tracks 1-18 to 1-24, 2-15 alto saxophone Bobby Davis
tracks 6-13 to 6-17 alto saxophone Buddy Fisk
tracks 1-6 to 1-9, 1-11 to 1-14 alto saxophone Doc Ryker
tracks 5-11 to 5-16 alto saxophone Malcolm Elstad
tracks 3-18 to 3-20, 3-23 to 4-4, 4-9 to 4-11, 4-16 to 5-6, 7-4 to 7-11 alto saxophone, clarinet, oboe, reeds, baritone saxophone Charles Strickfaden
tracks 2-16 to 2-23, 3-5, 3-6, 3-18 to 3-25, 4-5 to 5-6, 6-18 to 6-24 alto saxophone, reeds, clarinet Chester Hazlett
tracks 1-1 to 1-14, 1-16 to 1-24, 2-4 to 2-9, 2-12, 2-13, 2-17 to 2-23, 3-5, 3-6, 3-9, 3-10, 3-14 to 5-16, 7-1 to 7-24 alto saxophone, saxophone [c-melody saxophone], effects [vocal effects], effects [bottle effects], reeds Frankie Trumbauer
tracks 1-6, 1-7, 1-11 to 1-14, 2-21 to 2-23, 3-18 to 3-20 arranged by Bill Challis
tracks 1-6, 1-7 arranged by Bix Beiderbecke
tracks 5-15, 5-16 arranged by Cedric Spring
tracks 5-4 arranged by Charles Wolcott
tracks 6-13 arranged by David Rose
tracks 1-8, 1-9, 1-11 to 1-14 arranged by Don Murray
tracks 1-11 to 1-14 arranged by Frankie Trumbauer
tracks 1-18 to 1-20, 5-3, 5-4 arranged by Fud Livingston
tracks 6-4 arranged by Hoagy Carmichael
tracks 2-10, 2-11, 2-14 arranged by Howdy Quicksell
tracks 3-18 to 3-20, 4-2 to 4-4, 5-7, 5-8 arranged by Lennie Hayton
tracks 3-21 to 4-1, 4-21 arranged by Matty Malneck
tracks 1-3 to 1-5 arranged by Paul Madeira Mertz
tracks 7-4 to 7-6, 7-10 arranged by Russ Case
tracks 5-9 arranged by Victor Young
tracks 2-16, 2-17 arranged by Willard Robison
tracks 1-1 to 1-2 banjo Frank Di Prima
tracks 1-3 to 1-4 banjo Howdy Quicksell
tracks 1-21, 1-22 banjo John Cali
tracks 3-5, 3-6 banjo, guitar George Rose
tracks 7-1 to 7-24 bass Art Miller
tracks 6-7 to 6-10, 6-18 to 6-24 bass Artie Bernstein
tracks 5-7 to 5-16 bass Charles McConnell
tracks 6-13 to 6-17 bass Ed Gilbert
tracks 5-5, 5-6 bass Pierre Olker
tracks 1-11 to 1-14, 1-18 to 1-20, 1-23 to 2-3, 2-10 to 2-15, 6-7 to 6-12 bass saxophone Adrian Rollini
tracks 2-16 to 3-13, 3-18 to 5-4 bass saxophone Min Leibrook
tracks 5-17 to 6-6, 6-11, 6-12 bass, tuba Harry Goodman
tracks 2-16, 2-17, 3-15 to 3-20 bassoon, reeds Rube Crozier
tracks 7-16 to 7-20 clarinet Artie Shaw
tracks 7-1 to 7-3 clarinet Benny Goodman
tracks 1-1 to 1-2 clarinet Chuck Miller
tracks 7-4 to 7-11 clarinet, alto saxophone Benny Bonaccio
tracks 5-1 to 5-4 clarinet, alto saxophone Fud Livingston
tracks 5-7 to 5-16 clarinet, alto saxophone Gale Stout
tracks 5-17 to 6-6 clarinet, alto saxophone Gil Rodin
tracks 1-3 to 1-5, 2-16 to 2-18, 6-18 to 6-24 clarinet, alto saxophone Jimmy Dorsey
tracks 7-12 to 7-15 clarinet, alto saxophone Johnny Mince
tracks 5-17 to 6-6, 7-21 to 7-24 clarinet, alto saxophone Matty Matlock
tracks 2-12, 2-13, 6-7 to 6-12 clarinet, alto saxophone Pee Wee Russell
tracks 6-13 to 6-17 clarinet, alto saxophone Rod Cless
tracks 2-19 to 4-12, 4-16 to 5-2 clarinet, alto saxophone, tenor saxophone Izzy Friedman
tracks 5-5, 5-6, 7-4 to 7-24 clarinet, reeds, tenor saxophone John Cordaro
tracks 6-13 to 6-17 clarinet, tenor saxophone Dale Skinner
tracks 1-6 to 1-9, 1-11 to 1-14, 1-18 to 2-15 clarinet, tenor saxophone Don Murray
