art direction Merle Kersten
booklet editor Eva Zöllner
compiled by Alan Newcombe
compiled by, project manager David Butchart
tracks 50-1 to 50-18 coordinator [project coordinator] Burkhard Bartsch
design Mareike Walter
tracks 28-1 to 28-12 edited by Jörg Iwaschuta
tracks 28-1 to 28-12 edited by Klaus Behrens
tracks 38-1 to 38-23 edited by Martin Derner
tracks 28-1 to 28-12 edited by Reinhild Schmidt
tracks 42-1 to 42-40, 43-1 to 43-20 edited by Reinhild Schmidt
tracks 46-1 to 46-16 edited by Tom Wood
tracks 54-1 to 54-14 engineer Julia Thomas
tracks 50-1 to 50-18 engineer Ulrich Vette
tracks 50-1 to 50-18 engineer [assistant engineer] Bastian Schick
tracks 55-4, 55-5 engineer [assistant engineer] George Pierson
tracks 51-1 to 51-29, 52-1 to 52-21, 53-1 to 53-23 engineer [assistant engineer] Mark Buecker
tracks 47-1 to 47-21 engineer [balance engineer, radio france] Joël Soupiron
tracks 41-1 to 41-18, 42-1 to 42-40, 43-1 to 43-20, 45-1 to 45-28 engineer [balance engineer] Andrew Wedman
tracks 8-1 to 8-14 engineer [balance engineer] Gerd Henjes
tracks 39-1 to 39-25, 40-1 to 40-26, 46-1 to 46-16 engineer [balance engineer] Gregor Zielinsky
tracks 17-1 to 17-12 engineer [balance engineer] Günter Hermanns
tracks 12-1 to 12-20, 14-1 to 14-31, 17-13 to 17-18, 18-1 to 18-24, 19-1 to 19-8, 22-7 to 22-10, 28-1 to 28-12, 32-1 to 32-11 engineer [balance engineer] Hans-Peter Schweigmann
tracks 44-1 to 44-8, 49-1 to 49-21 engineer [balance engineer] Hans-Ulrich Bastin
tracks 13-1 to 13-23 engineer [balance engineer] Harald Baudis
tracks 21-7 to 21-24, 25-1 to 25-16, 27-1 to 27-32 engineer [balance engineer] Heinz Wildhagen
tracks 21-1 to 21-6 engineer [balance engineer] Klaus Hiemann
tracks 23-1 to 23-33 engineer [balance engineer] Klaus Scheibe
tracks 34-1 to 34-10, 35-1 to 35-4 engineer [balance engineer] Ulrich Vette
tracks 8-15 to 8-22, 12-1 to 12-6, 12-14 to 12-20 engineer [balance engineer] Walter Alfred Wettler
tracks 9-1 to 9-29, 10-1 to 10-28, 11-1 to 11-22 engineer [balance engineer] Werner Wolf
tracks 21-1 to 21-6, 29-1 to 29-29 engineer [balance engineer] Wolfgang Mitlehner
tracks 55-1 to 55-3 engineer [recording engineer, classic sound] Jonathan Stokes
tracks 47-1 to 47-21 engineer [recording engineer, radio france] Alain Joubert
tracks 47-1 to 47-21 engineer [recording engineer, radio france] Simon Deborne
tracks 54-4, 54-5 engineer [recording engineer] Andrew Mellor
tracks 45-1 to 45-28 engineer [recording engineer] Andrew Wedman
tracks 20-1 to 20-18 engineer [recording engineer] Günter Hermanns
tracks 20-1 to 20-18 engineer [recording engineer] Hans Ritter
tracks 24-1 to 24-19, 28-13 to 28-27 engineer [recording engineer] Hans-Peter Schweigmann
tracks 39-1 to 39-25, 40-1 to 40-26 engineer [recording engineer] Hans-Rudolf Müller
tracks 51-1 to 51-29, 52-1 to 52-21, 53-1 to 53-23 engineer [recording engineer] Hans-Ulrich Bastin
tracks 20-19 to 20-21 engineer [recording engineer] Harald Baudis
tracks 41-1 to 41-18, 42-1 to 42-40, 43-1 to 43-20 engineer [recording engineer] Jürgen Bulgrin
tracks 30-1 to 30-12, 31-1 to 31-15, 33-1 to 33-6, 44-1 to 44-8 engineer [recording engineer] Karl-August Naegler
tracks 24-1 to 24-19 engineer [recording engineer] Klaus Hiemann
tracks 15-1 to 15-37, 18-1 to 18-24, 19-1 to 19-20 engineer [recording engineer] Klaus Scheibe
tracks 55-6 to 55-8 engineer [recording engineer] Rainer Maillard
tracks 49-1 to 49-21 engineer [recording engineer] Reinhard Lagemann
tracks 39-1 to 39-25, 40-1 to 40-26, 46-1 to 46-16 engineer [recording engineer] Reinhild Schmidt
tracks 41-1 to 41-18 engineer [recording engineer] Stephan Flock
tracks 28-1 to 28-12 engineer [recording engineer] Volker Martin
tracks 55-1 to 55-3 executive-producer Angelika Meissner
tracks 47-1 to 47-21 executive-producer Arend Prohmann
tracks 29-1 to 29-29, 30-1 to 30-12, 31-1 to 31-15, 32-1 to 32-11, 34-1 to 34-10, 35-1 to 35-4, 36-1 to 36-16, 37-5 to 37-9 executive-producer Charlotte Kriesch
tracks 55-6 to 55-8 executive-producer Christian Badzura
tracks 46-1 to 46-16 executive-producer David R. Murray
tracks 55-1 to 55-3 executive-producer Dr. Alexander Buhr
