tracks 2 to 7 art direction Philippe Arri-Blachette
artwork Marie Hélène Richard
tracks 2 to 8 bass clarinet Christophe Rocher
tracks 2 to 7 cello Benjamin Carat
composed by Hughes Germain
electronics, sounds Hughes Germain
mixed by, mastered by Hughes Germain
tracks 2 to 7 percussion Olivier Fiard
recorded by Sylvain Thévenard
tracks 2 to 7 violin Lyonel Schmit
tracks 2 to 7 voice Donatienne Michel-Dansac
Recorded At La Carène
Mixed At La Cartonnerie
Prix Qwartz6 experimental/research 2010

Bruit blanc
Pour électroacoustique seule.
C’est une recherche serrée des sons proches d’un bruit blanc sur le territoire des marais
salants de Guérande. La mer en est très proche sans qu’on l’entende jamais, et pourtant
tous les sons semblent s’y rattacher, en provenir.


NaCl
Pièce mixte (instrumental et électroacoustique). Tous les sons sont d’origine instrumentale ; ils
prennent leur source directement dans le paysage sonore en utilisant des données météo
comme système de hauteurs, et en cherchant dans l’imitation du paysage de nouvelles
ressources et modes de jeux instrumentaux.

Set marais
Pièce pour paysage sonore reconstruit, clarinette basse et traitements.

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Bruit Blanc
For only electroacoustics
It's a deep research of sounds similar to a white sound on the place of the salt marsh of Guérande.
The sea is at hand without being ever heard, and yet every sound seems to be linked.

NaCl
Benjamin Carat: Cello
Olivier Fiard: Percussions
Donatienne Michel-Dansac: Voice
Christophe Rocher: Clarinet
Lionel Shmit: Violin
With the chorus of the school of music of Guérande.

Mixed piece (instrumental and electroacoustic)
Sounds which comes from an instrumental background and directly rise in the marsh by processing one year of weather forecast data as a height system, and by looking for totally new instrumental resources and playing modes in the sound landscape.

Set Marais
Christophe Rocher: Bass clarinet and voice
For rebuilt sound landscape, bass clarinet and processing.
The landscape of the salt marsh doesn't have bass. its spectrum is rather high. S, the bass clarinet works as its low register, and processing increase tenfold its potential: bass clarinet and processing represent the slow transformation of the elements to make salt.
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