alto saxophone, clarinet, bass clarinet, voice Monica Champion artwork Denis Rodier baritone saxophone, lute [sentir], percussion Brad Houser bass, cello, mandocello, tenor guitar, voice Gum B drums, percussion Branden Harper drums, percussion [beats], sampler, producer Pat Mastelotto engineer [assisted by] Fred Remmert engineer [assisted by] Jeff Kazen engineer, sound designer, sampler, producer Bill Munyon keyboards, sampler Bruce Salmon mastered by Jim Wilson voice Miabel Williams Recorded At Cedar Creek Recording Recorded At The Zone Recording Studio Recorded At Pat's Garage Live improvs recorded at Cedar Creek Studio in Austin, TX, USA between March 8th & 9th 2001. Tracks 3, 7 & 11 were recorded live at The Zone in Dripping Springs, TX, USA during October 2001. Overdubs at GumBopoliS Sound and Pat's (P@'s) Garage in Austin, TX, USA between January and June 2002.
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For these sessions, the three MasTicA's ( p@, gumB, munkE ) expanded to six to represent what had been happening in recent live performances. MasTicA LiVe is an ever changing thing, based on club size, the audience and who's available to sit in . MasTicA tends to have many different faces over time. So when a string of gigs with the same faces occurred they wanted to document this period of musical momentum.
Not all moments in the studio had all six of this lineup, some only a few. Brad Houser (Critters Buggin / Edie Brickell & New Bohemians) crouched behind a sound baffle and a row of effects, disappearing and reappearing with just the right baritone sax squeaks and moans tweaked through a box or two. The darkness and cool comfort of Cedar Creek was more than once abruptly awakened by the Wall of Drums covering the entire north rock wall of the studio. (p@'s mix of acoustic and electric drums, supplemented by Branden Harper's north African percussion toys.)
Arriving late and leaving early for another gig , Bruce Salmon (Alejandro Escovedo) added many textures and voice samples. All the while gumB looped and unlooped basses upright and electric fretless while munkE blew alto sax. Thanks to the steady hand of Bill Munyon (King Crimson / Butthole Surfers), they were able to capture many of these special moments direct to two-track. (Producer p@ always likes to keep the two-track rolling.)
In the end, due to lack of funds , they never finished the proper songs, instead going almost exclusively to these two-track mixes to begin the search for moments.
In '02 MasTicA found time (during Crim breaks ) to cut and paste many of these moments together. Then gumB added some acoustic stuff, munkE some sax and voices, and their daughter Miabel added voices as well. These were added to the two-track mixes and more samurai editing was done as many special moments hit the digital cutting room floor, continuing the improv like approach throughout editing and kept the muse felling LIVE.
Somewhere in the middle of this, p@, gumB, Brad and Bill got together at The Zone in Dripping Springs These sessions echoed the feeling of the Cedar tracks and added impromptu moments which appear on tracks 3, 7 and 11. Barcode: 8 05996 06012 6 (Text) Barcode: 805996060126 (Scanned) Matrix / Runout: THE ZONE MASTICATTACK SO#20155 28-AUG CC#5844 116001 Mastering SID Code: IFPI LN21