tracks b alto saxophone [uncredited] Charles Ferrari
tracks a banjo [uncredited] Dave Thomas
tracks a clarinet [uncredited], tenor saxophone [uncredited] Leslie Bates
tracks b drums [uncredited] Frank Warshauer
tracks a drums [uncredited] Ronnie Gubertini
tracks a piano [uncredited] Billy Mayerl
tracks b piano [uncredited], leader [uncredited], conductor [uncredited], directed by [uncredited] Emil Coleman
tracks a trombone [uncredited] Bernard Tipping
tracks b trombone [uncredited] Sam Lewis
tracks a trumpet [uncredited] Arthur Wilson
tracks b trumpet [uncredited] Earl Oliver
tracks a trumpet [uncredited] Harry Thompson
tracks b trumpet [uncredited] Hymie Farberman
tracks b tuba [uncredited] Ben Smith
tracks a tuba [uncredited] Jim Bellamy
tracks a violin [uncredited], leader [uncredited], conductor [uncredited], directed by [uncredited], vocals [uncredited] Cyril Ramon Newton
Record Company Chantal
Side A is a pseudonym for the Savoy Havana Band, who recorded it in London around November 21 of 1923 & originally issued on Aco G-15319 (as Whitehall Dance Orchestra), Beltona 395 (as Avenue Dance Orchestra), Coliseum 1621 (as New York Casino Orchestra), Gamage G-654 (as Gamage Dance Orchestra), Guardsman 1429, Homochord H-528 (as Homochord Dance Orchestra) & Scala 667 (as Wag Abbey's Dance Orchestra).

Side B is a pseudonym for Emil Coleman & his Hotel Ambassador Orchestra, who recorded it in Vocalion's recording studio from New York's 35th West 43rd Street on November of 1923 & issued on [l74112] 14712, british Vocalion X-9399 & british Homochord H-582 (as Homochord Dance Orchestra). The violin is either Joe Raymond or Bill Witkin, while the banjoist remains unknown.
Matrix / Runout: C-6100-2 (Side A)
Matrix / Runout: 12292 (Side B)