tracks 21-1 to 21-24, 22-1 to 22-10, 23-1 to 23-33, 24-1 to 24-19, 25-1 to 25-16, 27-1 to 27-32, 28-1 to 28-12, 29-1 to 29-29, 30-1 to 30-12, 31-1 to 31-15, 32-1 to 32-11, 34-1 to 34-10, 35-1 to 35-4, 36-1 to 36-16, 37-5 to 37-9 executive-producer Dr. Andreas Holschneider
tracks 1-1 to 1-15, 2-1 to 2-18, 3-1 to 3-24, 4-1 to 4-31, 5-1 to 5-31 executive-producer Dr. Fred Hamel
tracks 12-1 to 12-13 executive-producer Dr. Gerd Ploebsch
tracks 21-1 to 21-6 executive-producer Franz-Christian Wulff
tracks 12-14 to 12-20, 16-1 to 16-8, 19-9 to 19-24 executive-producer Hans Hickmann
tracks 12-1 to 12-13 executive-producer Helen Kuzaj
tracks 49-1 to 49-21, 51-1 to 51-29, 52-1 to 52-21, 53-1 to 53-23 executive-producer Marita Prohmann
tracks 38-1 to 38-23, 39-1 to 39-25, 40-1 to 40-26, 41-1 to 41-18, 42-1 to 42-40, 43-1 to 43-20, 44-1 to 44-8, 45-1 to 45-28 executive-producer Peter Czornyj
tracks 55-4, 55-5 executive-producer Renaud Loranger
tracks 29-19 to 29-35 executive-producer Wolfgang Mitlehner
tracks 49-1 to 49-21 executive-producer [deutschlandradio] Ludwig Rink
liner notes [1998-2008 - ten turbulent years in the life of archiv produktion in the 1990s] Marita Prohmann
liner notes [anderson et prohmann traduction] Dennis Collins
liner notes [anderson Übersetzung] Reinhard Lüthje
liner notes [archiv produktion - a timeless musical treasury] Nicholas Anderson
liner notes [archiv produktion in the 1990s] Peter Czornyj
liner notes [back to the future - archiv produktions guiding principles from 1970 to 1992] Dr. Andreas Holschneider
liner notes [holschneider and prohmann english translation] Stewart Spencer
liner notes [holschneider traduction] Jean-Claude Poyet
tracks 47-1 to 47-21 music consultant [to balance engineer, dgg], consultant Oliver Rogalla
photography by Anders Anjou
photography by Andreas Wucke
photography by Andrew Mellor
photography by Anna Carmignola
photography by Bernd-Christian Wetzel
photography by Clive Barda
photography by D. Heyden
photography by David Farrell
photography by Eleuve
photography by Elisabeth Speidel
photography by Felix Broede
photography by Fritz Peyer
photography by George Diaz
photography by Hans Ritter
photography by Harald Hoffmann
photography by Jo Marwitzky
photography by Joachim Rühl
photography by Joe Chielli
photography by Jutta Jelinski
photography by Jytte Jürgensen
photography by Lillian Birnbaum
photography by Michael Evans
photography by Noel Weber
photography by Patrick Bertrand
photography by Siegfried Lauterwasser
photography by Susesch Bayat
tracks 51-1 to 51-29, 52-1 to 52-21, 53-1 to 53-23 producer Arend Prohmann
tracks 55-6 to 55-8 producer Christoph Claßen
tracks 28-1 to 28-12, 33-1 to 33-6 producer Dr. Andreas Holschneider
tracks 16-8 to 16-14 producer Hans Hickmann
tracks 54-1 to 54-14 producer Julia Thomas
tracks 9-1 to 9-29, 10-1 to 10-28, 11-1 to 11-22 producer Karl-Heinz Schneider
tracks 48-1 to 48-17 producer Marita Prohmann
tracks 55-4, 55-5 producer Nick Parker
tracks 15-1 to 15-37 producer Rainer Brock
tracks 55-1 to 55-3 producer Sid McLauchlan
tracks 47-1 to 47-21 producer [recording producer, radio france] Michel Gache
tracks 37-1 to 37-9, 39-1 to 39-25, 40-1 to 40-26, 48-1 to 48-17 producer [recording producer] Arend Prohmann
tracks 42-1 to 42-40, 43-1 to 43-20 producer [recording producer] Christopher Alder
tracks 46-1 to 46-16 producer [recording producer] David R. Murray
tracks 28-1 to 28-12 producer [recording producer] Dr. Andreas Holschneider
tracks 1-4 to 1-10 producer [recording producer] Dr. Erich Thienhaus
tracks 1-1 to -3, 11-1 to 1-15, 6-1 to 6-14, 7-1 to 7-14 producer [recording producer] Dr. Fred Hamel
tracks 17-1 to 17-18, 18-1 to 18-24, 19-1 to 19-8, 21-1 to 21-6, 22-7 to 22-10, 23-1 to 23-33, 24-1 to 24-19, 36-1 to 36-16 producer [recording producer] Dr. Gerd Ploebsch
tracks 8-1 to 8-14 producer [recording producer] Gerd Henjes
tracks 20-1 to 20-21 producer [recording producer] Hans Hirsch
tracks 13-1 to 13-23 producer [recording producer] Hans Ritter
tracks 19-9 to 19-24 producer [recording producer] Hans Weber