tracks 5-17 to 6-6, 7-21 to 7-24 clarinet, tenor saxophone Eddie Miller
tracks 6-7 to 6-12 clarinet, tenor saxophone Joe Catalyne
tracks 6-18 to 6-24, 7-12 to 7-20 clarinet, tenor saxophone Mutt Hayes
tracks 3-21 to 5-6 cornet Andy Secrest
tracks 1-3 to 1-14, 1-16 to 2-14, 2-16 to 3-17, 3-21 to 4-2 cornet Bix Beiderbecke
tracks 1-21, 1-22 cymbal Sam Lanin
design Richard Mantel
tracks 1-18 to 1-20, 1-23, 1-24 directed by Frankie Trumbauer
tracks 5-7 to 5-10 directed by Lennie Hayton
tracks 1-21, 1-22 directed by Sam Lanin
tracks 6-18 to 6-24 directed by Victor Young
tracks 2-4 to 2-9 directed by Willard Robison
tracks 6-13 to 6-17 drums Bob Conselman
tracks 3-5, 3-8 drums Harry Gale
tracks 5-5, 5-6, 7-1 to 7-11 drums Herb Quigley
tracks 6-18 to 6-24 drums Larry Gomar
tracks 5-7 to 5-16 drums Leroy Buck
tracks 1-1 to 1-2 drums Ward Archer
tracks 3-21 to 4-2, 4-18 to 4-21, 5-3, 5-4, 6-7 to 6-10, 7-12 to 7-20 drums, bells, chimes Stan King
tracks 5-17 to 6-6, 6-11, 6-12, 7-21 to 7-24 drums, chimes Ray Bauduc
tracks 1-3 to 1-9, 1-11 to 1-14, 1-18 to 1-20, 1-23 to 2-3, 2-10 to 2-15 drums, metallophone [harpophone] Chauncey Morehouse
tracks 2-16 to 3-4 drums, metallophone [harpophone] Harold McDonald
tracks 1-21, 1-22, 2-4 to 2-9 drums, metallophone [harpophone] Vic Berton
tracks 3-18 to 3-20, 4-3 to 5-4 drums, metallophone [harpophone], whistle [train whistle], bells George Marsh
executive-producer Michael Cuscuna
tracks 2-16 to 2-18, 5-5, 5-6, 7-4 to 7-11, 7-16 to 7-24 guitar Carl Kress
tracks 5-11 to 5-16 guitar Craig Leitch
tracks 6-13 to 6-17 guitar Dick McPartland
tracks 3-18 to 3-25 guitar Eddie "Snoozer" Quinn
tracks 1-5 to 1-14, 1-16 to 1-20, 2-4 to 2-9, 2-12, 2-13, 2-15, 2-19 to 2-23, 4-1 to 4-3, 4-5, 4-8 to 5-4, 5-7 to 5-10 guitar Eddie Lang
tracks 6-23, 6-24 guitar Frank Worrell
tracks 7-12 to 7-15 guitar George Van Eps
tracks 6-18 to 6-22 guitar Perry Botkin
tracks 3-9, 3-10, 3-14 to 3-20 guitar Wilbur Hall
tracks 5-17 to 6-12 guitar, banjo Nappy Lamare
tracks 7-1 to 7-3 harp Casper Reardon
mastered by Doug Pomeroy
tracks 2-15 piano Arthur Schutt
tracks 1-16, 1-17 piano Bix Beiderbecke
tracks 6-13 to 6-17 piano Charles La Vere
tracks 6-7 to 6-12 piano Fats Waller
tracks 1-18 to 2-15 piano Frank Signorelli
tracks 5-17 to 6-6 piano Gil Bowers
tracks 5-7 to 5-16 piano Herman Crone
tracks 1-6 to 1-9, 1-11 to 1-14 piano Itzie Riskin
tracks 6-18 to 6-24 piano Joe Meresco
tracks 1-3 to 1-5 piano Paul Madeira Mertz
tracks 1-1 to 1-2 piano Rube Bloom
tracks 7-1 to 7-3 piano Terry Shand
tracks 1-15 piano [solo], soloist Bix Beiderbecke
tracks 3-1 to 3-13, 3-23 to 3-25, 4-18 to 5-6, 7-4 to 7-24 piano, celesta Roy Bargy
tracks 2-16 to 2-23, 3-5, 3-6, 3-9 to 3-22, 4-1 to 4-11, 4-16, 4-17, 5-3, 5-4 piano, celesta, drums, harmonium Lennie Hayton
tracks 4-12 to 4-15 piano, celesta, effects [vocal effects] Hoagy Carmichael
producer [for release] Scott Wenzel
tracks 6-7 to 6-10 reeds Max Farley
research Dan Morgenstern
research Dave Sager
research Joe Showler
research Loren Schoenberg
research Michael Brooks
research Mike Peters
research Richard M. Sudhalter
research Scott Wenzel
research [photography] Cynthia Sesso
