artwork [tattoo] Alan Oversby
engineer, mixed by Chris Carter
lacquer cut by Steve Angel
painting ["mary bell", 1980] Val Denham
photography by [cover photograph] Peter Christopherson
producer Sinclair/Brooks
technician [technical supervision] Genesis P-Orridge
technician [technical supervision] Peter Christopherson
tracks a1, a2, b written-by Monte Cazazza
Recorded At Industrial Records Studios
Lacquer Cut At Trident Studios
Phonographic Copyright (p) Industrial Records Ltd.
Copyright (c) Industrial Records Ltd.
Published By Southern Music
Printed By walkerprint
A1 compiled from tapes made at Chabot Gun Range, Oakland, California, U.S.A.
A3 is a permutation poem by Brion Gysin and used with his kind permission.
Effects: Cartertronics.
Recorded at Industrial Records Studios, Martello St., London, during February 1980.

Limited edition of 3,500 copies.

Initial pressings came with a 'commemorative' postcard of a painting of Mary Bell by Val Denham and lyrics to the song, printed by Walkerprint.

The sides are switched on the record from what is listed on the cover.

A Sinclair/Brooks Production
℗ & © 1980 Industrial Records Ltd.

Matrix / Runout: IR 0010 B[A scratched]-1 - G TERMINATE WITH EXTREME PREJUDICE (Side A runout, variant 1)
Matrix / Runout: IR 0010 A[B scratched]-1 𝟛 - SA G (Side B runout, variant 1)
Matrix / Runout: IR 0010 B[A scratched]-1 - D TERMINATE WITH EXTREME PREJUDICE (Side A runout, variant 2)
Matrix / Runout: IR 0010 A[B scratched]-1 𝟛 - SA D (Side B runout, variant 2)