tracks 14-1 to 14-31 producer [recording producer] Hans-Peter Schweigmann
tracks 2-1 to 2-18, 3-1 to 3-24, 4-1 to 4-15, 6-1 to 6-10, 7-1 to 7-10 producer [recording producer] Heinrich Keilholz
tracks 21-7 to 21-24, 25-1 to 25-16 producer [recording producer] Heinz Wildhagen
tracks 34-1 to 34-10, 35-1 to 35-4 producer [recording producer] Karl-August Naegler
tracks 12-14 to 12-20 producer [recording producer] Karl-Heinz Schneider
tracks 16-1 to 16-8, 20-1 to 20-21 producer [recording producer] Manfred Richter
tracks 8-11 to 38-15, 41-1 to 41-18, 49-1 to 49-21 producer [recording producer] Sid McLauchlan
tracks 8-15 to 8-22 producer [recording producer] Walter Alfred Wettler
tracks 4-16 to 4-31, 5-1 to 5-31 producer [recording producer] Werner Grimme
tracks 38-1 to 38-10, 38-16 to 38-23 producer [recording producer] Wolfgang Mitlehner
tracks 28-31 to 28-27, 32-1 to 32-11, 33-1 to 33-6 recording supervisor Dr. Gerd Ploebsch
tracks 27-1 to 27-32 recording supervisor Heinz Wildhagen
tracks 15-1 to 15-37 recording supervisor Klaus Scheibe
tracks 30-1 to 30-12, 31-1 to 31-15 recording supervisor Steven Paul
supervised by [consultant to the edition] Nicholas Anderson
Phonographic Copyright (p) Deutsche Grammophon GmbH
Phonographic Copyright (p) Fundación Caja Madrid
Copyright (c) Deutsche Grammophon GmbH
Copyright (c) D. Heyden
Copyright (c) Siegfried Lauterwasser
Copyright (c) Bernd-Christian Wetzel
Copyright (c) David Farrell (2)
Copyright (c) Hans Ritter
Copyright (c) Clive Barda
Copyright (c) Fritz Peyer
Copyright (c) Mike Evans
Copyright (c) Patrick Bertrand
Copyright (c) Noel Weber
Copyright (c) George Diaz
Copyright (c) Jytte Jürgensen
Copyright (c) Susesch Bayat
Copyright (c) Felix Broede
Copyright (c) Anders Anjou
Copyright (c) Joe Chielli
Copyright (c) Joachim Rühl
Copyright (c) Lillian Birnbaum
Copyright (c) Harald Hoffmann
Copyright (c) Eleuve
Copyright (c) Anna Carmignola
Copyright (c) Andrew Mellor
Copyright (c) Jutta Jelinski
Copyright (c) Elisabeth Speidel
Copyright (c) Andreas Wucke
Copyright (c) Jo Marwitzky
Made By EDC, Germany
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Made By EDC, Germany
Made By EDC, Germany
Made By EDC, Germany
Made By EDC, Germany
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Made By EDC, Germany
Made By EDC, Germany
Made By EDC, Germany
Made By EDC, Germany
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Made By EDC, Germany
Recorded At Johanniskirche, Göttingen
Recorded At Jesus-Christus-Kirche, Berlin
Recorded At Beuron, Kirche Der Erzabtei St. Martin
Recorded At Palais Des Académies
Recorded At Grosser Tonhallensaal Zürich
Recorded At Blauer Saal Vom Justiz-Department
Recorded At Grosses Studio Von Radio Basel
Recorded At Paulussaal, Freiburg
Recorded At Rudolf-Oetker-Halle
Recorded At Westminster Abbey
Recorded At Herkulessaal, München
Recorded At Münster Heilsbronn
Recorded At Augustana Hochschule Neuendettelsau
Recorded At Polydor Studio Paris
Recorded At Palais Schönburg
Recorded At Kirche Neumünster, Zürich
Recorded At Leeds Town Hall
Recorded At Wembley Town Hall
Recorded At Friedrich-Ebert-Halle, Hamburg
Recorded At Plenarsaal Der Akademie Der Wissenschaften
Recorded At Henry Wood Hall, London
Recorded At Palais Schönburg
Recorded At Charterhouse School
Recorded At Conway Hall, London
Recorded At CNSMDP
Recorded At Salle Des Remparts, La Tour-De-Peilz
Recorded At Deutschlandfunk Sendesaal
Recorded At All Saints Church, Tooting, London
Recorded At St. John's, Smith Square
Recorded At Basilica di San Marco, Venice
Recorded At Palau De La Música Catalana
Recorded At Salle Wagram, Paris
Recorded At Scuola Grande di San Rocco
Recorded At St. Osdag Church
Recorded At Maison de Radio France
Recorded At Théâtre de Poissy
Recorded At Kulturzentrum Grand Hotel, Gustav-Mahler-Saal
Recorded At Chiesa di Sant'Agostino (Tuscania, nr. Viterbo)
Recorded At Church Of St. Jude-on-the-Hill, Hampstead
Recorded At St John-at-Hackney, London
Recorded At All Hallows-on-the-Wall Church, London
Recorded At St Alban's Church, Holborn
Recorded At Church Of San Girolamo, Bagnacavallo
This edition ℗ 2013 Deutsche Grammophon GmbH, Berlin

