track 20: Dangerhouse single #BAG 199℗ Dangerhouse Records, 1978 licensed from Dangerhouse Records. Track 21: From Yes L.A. EP, Dangerhouse #EW 79 ℗ 1979 Dangerhouse Records, licensed from Dangerhouse Records.
Tracks 2, 7, 8, 11, 19 and 20 are CD bonus tracks.