art direction Josh Cheuse
art direction Mark Weinberg
artwork [graphic arts production] Charlie Sarrica
compilation producer Don DeVito
compilation producer Richard Bauer
coordinator [package coordination] Gina Campanaro
design [cover] Josh Cheuse
liner notes [americlash, fall 1991] Lenny Kaye
liner notes [excerpts from psychotic reactions and carburetor dung ] Lester Bangs
liner notes [inside stories 1976-1982, new york city 1991] Kosmo Vinyl
photography by [booklet] Bob Gruen
photography by [booklet] Ebet Roberts
photography by [booklet] Janet MacOska
photography by [booklet] Joe Stevens
photography by [booklet] Josh Cheuse
photography by [booklet] Kate Simon
photography by [booklet] Paul Slattery
photography by [booklet] Pennie Smith
photography by [booklet] Virginia Turbett
photography by [broadway] Bob Gruen
photography by [cover group] Pennie Smith
tracks 1-24, 1-25, 2-6, 2-7, 3-10 producer Bill Price
tracks 1-1, 1-2, 2-9 to 2-19 producer Guy Stevens
tracks 1-3 to 1-17, 1-19 producer Mickey Foote
tracks 2-1 to 2-4 producer Sandy Pearlman
tracks 1-18, 1-20 to 1-23, 2-5 to 2.8, 3.1 to 3-7, 3-9 to 3-13, 3-18 producer The Clash
project manager [project direction] Kosmo Vinyl
remastered by [digital], mixed by Vic Anesini
tracks 1-1 to 1-6, 1-8 to 1-10, 1-12 to 1-21, 1-23, 2-1 to 2-7, 2-9, 2-11, 2-13 to 2-20, 3-11 written-by Joe Strummer
tracks 1-1 to 1-6, 1-8 to 1-10, 1-12 to 1-21, 1-23, 2-1 to 2-7, 2-9, 2-11, 2-13 to 2-20, 3-11 written-by Mick Jones
tracks 3-2 to 3-8, 3-10, 3-13 to 3-18 written-by The Clash
Record Company Sony Music
Record Company Sony Music Entertainment Inc.
Phonographic Copyright (p) Sony Music Entertainment Inc.
Phonographic Copyright (p) Sony Music Entertainment (UK) Ltd.
Copyright (c) Sony Music Entertainment Inc.
Copyright (c) Nineden Ltd.
Published By Virgin Music, Inc.
Recorded At The Lyceum, London
Recorded At Bonds International Casino
Recorded At Ear Studios, London
Remastered At Sony Music Studios, New York City
Mixed At Sony Music Studios, New York City
Manufactured By Epic
Glass Mastered At DADC
Glass Mastered At DADC
Glass Mastered At DADC
Pressed By DADC
Issued as a cardboard long box containing:
- 3 CD in individual standard jewel case
- a 68-page box-sized book, Clash On Broadway with liner notes, pics and credits
- a 36-page CD booklet The Clash Lyrics with publishing credits

Several track times are listed incorrectly on the release:
∙2-17 Death Or Glory (2:54 on release, actually 3:57)
∙2-18 Clampdown (2:49 on release, actually 3:51)
∙3-7 Broadway (5:46 on release, actually 4:57)
∙3-10 Stop The World (2:23 on release, actually 2:35)

Back cover of the box and of the cases:
© 1991 Sony Music Entertainment Inc./ ℗ 1991 Sony Music Entertainment Inc.
Manufactured by Epic, a division of Sony Music

Discs:
© 1991 Sony Music Entertainment Inc.
℗ 1977, 1978, 1979, 1980, 1981, 1982, 1991 Sony Music Entertainment (UK) Ltd.

68-page book:
1-1, 1-2: Demo recordings
1-3: A-side single version (U.K.)/ Originally released on The Clash (U.S.)
1-4: B-side of White Riot single (U.K.)
1-5 to 1-7, 1-9, 1-11, 1-14: [m=24371]
1-8, 1-10, 1-12: The Clash (U.K.)
1-13: The Clash (U.K.)/ Black Market Clash (U.S.)
1-15: New Musical Express Flexidisc (U.K.)/ Black Market Clash (U.S.)
1-16: A-side single (U.K.)/ The Clash (U.S.)
1-17: A-side single (U.K.)/ The Clash (U.S.)
1-18: B-side of Complete Control single (U.K.)/ Black Market Clash (U.S.)
1-19: B-side of Clash City Rockers single (U.K.)/ The Clash (U.S.)
1-20: B-side of (White Man) In Hammersmith Palais single (U.K.)/ Black Market Clash (U.S.)
1-21: A-side single (U.K.)/ The Clash (U.S.)
1-22: B-side of English Civil War single (U.K.)/ Black Market Clash (U.S.)
1-23: B-side of Tommy Gun single (U.K.)
1-24: Previously unreleased live recording from the Lyceum Ballroom, The Strand, London ([January 3] 1979)
1-25: Recorded for the motion picture 'Rude Boy'

2-1 to 2-4: [m=14959]
2-5: Previously unreleased from 'Give 'Em Enough Rope' sessions
2-6, 2-7: The Cost Of Living E.P. (U.K.)/ Double A-sided single included with The Clash (U.S.)
2-8: B-side of London Calling single (U.K.)/ Black Market Clash (U.S.)
2-9 to 2-19: [m=19382]
2-20: B-side of Train In Vain (Holland)/ Black Market Clash (U.S.)