Packaged in a 14 centimeter (5 1/2) square box with lift-top lid and a 198-page booklet.
Discs 1 to 7 mono
Disc 8 mono and stereo
Discs 9 to 55 stereo

Each CD comes in a cardboard sleeve that replicates the original cover of one of the albums whose tracks are on the disc, if there is more than on. They do not describe the contents of the disc, which are printed on the back of the sleeve and in the booklet. Tracklist entries are a combination of the two.

Made in the EU.

Editor's Note 1: character used to separate parts or acts that would ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
Editor's Note 2: Some subtracks are split into individual subtracks as presented on disc sleeves, to manage multipart tracks. Track numeration is as printed or by using #.# convention.

CD 1 Total time: 78:37 · ADD · MONO
Recording: Lübeck, St.-Jakobi-Kirche, 8-9/1947 (1-3, 10-13), 8/1947 (4-9, 14-15)
℗ 1947 (14), 1949 (1-13), 1956 (15) Deutsche Grammophon GmbH, Berlin

CD 2 Total time: 67:49 · ADD · MONO
Recording: Berlin, Jesus-Christus-Kirche, Berlin 6/1951 (BWV 56 & 82) · Göttingen, Johanniskirche 7-8/1950 (BWV 4)
℗ 1951 (BWV 4), 1952 (BWV 56), 1953 (BWV 82) Deutsche Grammophon GmbH, Berlin

CD 3 Total time: 67:49 · ADD · MONO
Recording: Berlin, Jesus-Christus-Kirche, 6/1952
℗ 1952 Deutsche Grammophon GmbH, Berlin

CD 4 Total time: 69:16 · ADD · MONO
Recording: Beuron, Kirche Der Erzabtei St. Martin 11/1952 (Prima vesperae), 4/1954
℗ 1952, 1954 Deutsche Grammophon GmbH, Berlin

CD 5 Total time: 41:096 · ADD · MONO
Recording: Brussels, Palais Des Académies, 6/1953
℗ 1959 Deutsche Grammophon GmbH, Berlin

CD 6 & 7 Total times: 69:54 (CD 6), 75:58 (CD 7) · ADD · MONO
Recording: Zurich, Großer Tonhallensall, 1/1953 (CD6: 1-4; CD7: 1-3); Basel: Blauer Saal vom Justiz-Department, 7/1952 (CD4: 5-7, CD7: 4-6); Freiburg im Breisgau, Paulus Saal, 1/1950 (CD 6: 8-10, CD 7: 10-16 [10-13]*), 4/1951 (CD 6: 11-14), [10/1952 (CD 7: 14-16)]**; Basel, Großes Studio, 4/1951 (CD 7: 7-9)
*Corrections in [brackets] from booklet in 3 Sonaten Für Viola Da Gamba Und Obligates Cembalo, 1954, confirmed in booklet in Music For Viola Da Gamba, 2014.
**Corrections in [brackets] from booklet in Music For Viola Da Gamba, 2014.
℗ 1950-1953 Deutsche Grammophon GmbH, Berlin

CD 8 Total time: 60:43 · ADD · MONO (Gibbons) / STEREO
Recording: Bielefeld, Oetkerhalle, 9/1955; London, Westminster Abbey, Langham Room, 6/1962 (Morley)
℗ 1955 (Gibbons), 1964 Deutsche Grammophon GmbH, Berlin

CD 9–11 Total times: 65:31 (CD 9), 63:33 (CD 10) 68:05 (CD 11) · ADD · STEREO
Recorded: München, Herkules-Saal, 6-8/1958
℗ 1959 Deutsche Grammophon GmbH, Berlin

