double bass Lars Pettersson
double bass Sture Åkerberg
guitar Sven Olsson
layout Peter Wiking
liner notes Åke Cato
photography by Jacob Forsell
piano Anders Ekdahl
piano Lasse Mattsson
piano Povel Ramel
vocals Povel Ramel
Copyright (c) AB Knäppupp
Copyright (c) Sonet Grammofon AB
Phonographic Copyright (p) AB Knäppupp
Phonographic Copyright (p) Sonet Grammofon AB
Recorded At Berns Salonger
Recorded At Dansrestaurant Maxim
Recorded At Djurgårdsbrunns Wärdshus
℗ 1971 - 1979 Knäppupp/Sonet Grammofon AB
© 1980 Knäppupp/Sonet Grammofon AB
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Audio: Mono/Stereo
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On the cover:
INSPELADE PÅ DJURGÅDSBRUNNS VÄRDSHUS
BERNS OCH MAXIM
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LP 1: Recorded at Djurgårdsbrunns Värdshus, Stockholm in 1971.
LP 2: Recorded at Djurgårdsbrunns Värdshus, Stockholm in 1972.
LP 3: Recorded at Berns Salonger, Stockholm in 1973.
LP 4: Recorded at Maxim, Drottninggatan, Stockholm in 1979.
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On the spine:
SVEN OLSONS TRIO VID PIANOT P. RAMEL
knäppupp
BUM 3
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Two Versions: Fru Sund (1), Snöman (2) & Tandläkarklubb (3)
1. A9* & H4*
2. C7* & H1*
3. C8* & H3*
*Av detta lilla stycke bjuder trion, generöst som alltid,
på två versioner ― ifall en skulle gå sönder.
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Track credits here that are shown paired together:

Track A1a is credited to J. van Heusen - J. Burke, i.e. Jimmy Van Heusen and
Johnny Burke, a songwriting and publishing duo, active as such between the
years 1939 and 1956.

Tracks: A3 and B1d are credited to B.G. de Sylva - L. Brown - R. Henderson,
i.e. Buddy G. De Sylva, Lew Brown and Ray Henderson, the most successful
songwriting/publishing trio of their era from 1925 to 1930.

Tracks: A9, E2i, and H4 are credited to Nils-Georg. That name, with or without a
hyphen, stands for a well established Swedish writing duo. Their real names were
Nils Perne and Georg Eliasson.

Track B1 is credited to Alberta Nichols - Max Holiner, but Max Holiner is a writing
error and should instead be Mann Holiner, the husband of Alberta Nichols.
Nichols and Holiner wrote more than 100 songs together, including: You Can’t
Stop Me From Loving You.

Track E2j is credited to three people: J.S. Coots - N.O. Kenny - Povel Ramel,
but N.O. Kenny is not one person. In fact, that credit stands for two, i.e. both
the brothers Nick Kenny and Charles Kenny as being the lyricists for Love
Letters In The Sand.

Track G4d is credited to Livingstone - Evans - Povel Ramel, i.e. Jay Livingston
and Raymond Evans, a lifelong collaberating songwriting duo from their first
meeting in 1937 and thereafter. Povel Ramel wrote the lyrics to the Swedish
version of their song Mona Lisa on this compilation.

Track H7: Roslagens Vackraste Ros is credited to George Eliasson. But,
Roslagens vackraste ros was originally a soundtrack in a Swedish film
from 1946: Bröllopet på Solö Svensk Filmdatabas. In that film, both the
music and the lyrics of the soundtrack were credited to Nils-Georg /= Nils Perne,
Georg Eliasson/. Here is only Georg Eliasson (as George Eliasson) credited
for the music of Vad Hon Hade, and then with Povel Ramel as the new
lyrics writer.

Track H13 is credited to three people: Emmerich - Kalman - Povel Ramel,
but Emmerich - Kalman are not two persons. They should instead be credited
together as just one person, the Hungarian composer Emmerich Kálmán.
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Missing French original title: G6 Fet (Mes Amis Peuvent Compter Sur Moi)
Matrix / Runout: KLP 6000 A EF7 1 (Side A [Stamped])
Matrix / Runout: KLP 6000 B EF7 1 (Side B [Stamped])
Matrix / Runout: KLP 6004 A (Side C [Stamped])
Matrix / Runout: KLP 6004 B (Side D [Stamped])
Matrix / Runout: KLP 6005 A (Side E [Stamped])
Matrix / Runout: KLP 6005 B (Side F [Stamped])
Matrix / Runout: KLP-6011-A T2 (Side G [Etched])
Matrix / Runout: KLP-6011-B T2 (Side H [Etched])
Rights Society: n©b