3-1 to 3-7: [m=14996]
3-8: Previously unreleased live recording from Bond's International Casino, Times Square, New York ([May 28 to June 13] 1981)
3-9: Previously unreleased from 'Sandinista!' sessions
3-10: B-side of The Call Up single
3-11: Previously unreleased mobile recording from Ear Studios, Peoples Hall, Prestonia, London (1981)
3-12: A-side single (U.K.)/ A-side EP (U.S.)
3-13: B-side of second release of Should I Stay Or Should I Go? single (U.S.)
3-14, 3-15: [m=14918]; Edited version
3-16, 3-17: [m=14918]; U.S. single versions
3-18: [m=14918]; Unedited version

3-19 is not listed

Front cover photo is of backstage at Bond's International Casino, June 1981
[Barnacle/Lanier credits according to the book Passion Is A Fashion by Pat Gilbert, pages 183/210]

36-page booklet:
© 1977 Nineden Ltd. (PRS): 1-1 to 1-10, 1-12 to 1-16, 1-18
© 1978 Nineden Ltd. (PRS): 1-17, 1-19 to 1-21, 1-23, 1-24 to 2-5
© 1979 Nineden Ltd. (PRS): 2-6, 2-7, 2-9, 2-11 to 2-19
© 1980 Nineden Ltd. (PRS): 2-20, 3-2 to 3-6, 3-10
© 1981 Nineden Ltd. (PRS): 3-7, 3-8, 3-11, 3-12
© 1982 Nineden Ltd. (PRS): 3-13 to 3-18
1-11, 1-22, 2-8, 2-10, 3-1, 3-9, 3-19: no publishing credit
All rights in the U.S. and Canada controlled and administered by Virgin Music, Inc. (ASCAP)

Runouts:
Variant 3 has the same qty. and pattern of symbols for Disc 1 and 2 as Variants 1 and 2. Disc 3 pattern is same as Disc 2 from the same variants.
Matrix# is mirrored on the data side but can be read correctly on the text side
The DADC D logo is embossed on the text side
Barcode: 0 7464-46991-2 (Text)
Barcode: 074644699128 (Scanned)
SPARS Code: AAD/ADD
Rights Society: PRS
Rights Society: ASCAP
Other: EK 48708 (Catalog number disc 1)
Other: EK 48709 (Catalog number disc 2)
Other: EK 48725 (Catalog number disc 3)
Other: 46991-S1 (On sticker)
Matrix / Runout: DIDP 076675 (Disc 1)
Matrix / Runout: DIDP 076676 (Disc 2)
Matrix / Runout: DIDP 076677 (Disc 3)
Matrix / Runout: DIDP-076675 1 ¤¤¤ ¤¤¤¤¤ (Variant 1: disc 1)
Matrix / Runout: DIDP-076676 3 ¤ ¤¤ ¤¤¤¤¤ (Variant 1: disc 2)
Matrix / Runout: DIDP-076677 6 ¤¤¤ ¤¤¤¤¤ (Variant 1: disc 3)
Matrix / Runout: DIDP-076675 1 🝊🝊🝊 🝊🝊🝊🝊🝊 (Variant 2: disc 1, mirrored)
Matrix / Runout: ✩ [DADC D logo] ✩ (Variant 2: disc 1, mould inner ring)
Matrix / Runout: DIDP-076676 3 🝊 🝊🝊 🝊🝊🝊🝊🝊 (Variant 2: disc 2, mirrored)
Matrix / Runout: [DADC D logo] (Variant 2: disc 2, mould inner ring)
Matrix / Runout: DIDP-076677 2 🝊 🝊🝊 🝊🝊🝊🝊🝊 (Variant 2: disc 3, mirrored)
Matrix / Runout: ✩ [DADC D logo] ✩ (Variant 2: disc 3, mould inner ring)
Matrix / Runout: DIDP-076675 1 🝊 🝊🝊 🝊🝊🝊🝊🝊 (Variant 3: disc 1)
Matrix / Runout: ✩ [DADC D logo] ✩ (Variant 3: disc 1, mould inner ring)
Matrix / Runout: DIDP-076676 3 🝊 🝊🝊 🝊🝊🝊🝊🝊 (Variant 3: disc 2)
Matrix / Runout: ✩ [DADC D logo] ✩ (Variant 3: disc 2, mould inner ring)
Matrix / Runout: DIDP-076677 4 🝊 🝊🝊 🝊🝊🝊🝊🝊 (Variant 3: disc 3)
Matrix / Runout: none (Variant 3: disc 3, mould inner ring)
Matrix / Runout: DIDP-076675 1 🝊 🝊🝊 🝊🝊🝊🝊🝊 (Variant 4: disc 1)
Matrix / Runout: none (Variant 4: disc 1, mould inner ring)
Matrix / Runout: DIDP-076676 3 🝊 🝊🝊 🝊🝊🝊🝊🝊 (Variant 4: disc 2)
Matrix / Runout: none (Variant 4: disc 2, mould inner ring)
Matrix / Runout: DIDP-076677 4 🝊 🝊🝊 🝊🝊🝊🝊🝊 (Variant 4: disc 3)
Matrix / Runout: none (Variant 4: disc 3, mould inner ring)