CD 12 Total time: 70:42 · ADD
Recording: Ansbach, Augustana-Saal, 7-8/1959; Münster Heilsbronn, 7/1961 (BWV 78)
℗ 1959, 1963 (BWV 78) Deutsche Grammophon GmbH, Berlin

CD 13 Total time: 46:53 · ADD · STEREO
Recording: Bielefeld, Oetkerhalle, 1/1960
© 1960 Deutsche Grammophon GmbH, Berlin

CD 14 Total time: 48:42 · ADD · STEREO
Recording: Paris, Polydor Studios, 5/1964
℗ 1964 Deutsche Grammophon GmbH, Berlin

CD 15 Total time: 53:33 · ADD · STEREO
Recording: Vienna, Palais Schönburg, 3/1965
℗ 1966 Deutsche Grammophon GmbH, Berlin

CD 16 Total time: 81:20 · ADD · STEREO
Recording: Berlin, Jesus-Christus-Kirche, 9/1964 (Production I); Zurich, Kirche Neumünster, 1965; TWV 50:9; 1/1965 (Production II, TWV 55:D1)
℗ 1965 Deutsche Grammophon GmbH, Berlin
Editor's note: Production Credits corrected from what is booklet (ref: https://web.archive.org/web/20160304200330/https://www.deutschegrammophon.com/de/cat/4791045)
Production I: Recording Berlin, Jesus-Christus-Kirche, 9/1964; Executive Producer Dr. Hans Hickmann; Recording Producer Dr. Manfred Richter; Balance Engineer Hans-Peter Schweigmann
Production II: Recording Berlin, Zurich, Kirche Neumünster, 1/1965; Producer Otto Ernst Wohlert; Balance Engineer Hans-Peter Schweigmann

CD 17 Total time: 77:18 · ADD · STEREO
Recording: Munich, Residenz, Herkulessaal, 7/1969 (C.P.E. Bach), 6/1980 (J.S. Bach)
℗ 1970 (C.P.E. Bach), 1981 (J.S. Bach) Deutsche Grammophon GmbH, Berlin

CD 18 & 19 Total times: 77:06 (CD 18), 75:59 (CD 19) · ADD · STEREO
Recording: Leeds, Town Hall, 4/1970 (Handel); London, Wembley Town Hall 1/1969 (Purcell)
℗ 1970 (Handel), 1971 (Purcell) Deutsche Grammophon GmbH, Berlin

CD 20 Total time: 60:28 · ADD · STEREO
Recording: Paris, Polydor Studios, 5/1965 (K. 248, 249 & 236); Munich, Plenarsaal, 6/1970.
℗ 1966 (K. 248, 249 & 236), 1971 Deutsche Grammophon GmbH, Berlin

CD 21 Total time: 73:44 · ADD · STEREO
Recording: Hamburg-Harburg, Friedrich-Ebert-Halle, 4/1971 (Monteverdi); Munich, Plenarsaal der Akademie der Wissenschaften, 3/1975
℗ 1972 (Monteverdi), 1975 Deutsche Grammophon GmbH, Berlin
Editor's Note: Additional credits for Tracks 21-1 to 21-6, 21-8, 21-16, 21-17, 21-23 from https://www.deutschegrammophon.com/en/catalogue/products/archiv-produktion-1947-2013-2018 (12/2021)

CD 22 Total time: 78:03 · ADD · STEREO
Recording: Hamburg-Harburg, Friedrich-Ebert-Halle, 2/1973 (1 to 6), 9/1976 (7); London, Henry Wood Hall (2/1977 (8 to 10)
Ⓟ 1973 (1 to 6), 1977 (7), 1978 (8 to 10) Deutsche Grammophon GmbH, Berlin

CD 23 Total time: 75:22 · ADD · STEREO
Recording: Vienna Schönburg, 1 & 3/1972
Ⓟ 1973 Deutsche Grammophon GmbH, Berlin
Editor's Note: Accompanied By roles taken from Violinsonaten · Violin Sonatas · Sonates Pour Violon · Op. 5, I. Nos. 1·7·2·8·3·9 and Violinsonaten = Violin Sonatas = Sonates Pour Violon • Op. 5 - II. Nos. 4•10•5•11•6•12

CD 24 Total time: 60:31 · ADD · STEREO
Recording: Godalming, Surrey, Chapel, Charter House, 4/1975 & London, Conway Hall, 10/1975
Ⓟ 1976 Deutsche Grammophon GmbH, Berlin
Editor's Note: Instrumental and vocal parts taken from Music Of The Gothic Era = Musik Der Gotik = Musique Du Moyen Âge, FLAC version PDF.