restoration Doug Pomeroy
tracks 6-13 to 6-17 tenor saxophone Bud Freeman
tracks 5-7 to 5-16 tenor saxophone Harold Jones
transferred by Andreas K. Meyer
transferred by Doug Pomeroy
transferred by Jack Towers
transferred by John R. T. Davies
tracks 1-3 to 1-9, 1-11 to 1-14, 1-18 to 2-3, 2-10 to 4-12, 4-16 to 5-6 trombone Bill Rank
tracks 5-5, 5-6, 5-11 to 5-16 trombone Hal Matthews
tracks 5-5, 5-6 trombone Jack Fulton
tracks 5-17 to 7-24 trombone Jack Teagarden
tracks 1-1 to 1-2 trombone Miff Mole
tracks 6-13 to 6-17 trombone Tommy Moore
tracks 4-18 to 4-21, 5-5, 5-6 trombone, trumpet Harry Goldfield
tracks 2-17 to 2-23, 3-14 to 3-17, 4-2 to 4-12, 4-16, 4-17 trumpet Charlie Margulis
tracks 5-17 to 6-6 trumpet Charlie Spivak
tracks 6-7 to 6-17, 7-1 to 7-24 trumpet Charlie Teagarden
tracks 6-13 to 6-17 trumpet Claude Whiteman
tracks 7-12 to 7-20 trumpet Ed Wade
tracks 6-18 to 6-24 trumpet Frank Guarente
tracks 1-21, 1-22 trumpet Hymie Farberman
tracks 5-7 to 5-16 trumpet Max Connett
tracks 5-1 to 5-6, 7-4 to 7-11 trumpet Nat Natoli
tracks 1-1 to 1-2 trumpet Roy Johnston
tracks 7-21 to 7-24 trumpet Russ Case
tracks 6-1 to 6-12, 6-18 to 6-22 trumpet Sterling Bose
tracks 5-17 to 5-24 trumpet Tommy Thunen
tracks 5-11 to 5-16 trumpet Vance Rice
tracks 1-21, 1-22 tuba Joe Tarto
tracks 5-7 to 5-10 vibraphone Cedric Spring
tracks 5-5, 5-6 violin John Bowman
tracks 4-1, 4-13, 4-15, 5-5, 5-6 violin Kurt Dieterle
tracks 6-23, 6-24 violin Lou Kosloff
tracks 2-18, 3-21 to 4-2, 4-13, 4-15, 4-18 to 5-6 violin Matty Malneck
tracks 4-1, 5-5, 5-6, 7-7 to 7-11 violin Mischa Russell
tracks 6-19 to 6-22 violin Walter Edelstein
tracks 1-18 to 1-24, 2-12, 2-13, 2-15, 4-7, 4-8, 4-12 to 4-15, 4-17, 6-23, 6-24 violin, effects [vocal effects] Joe Venuti
tracks 5-11 to 5-16 violin, guitar Cappy Kaplan
tracks 5-11 to 5-16 violin, guitar Cedric Spring
tracks 3-18 to 3-20 vocals Bee Palmer
tracks 2-18, 5-7 to 5-10 vocals Bing Crosby
tracks 3-14, 3-16, 3-17 vocals Charles Gaylord
tracks 3-5, 3-6 vocals Dee Orr
tracks 2-15 vocals Ed Macy
tracks 5-20 to 6-3 vocals Eddie Gale
tracks 6-4 vocals Eddie Miller
tracks 6-7, 6-8 vocals Fats Waller
tracks 2-18, 3-5, 3-6, 3-9, 3-10, 3-14 to 3-17, 3-21, 3-25, 5-2, 7-12 to 7-15 vocals Frankie Trumbauer
tracks 2-21 to 2-23, 3-9, 3-10, 5-3 vocals Harold "Scrappy" Lambert
tracks 3-5, 3-6 vocals Harry Barris
tracks 5-6 vocals Helen Rowland
tracks 5-1 vocals Jack Fulton
tracks 5-17 to 5-20, 6-5, 6-6 to 6-10, 6-17 to 6-24, 7-2, 7-3, 7-9, 7-11 to 7-17, 7-19, 7-21, 7-22 vocals Jack Teagarden
tracks 2-15 vocals John Ryan
tracks 5-6 vocals Johnny Blake
tracks 5-5 vocals Johnny Mercer
tracks 5-11, 5-15, 5-16 vocals Leroy Buck
tracks 3-5, 3-6 vocals Marlin Hurt
tracks 4-19 vocals Mildred Bailey
tracks 6-4, 6-23, 6-24 vocals Nappy Lamare
tracks 1-21 to 1-24, 2-19, 2-20 vocals Noel Taylor
tracks 1-11 to 1-14 vocals Seger Ellis
tracks 2-4 to 2-9 vocals The Deep River Quintet
tracks 5-5 vocals The Nitecaps
tracks 5-12, 5-14 vocals The Three Spooks
tracks 3-23, 3-24, 4-1, 4-5, 4-6, 4-9 to 4-12, 4-16 to 4-18 vocals, effects [vocal effects] Smith Ballew
tracks 5-5, 5-6 xylophone Red Norvo
Designed At Inkwell, Inc.
