photography by, design Rex Ray Manufactured By UWEB Phonographic Copyright (p) Cryptic Corporation Copyright (c) Cryptic Corporation Glass Mastered At Disctronics A Liver Music for the bloody buddies - An odd assortment of liver stuff 1972-1990.
Notes from release:
Track 1: from the 13th Anniversary Show, San Francisco, CA February, 1987. Released as a flexi-disc inserted into the April 1988 issue of Reflex Magazine. Track 2: from Oh Mummy! Oh Daddy! Can't You See That It's True, What The Beatles Did To Me I Love Lucy Did To You Berkeley, CA June 1976. None of this infamous show has ever been released. Chaos in motion. Re-issued in 2010 as a file-only. Track 3: from the 13th Anniversary Show Sydney, Australia, August 1986. Became a single in Australia, but otherwise unreleased. Track 4: from the Snakey Wake San Francisco, CA September 1987. An interesting comparison with the studio version (UWEB 002). Previously unreleased. Track 5: from the 13th Anniversary Show, San Francisco, CA October 1985. Recorded at a rehearsal. Previously unreleased. Track 6: (Music Box Punch Card System) Berkeley, CA September 1985. Done under a pseudonym, this demonstration was for a junior highschool music class. Previously unreleased. Track 7: from the 13th Anniversary Show, Tokyo, Japan October 1985. Left of The Eyeball Show album. Previously unreleased. Track 8: from The Party, San Francisco, CA Spring 1972. A performance done under another pseudonym for a private party. Previously unreleased. Track 9: from Cube-E, San Francisco, CA September 1989. The opening to the third part of Cube-E. Previously unreleased. Track 10: (The Macintosh Computer pre-midi) Berkeley, CA September 1985. Done under a pseudonym, this demonstration was for a junior highschool music class. Previously unreleased. Track 11: from Uncle Sam Mole Show, Washington D.C. November 1983. A special additional ending to The Mole Show for this New Music America event. Track 12: from Cube N.Y.E., San Francisco, CA January 1990. A New Year's treat performed at midnight, luckily recorded by J. Raoul Brody and The Stupeds.