CD 25 Total time: 54:51 · ADD · STEREO
Recorded: Paris, Conservatoire National Supérieur de Musique, 3/1976
℗ 1977 Deutsche Grammophon GmbH, Berlin

CD 26 Total time: 75:13 · ADD · STEREO
Recording: La Tour de Peilz/Switzerland, Salle Remparts 8/1972 (Sonata); Bern, DRS-Radio-Studio, 9/1977
℗ 1973 (Sonata), 1978 Deutsche Grammophon GmbH, Berlin

CD 27 Total time: 60:44 · ADD · STEREO
Recording: Paris, Conservatoire, 1980
℗ 1980 Deutsche Grammophon GmbH, Berlin

CD 28 Total time: 82:25 · DDD · STEREO
Recordings: Henry Wood Hall, 10/1981 (Vivaldi); 2/1982 (Handel)
℗ 1982 Deutsche Grammophon GmbH, Berlin

CD 29 total time: 68:05 · DDD · STEREO
Recordings: Hamburg-Harburg, Friedrich-Ebert-Halle, 1984 (Overture, Concertos); Cologne, Deutschlandfunk, Sendesaal, 6/1986 (Wind Concertos)
℗ 1984, 1987 (Wind Concertos) Deutsche Grammophon GmbH, Berlin

CD 30 & 31 Total times: 51:34 (CD 30), 54:14 (CD 31) · DDD · STEREO
Recording: London, All Saints' Church, Tooting, 2/1985
℗ 1985 Deutsche Grammophon GmbH, Berlin

CD 32 Total time: 59:45 · DDD · STEREO
Recording: London, Tooting, All Saints' Church, 2/1985
℗ 1986 Deutsche Grammophon GmbH, Berlin

CD 33 Total time: 55:17 · DDD · STEREO
Recording: London, St. John's, Smith Square, 4/1984.
℗ 1986 Deutsche Grammophon GmbH, Berlin

CD 34 & 35 Total times: 53:22 (CD 34), 52:20 (CD 35) · STEREO
Live Recording: Venice, Basilica di San Marco, 5/1989; London, Tooting, All Saints' Church, /1989 (Magnificat II)
℗ 1990 Deutsche Grammophon GmbH, Berlin

CD 36 Total time: 76:24 · DDD · STEREO
Recording: London, Henry Wood Hall, 2/1989 (nos. 39 & 41), 6/1989 (no. 65), 12/1989 (no. 48).
℗ 1989 (No. 39), 1990 (No. 41, 48, 65) Deutsche Grammophon GmbH, Berlin

CD 37 Total time: 72:53 · DDD · STEREO
Recording: London, Tooting, All Saints' Church, 10/1992 (No.6); Barcelona, Palau de la Musica, 3/1994 (No. 5)
℗ 1994 Deutsche Grammophon GmbH, Berlin

CD 38 Total time: 62:50 · DDD · STEREO
Recording: Cologne, Deutschlandfunk, Sendesaal, 1/1994 (Rebel, Gluck) & 4/1995 (Telemann)
℗ 1995 Deutsche Grammophon GmbH, Berlin

CD 39 & 40 Total times: 61:38 (CD 39), 47:07 (CD 40)
Recording: Paris, Salle Wagram, 4/1995
℗ 1996 Deutsche Grammophon GmbH, Berlin

CD 41 Total time: 78:15 · DDD · STEREO
Recording: Scuola Grande di San Rocco, Venice, 8/1995
℗ 1996 Deutsche Grammophon GmbH, Berlin

CD 42 & 43 Total times: 79:57 (CD 42), 52:22 (CD 43) · DDD · STEREO
Recording: All Saints Church, Tooting, London, 12/1996.
℗ 1997 Deutsche Grammophon GmbH, Berlin

CD 44 Total time: 59:27 · DDD · STEREO
Recording: Cologne, DeutschlandRadio, Sendesaal, 2 & 10/1987
℗ 1998 Deutsche Grammophon GmbH, Berlin

CD 45 Total time: 64:34 · DDD · STEREO
Recording: Mandelsloh, Neustadt, Lower Saxony (Germany), St. Osdag Kirche, 6/1997
℗ 1999 Deutsche Grammophon GmbH, Berlin
Editor's Note: Ensemble members' instruments do not correspond reliably with parts in songs, so not credited.

CD 46 Total time: 70:52 · DDD · STEREO
Recording: Mandelsloh, Neustadt, Lower Saxony (Germany), St. Osdag-Kirche, 4/1999.
℗ 2000 Deutsche Grammophon GmbH, Berlin
Editor's Note: Ensemble members not added to each track

CD 47 Total time: 67:37 · DDD · STEREO
Recording: Paris, Maison de Radio France, Salle Olivier Messiaen, 12/1999.
℗ 2000 Deutsche Grammophon GmbH, Berlin

CD 48 Total time: 56:25 · DDD · STEREO
Recording: Théâtre de Poissy, 6/2003
℗ 2005 Deutsche Grammophon GmbH, Berlin

CD 49 Total time: 67:18 · DDD · STEREO
Recording: Deutschlandradio Köln, Sendesaal, 2/2004
℗ 2006 Deutsche Grammophon GmbH, Berlin

