tracks e3 to f3, g3, g4 bass Bill Anthony
tracks a1 to a4 bass Bill Crow
tracks h1 to h6 bass Bob Whitlock
tracks a5 to d3, g1, g2 bass Teddy Kotick
tracks a1 to a4 drums Al Levitt
tracks a5 to g4 drums Frank Isola
tracks h1 to h6 drums Max Roach
lacquer cut by Kevin Gray
mastered by Kevin Gray
tracks h1 to h6 piano Jimmy Rowles
tracks a1 to g4 piano John Williams
producer [for release] Michael Cuscuna
producer [original sessions] Norman Granz
tracks g3, g4 recorded by Aaron Nathanson
tracks a5 to g2, h1 to h6 recorded by Val Valentin
tenor saxophone Stan Getz
transferred by Malcolm Addey
tracks a1 to g2 trombone Bob Brookmeyer
tracks g3, g4 trumpet Tony Fruscella
Record Company UMG Recordings, Inc.
Manufactured By Universal Music Enterprises
Recorded By Fine Sound
Copyright (c) Mosaic Records, L.L.C.
Phonographic Copyright (p) Universal Music Enterprises
Recorded At Fulton Studios, NYC
Produced At Inkwell, Inc.
Plated At Record Technology Incorporated
Mastered At Cohearent Audio
Lacquer Cut At Cohearent Audio
Designed At Inkwell, Inc.
℗ 2011 Universal Music Enterprisers, a Division of UMG Recordings Inc.
© 2011 Mosaic Records L.L.C.

Track H2 is Public Domain.

SESSIONS DATE AND LOCATIONS:
# A1 to A4: Fulton Studios, New York City, April 16, 1953.
# A5, B1, B4, D2, D3: Radio Records, Hollywood, July 27, 1953.
# B3, C1, C2: Radio Records, Hollywood, August15, 1953.
# B2, B5, C3, D1, G1, G2: Radio Records, Hollywood, August 22, 1953.
# H1 to H6: Radio Records, Hollywood, January 23, 1954.
# E1 to F3: Radio Records, Hollywood, November 9, 1954.
# G3, G4: Fine Sound, New York City, January 31, 1955.

ALBUM INDEX:
Clef MGC 143 - The Artistry Of Stan Getz.
Norgran MGN 1000 - Interpretations By The Stan Getz Quintet.
Norgran MGN 1008 - Interpretations By The Stan Getz Quintet #2.
Norgran MGN 1029 - Interpretations By The Stan Getz Quintet #3.
Norgran MGN 1034 - Tenor Saxes.
Norgran MGN 2000-2 - At The Shrine.
Verve MGV 8200 - And The Cool Sounds.

PRODUCER'S NOTE:
The original full-track mono masters were used in the creation of the masters for this set with one exception. No tape exists on the 78 take of POT LUCK. This tune was transferred from a 78 rpm pressing by Kevin Reeves.

All runouts etched
Matrix / Runout: MRLP - 3003 - A KPG@CA 19731.1(3)... (Runout side A)
Matrix / Runout: MRLP - 3003 - B KPG@CA 19731.2(3)... (Runout side B)
Matrix / Runout: MRLP - 3003 - C KPG@CA 19731.3(3)... (Runout side C)
Matrix / Runout: MRLP - 3003 - D KPG@CA 19731.4(3)... (Runout side D)
Matrix / Runout: MRLP - 3003 - E KPG@CA 19731.5(3)... (Runout side E)
Matrix / Runout: MRLP - 3003 - F KPG@CA 19731.6(3)... (Runout side F)
Matrix / Runout: MRLP - 3003 - G KPG@CA 19731.7(3)... (Runout side G)
Matrix / Runout: MRLP - 3003 - H KPG@CA 19731.8(3)... (Runout side H)