Phonographic Copyright (p) Sony Music Entertainment Inc.
Copyright (c) Mosaic Records, L.L.C.
Manufactured By Sony Music Special Products
© 2001 Mosaic Records, L.L.C.
℗ 2001 Sony Music Entertainment Inc.

Edition limited to 7,500 copies, hand numbered.

Original 78s provided by Michael Brooks, John R.T. Davies, The Institute of Jazz Studies, Mollie Kikuchi, John Liefert, Keith Miller, Joe Showler, Scott Wenzel and John Wilby.

SESSION DATE AND LOCATION:
# 1-1, 1-2: NYC, May 20, 1924.
# 1-3 to 1-5: NYC, February 4, 1927.
# 1-6, 1-7: NYC, May 9, 1927.
# 1-8 to 1-10: NYC, May 13, 1927.
# 1-11 to 1-14: NYC, August 25, 1927.
# 1-15: NYC, September 8, 1927.
# 1-16, 1-17: NYC, September 17, 1927.
# 1-18 to 1-20: NYC, September 28, 1927.
# 1-21, 1-22: NYC, September 29, 1927.
# 1-23, 1-24: NYC, September 30, 1927.
# 2-1 to 2-3: NYC, October 5, 1927.
# 2-4 to 2-9: NYC, October 20-26, 1927.
# 2-10 to 2-14: NYC, October 25, 1927.
# 2-15: NYC, October 26, 1927.
# 2-16, 2-17: NYC, January 9, 1928.
# 2-18: NYC, January 20, 1928.
# 2-19, 2-20: NYC, April 3, 1928.
# 2-21 to 2-23: NYC, April 10, 1928.
# 3-1 to 3-4: NYC, April 17, 1928.
# 3-5, 3-6: Chicago, July 5, 1928.
# 3-7, 3-8: Chicago, July 7, 1928.
# 3-9, 3-10: NYC, September 20, 1928.
# 3-11 to 3-13: NYC, September 21, 1928.
# 3-14 to 3-17: NYC, October 5, 1928.
# 3-18 to 3-20: NYC, January 10, 1929.
# 3-21, 3-22: NYC, March 8, 1929.
# 3-23 to 3-25: NYC, April 17, 1929.
# 4-1, 4-2: NYC, Aprile 30, 1929.
# 4-3, 4-4: NYC, May 15, 1929.
# 4-5, 4-6: NYC, May 21, 1929.
# 4-7, 4-8: NYC, May 22, 1929.
# 4-9 to 4-11: NYC, September 18, 1929.
# 4-11 to 4-15: NYC, October 10, 1929.
# 4-16, 4-17: NYC, October 19, 1929.
# 4-18, 4-19: NYC, May 8, 1930.
# 4-20, 4-21: NYC, May 9, 1930.
# 5-1, 5-2: NYC, July 22, 1930.
# 5-3, 5-4: NYC, September 8, 1930.
# 5-5, 5-6: NYC, April 5, 1932.
# 5-7, 5-8: Chicago, May 25, 1932.
# 5-9, 5-10: Chicago, May 26, 1932.
# 5-11 to 5-16: Chicago, August 17, 1932.
# 5-17 to 5-19: NYC c. September 1930.
# 5-20 to 5-24: NYC, October 1, 1930.
# 6-1 to 6-6: NYC: c. January 1931.
# 6-7 to 6-10: NYC, October 14, 1931.
# 6-11, 6-12: NYC, November 10, 1931.
# 6-13 to 6-17: Chicago, July 29, 1933.
# 6-18 to 6-22: NYC, November 11, 1933.
# 6-23, 6-24: NYC, March 2, 1934.
# 7-1 to 7-3: NYC, September 18, 1934.
# 7-4 to 7-6: NYC, January 12, 1934.
# 7-7 to 7-11: NYC, February 23, 1934.
# 7-12 to 7-14: NYC, January 29, 1936.
# 7-15: NYC, February 5, 1936.
# 7-16 to 7-20: NYC, April 27, 1936.
# 7-21 to 7-24: NYC, June 15, 1936.

PREVIOUSLY UNISSUED:
# 1-16, 3-19, 7-18.