CD 50 Total time: 61:02 · DDD · STEREO
Recording: Toblach / Dobbiaco, Kulturzentrum Grand Hotel, Gustav-Mahler-Saal, 10/2007
© 2008 Deutsche Grammophon GmbH, Berlin

CD 51–53 Total times: 76:24 (CD 51), 72:16 (CD 52), 54:36 (CD 53) · DDD · STEREO
Recording: Tuscania, nr. Viterbo, Chiesa di Sant' Agostino, 9/2007
℗ 2009 Deutsche Grammophon GmbH, Berlin

CD 54 Total time: 62:44 · DDD · STEREO
Recording: London, Hampstead, Church Of St. Jude-on-the-Hill, 11/2009
℗ 2011 Fundación Caja Madrid under exclusive license to Deutsche Grammophon GmbH, Berlin

CD 55 Total time: 33:38 · DDD · STEREO
Recording: London, St. John at Hackney Church, 4/2012, All Hallows Church, 2012 (Monteverdi); London, Parish Church of St. Alban the Martyr, Holborn, 9/2012 (Gesualdo); Bagnacavallo, Chiesa di San Girolamo, 6/2012 (Vivaldi)
℗ 2013 Deutsche Grammophon GmbH, Berlin
Barcode: 0 28947 91045 9 (Text)
Barcode: 028947910459 (Scanned)
Label Code: LC 0113
SPARS Code: ADD
SPARS Code: DDD
Other: D.P. (Public domain declaration)
Matrix / Runout: 00289 479 134-4 01 + 53232344 [4 x Universal logo] (CD1)
Mastering SID Code: IFPI LV27 (CD1, CD8, CD17, CD18, CD19, CD36, CD43, CD52, CD55)
Mould SID Code: IFPI 0113 (CD1, CD11, CD13)
Other: MADE IN GERMANY BY EDC (in mould area)
Matrix / Runout: 00289 479 134-5 01 ✳ 53232632 [4 x Universal logo] (CD2)
Mastering SID Code: IFPI LV26 (CD2, CD3, CD4, CD5, CD6, CD7, CD9, CD10, CD11, CD13, CD14, CD16, CD21, CD22, CD25, CD28, CD29, CD31, CD32, CD33, CD34, CD44, CD48, CD51)
Mould SID Code: IFPI 0114 (CD2, CD17, CD18, CD19, CD37, CD46, CD51)
Matrix / Runout: 00289 479 134-6 01 ✳ 53238831 [4 x Universal logo] (CD3)
Mould SID Code: IFPI 0132 (CD3, CD5, CD43, CD52)
Matrix / Runout: 00289 479 134-7 01 ✳ 53240525 [4 x Universal logo] (CD4)
Mould SID Code: IFPI 0136 (CD4)
Matrix / Runout: 00289 479 134-8 02 ✳ 53238833 [4 x Universal logo] (CD5)
Matrix / Runout: 00289 479 134-9 01 ✳ 53238835 [4 x Universal logo] (CD6)
Mould SID Code: IFPI 0151 (CD6, CD25, CD30)
Matrix / Runout: 00289 479 135-0 01 ✳ 53238837 [4 x Universal logo] (CD7)
Mould SID Code: IFPI 0144 (CD7, CD27, CD35, CD40, CD49, CD55)
Matrix / Runout: 00289 479 135-1 01 + 53232634 [4 x Universal logo] (CD8)
Mould SID Code: IFPI 0122 (CD8, CD16, CD33, CD50)
Matrix / Runout: 00289 479 135-2 01 ✳ 53232637 [4 x Universal logo] (CD9)
Mould SID Code: IFPI 0159 (CD9)
Matrix / Runout: 00289 479 135-3 01 ✳ 53232602 [4 x Universal logo] (CD10)
Mould SID Code: IFPI 0139 (CD10)
Matrix / Runout: 00289 479 135-4 01 ✳ 53232639 [4 x Universal logo] (CD11)
Matrix / Runout: 00289 479 135-5 01 # 53230918 [4 x Universal logo] (CD12)
Mastering SID Code: IFPI LZ87 (CD12, CD15, CD20, CD23, CD26, CD27, CD30, CD45, CD46, CD49, CD50)
Matrix / Runout: 00289 479 135-6 01 ✳ 53230920 [4 x Universal logo] (CD13)
Mould SID Code: IFPI 0140 (CD13, CD23, CD26, CD29)
Matrix / Runout: 00289 479 135-7 01 ✳ 53230942 [4 x Universal logo] (CD14)
Mould SID Code: IFPI 0122 (CD14, CD41)
Matrix / Runout: 00289 479 135-8 01 # 53232641 [4 x Universal logo] (CD15)
Matrix / Runout: IFPI 0137 (CD15, CD48)
Matrix / Runout: 00289 479 135-9 01 ✳ 53238839 [4 x Universal logo] (CD16)
Matrix / Runout: 00289 479 136-0 01 + 53230944 [4 x Universal logo] (CD17)
