a&r Jeff Sosnow
arranged by [string arranger], conductor [string conductor] Deborah Lurie
art direction Chris Bilheimer
booking Creative Artists Agency
booking [booking at caa] Jenna Adler
booking [booking international booking] X-ray Touring
booking [international booking] Martin Horne
drums, percussion [additional percussion] Chris Gaylor
edited by [protools editing] Paul Decarli
engineer [assistant engineer] Hatsukazu Inagaki
guitar Mike Kennerty
guitar, written-by Nick Wheeler
legal [percussion representation] Richard Grabel
management Chris Allen
management Pat Magnarella
management [business] Bo Gardner
management [business] Larry Einbund
mastered by Ted Jensen
mixed by Chris Lord-Alge
percussion Lenny Castro
photography by Chapman Baehler
tracks 3, 4, 10, 12 piano Jamie Muhoberac
producer [produced by] Howard Benson
product manager [product management] Dyana Kass
programmed by [programming], keyboards Howard Benson
programmed by [programming], keyboards Nick Wheeler
programmed by [programming], keyboards Paul Decarli
recorded by Mike Plotnikoff
recorded by [strings] Casey Stone
technician [drum tech] Jon Nicholson
technician [guitar tech] Keith Nelson
technician [live drum tech], stage manager John Jackson
technician [live guitar tech] Shaun "Tooker" Davis
vocals, bass, backing vocals, written-by Tyson Ritter
Distributed By Universal Music & Video Distribution, Corp.
Manufactured By Universal Music & Video Distribution, Corp.
Copyright (c) Interscope Records
Phonographic Copyright (p) Interscope Records
Made By UML
Pressed By UML
Recorded At Bay 7 Studios
Recorded At Sparky Dark Studio
Recorded At Sunset Sound
Mixed At Resonate Music, Burbank, CA
Mastered At Sterling Sound
Published By Smells Like Phys Ed Music
Published By BMG Songs
Published By BMG Music Publishing NA, Inc.
Recorded at Bay 7 Studios, Valley Village, CA
and Sparky Dark Studio, Calabasas, CA
Strings recorded at Casey Stone at Sunset Sound, Hollywood, CA
Mixed at Resonate Music, Burbank, CA
Mastered at Sterling Sound in NYC

The All-American Rejects use Sennheiser microphones, Gibson, Fender & Epiphone Guitars, Lines 6 Pedals, Ernie Ball strings, Dunlop picks, Tama drums, Sabian Cymbals and Vater drumsticks.

Smells Like Phys Ed Music / BMG Songs, a division of BMG Music Publishing NA, Inc. (ASCAP)

℗© 2005 Interscope Records

Release is packaged in a standard clear jewel case with a clear tray.
Rights Society: ASCAP
Barcode: 602498823781 (Scanned)
Barcode: 6 02498 82378 1 (Text)
Mastering SID Code: IFPI L009
Mould SID Code: IFPI 0313 (Variants 1, 3)
Mould SID Code: IFPI 0319 (Variant 2)
Mould SID Code: IFPI 0395 (Variant 4)
Mould SID Code: IFPI 0356 (Variant 5)
Mould SID Code: IFPI 0361 (Variant 6)
Mould SID Code: IFPI 0376 (Variant 7)
Mould SID Code: IFPI 0380 (Variant 8)
Mould SID Code: IFPI 0342 (Variant 9)
Matrix / Runout: [Universal Logo] B00 047 9102 01$ (Printed)
Matrix / Runout: P (Variant 1 - Stamped)
Matrix / Runout: O (Variant 2 - Stamped)
Matrix / Runout: V (Variant 3 - Stamped)
Matrix / Runout: M (Variant 4 - Stamped)
Matrix / Runout: AH (Variant 5 - Stamped)
Matrix / Runout: AJ (Variant 6 - Stamped)
Matrix / Runout: BD (Variant 7 - Stamped)
Matrix / Runout: G (Variant 8 - Stamped)
Matrix / Runout: R (Variant 9 - Stamped)
Other: MADE IN USA BY UML (Mould Text - Variants 2, 3, 6)
Other: MADE IN USA (Mould Text - Variant 4, 5)