tracks 3, 9, 10, 14 arranged by, orchestrated by Christian Seitz tracks 3, 10 arranged by, orchestrated by Johann M. Bertl tracks 1, 5 arranged by, orchestrated by Nicholas Dodd tracks 6, 9, 12, 14 arranged by, orchestrated by Robin Smith tracks 2, 4, 7, 8, 11, 13 arranged by, orchestrated by Steven Baker tracks 2, 7, 11 choir Apollo Voices tracks 6 choir Harlem Gospel Choir tracks 12, 14 choir Wiener Kammerchor tracks 4 conductor Adam Langston tracks 3, 6, 9, 10, 12, 14 conductor Johann M. Bertl tracks 1, 2, 5, 7, 11 conductor Nicholas Dodd tracks 8, 13 conductor Richard Hein design, art direction, photography by Paul Chessell tracks 4 orchestra London Metropolitan Orchestra tracks 1, 2, 5, 7, 11 orchestra Philharmonia Orchestra tracks 8, 13 orchestra The City Of Prague Philharmonic tracks 3, 6, 9, 10, 12, 14 orchestra Vienna Session Orchestra photography by Mitch Jenkins tracks 3, 6, 9, 10, 12, 14 producer Christian Seitz tracks 1, 2, 4, 5, 7, 8, 11, 13 producer Steven Baker tenor vocals Noah Stewart In four short years since participating in the prestigious Adler Program at the San Francisco Opera, Noah has established himself as one of the fastest – rising young tenors in the world, making debuts in Lisbon, London, New York and Paris in repertoire including Cavaradossi (Tosca), Rodolfo (La Boheme) and Don Jose (Carmen). Anne Midgette, the distinguished Washington Post critic, has referred to his white hot talent, an opinion that was echoed by critics this September, when he made his British debut as Pinkerton, with Opera North, The Guardian wrote that the rich clarity of his tone and dashing persona seem capable of conquering anyone through sheer charisma alone and Opera Britannia agreed that he is built like a dancer and sings like an angel! The voice has a dark, lustrous Italianate quality with effortless, gleaming top notes heard to stunning effect.