Matrix / Runout: 00289 479 136-1 01 + 53230946 [4 x Universal logo] (CD18)
Matrix / Runout: 00289 479 136-2 01 + 53230948 [4 x Universal logo] (CD19)
Matrix / Runout: 00289 479 136-3 01 # 53232643 [4 x Universal logo] (CD20)
Mould SID Code: IFPI 0152 (CD20, CD21)
Matrix / Runout: 00289 479 136-4 01 ✳ 53232645 [4 x Universal logo] (CD21)
Matrix / Runout: 00289 479 136-5 01 ✳ 53232647 [4 x Universal logo] (CD22)
Mould SID Code: IFPI 0141 (CD22, CD31)
Matrix / Runout: 00289 479 136-6 01 # 53230950 [4 x Universal logo] (CD23)
Matrix / Runout: 00289 479 136-7 01 # 53232649 [4 x Universal logo] (CD24)
Matrix / Runout: 00289 479 136-8 01 ✳ 53240527 [4 x Universal logo] (CD25)
Matrix / Runout: 00289 479 136-9 01 # 53230952 [4 x Universal logo] (CD26)
Matrix / Runout: 00289 479 137-0 01 # 53233810 [4 x Universal logo] (CD27)
Matrix / Runout: 00289 479 137-1 01 ✳ 53230954 [4 x Universal logo] (CD28)
Mould SID Code: IFPI 0135 (CD28)
Matrix / Runout: 00289 479 137-2 01 ✳ 53230956 [4 x Universal logo] (CD29)
Matrix / Runout: 00289 479 137-3 01 # 53232651 [4 x Universal logo] (CD30)
Matrix / Runout: 00289 479 137-4 01 ✳ 53232653 [4 x Universal logo] (CD31)
Matrix / Runout: 00289 479 137-5 01 ✳ 53232655 [4 x Universal logo] (CD32)
Mould SID Code: IFPI 0118 (CD32)
Matrix / Runout: 00289 479 137-6 01 ✳ 53232604 [4 x Universal logo] (CD33)
Matrix / Runout: 00289 479 137-7 01 ✳ 53232657 [4 x Universal logo] (CD4)
Mould SID Code: IFPI 0116 (CD34)
Matrix / Runout: 00289 479 137-8 01 C 53232659 [4 x Universal logo] (CD35)
Mastering SID Code: IFPI L017 (CD35)
Matrix / Runout: 00289 479 137-9 01 + 53230958 [4 x Universal logo] (CD36)
Matrix / Runout: 00289 479 137-9 01 C 53232661 [4 x Universal logo] (CD37)
Matrix / Runout: 00289 479 138-1 01 C 53232663 [4 x Universal logo] (CD38)
Mould SID Code: IFPI 0154 (CD38)
Matrix / Runout: 00289 479 138-2 01 C 53232665 [4 x Universal logo] (CD39)
Mastering SID Code: IFPI L016 (CD39, CD54, CD55)
Matrix / Runout: 00289 479 138-3 01 C 53232667 [4 x Universal logo] (CD40)
Matrix / Runout: 00289 479 138-4 01 C 53232669 [4 x Universal logo] (CD41)
Matrix / Runout: 00289 479 138-5 01 C 53232671 [4 x Universal logo] (CD42)
Mould SID Code: IFPI 0119 (CD42)
Matrix / Runout: 00289 479 138-6 01 + 53232606 [4 x Universal logo] (CD43)
Matrix / Runout: 00289 479 138-7 01 ✳ 53232608 [4 x Universal logo] (CD44)
Mould SID Code: IFPI 0160 (CD44, CD45)
Matrix / Runout: 00289 479 138-8 01 ✳ 53232610 [4 x Universal logo] (CD45)
Matrix / Runout: 00289 479 138-9 01 ✳ 53232612 [4 x Universal logo] (CD46)
Matrix / Runout: 00289 479 139-0 01 C 53233842 [4 x Universal logo] (CD47)
Mould SID Code: IFPI 0125 (CD47)
Matrix / Runout: 00289 479 139-1 01 ✳ 53232614 [4 x Universal logo] (CD48)
Matrix / Runout: 00289 479 139-2 01 # 53232616 [4 x Universal logo] (CD49)
Matrix / Runout: 00289 479 139-3 01 # 53232618 [4 x Universal logo] (CD50)
Matrix / Runout: 00289 479 139-4 01 ✳ 53232621 [4 x Universal logo] (CD51)
Matrix / Runout: 00289 479 139-5 02 + 53232623 [4 x Universal logo] (CD52)
Matrix / Runout: 0289 479 139-6 01 C 53232625 [4 x Universal logo] (CD53)
Mould SID Code: IFPI 0146 (CD53, CD54)
Matrix / Runout: 00289 479 139-7 01 C 53232627 [4 x Universal logo] (CD54)
Matrix / Runout: 00289 479 139-8 01 + 53230960 [4 x Universal logo] (CD55)