2001 8x CD 
Definitive Records
tracks 1-1 to 3-25, 4-13 to 8-20 alto saxophone Charlie Parker
tracks 3-14 to 3-25 band Charlie Parker's New Stars
tracks 1-13 to 1-28 band Charlie Parker's Re-Boppers
tracks 8-4 to 8-7 band Dizzy Gillespie And His All Star Quintet
tracks 1-29 band Dizzy Gillespie Jazzmen
tracks 8-1 to 8-3 band Dizzy Gillespie Sextet
tracks 4-1 to 4-12 band Miles Davis All Stars
tracks 7-24 to 7-35 band Red Norvo And His Selected Sextet
tracks 8-8 to 8-13 band Slim Gaillard And His Orchestra
tracks 2-16 to 2-31, 5-11 to 5-26, 6-17 to 7-23 band The Charlie Parker All-Stars
tracks 3-1 to 3-13 band The Charlie Parker Quartet
tracks 2-12 to 2-15, 4-13 to 4-26, 5-1 to 5-10, 6-1 to 6-16 band The Charlie Parker Quintet
tracks 2-1 to 2-11 band The Charlie Parker Septet
tracks 1-1 to 1-12 band Tiny Grimes Quintet
tracks 8-14 to 8-20 bass Arnold Fishkin
tracks 2-12 to 2-15 bass Bob Kesterson
tracks 1-13 to 1-28, 5-11 to 5-26, 7-1 to 7-23, 8-4 to 8-7 bass Curly Russell
tracks 1-1 to 1-12 bass Jimmy Butts
tracks 4-1 to 4-12 bass Nelson Boyd
tracks 1-29 bass Ray Brown
tracks 3-14 to 3-25 bass Red Callender
tracks 7-24 to 7-35, 8-1 to 8-3 bass Slam Stewart
tracks 8-8 to 8-13 bass Tiny "Bam" Brown
tracks 2-16 to 2-31, 4-13 to 5-10, 6-1 to 6-26 bass Tommy Potter
tracks 2-1 to 2-11 bass Vic McMillan
tracks 8-1 to 8-3 drums Cozy Cole
tracks 3-14 to 3-25 drums Don Lamond
tracks 1-1 to 1-12, 3-1 to 3-13 drums Harold "Doc" West
tracks 7-26, 7-27, 7-31 to 7-35 drums J.C. Heard
tracks 8-14 to 8-20 drums Jimmy Pratt
tracks 1-13 to 1-28, 2-16 to 2-31, 4-1 to 7-23 drums Max Roach
tracks 2-1 to 2-15, drums Roy Porter
tracks 8-4 to 8-7 drums Sidney Catlett
tracks 7-24, 7-25, 7-28, to 7-30 drums Specs Powell
tracks 1-29 drums Stan Levey
tracks 8-8 to 8-13 drums Zutty Singleton
editor [edition prepared and edited by] J.G. Calvados
tracks 1-29, 2-2 to 2-4, 2-7 to 2-11 guitar Arvin Garrison
tracks 3-14 to 3-25 guitar Barney Kessel
tracks 8-1 to 8-3 guitar Remo Palmieri
tracks 1-1 to 1-12 guitar Tiny Grimes
tracks 8-8 to 8-13 guitar, vocals Slim Gaillard
liner notes Antonio Padilla
tracks 8-4 to 8-7 piano Al Haig
tracks 1-13 to 1-28 piano Argonne Thornton
tracks 2-16 to 2-31 piano Bud Powell
tracks 1-1 to 1-12, 8-1 to 8-3 piano Clyde Hart
tracks 2-1 to 2-11, 3-14 to 3-25, 8-8 to 8-13 piano Dodo Marmarosa
tracks 4-13 to 5-10, 6-1 to 6-26 piano Duke Jordan
tracks 3-1 to 3-13 piano Erroll Garner
tracks 1-29 piano George Handy
tracks 2-12 to 2-15 piano Jimmy Bunn
tracks 4-1 to 4-12, 5-11 to 5-26, 7-1 to 7-23 piano John Lewis
tracks 8-14 to 8-20 piano Russ Freeman
tracks 8-8 piano Slim Gaillard
tracks 7-24 to 7-35 piano Teddy Wilson
tracks 1-13 to 1-28 piano, trumpet Dizzy Gillespie
tracks 4-1 to 4-12 tenor saxophone Charlie Parker
tracks 7-24 to 7-35 tenor saxophone Flip Phillips
tracks 8-8 to 8-13 tenor saxophone Jack McVea
tracks 1-29 to 2-11 tenor saxophone Lucky Thompson
tracks 3-14 to 3-25 tenor saxophone Wardell Gray
tracks 6-1 to 6-16 trombone J.J. Johnson
tracks 1-29, 7-24 to 7-35, 8-1 to 8-13 trumpet Dizzy Gillespie
tracks 2-12 to 2-15, 3-14 to 3-25 trumpet Howard McGhee
tracks 1-13 to 1-17, 1-19 to 1-27, 2-1 to 2-11, 2-16 to 2-31, 4-1 to 5-13, 5-15 to 5-22, 5-25 to 7-23 trumpet Miles Davis
tracks 7-24 to 7-35 vibraphone Red Norvo
tracks 3-1, 3-2, 3-5 to 3-8 vocals Earl Coleman
tracks 1-3, 1-8 to 1-11 vocals Tiny Grimes
tracks 1-13 to 1-18, 2-1, 2-2, 2-16 to 2-19, 3-3, 3-4, 3-14, 4-13 to 4-17, 5-1 to 5-3, 5-11 to 5-14, 6-1 to 6-4, 6-17 to 6-20, 7-1 to 7-4, 8-14, 8-15 written-by Charlie Parker
Phonographic Copyright (p) Disconforme
Copyright (c) Disconforme
Manufactured By MPO Iberica
Recorded At WOR Studios
Recorded At Electro Broadcast Studios
Recorded At Radio Recorders
Recorded At C.P. MacGregor Studios
Recorded At Harry Smith Recording Studios
Recorded At United Sound Systems
Recorded At Chuck Kopely Home
20 recording sessions from 1944 to 1948.
Each session is included in its entirety, master takes first, before alternate takes, incomplete takes and false starts.
℗ & © 2001 by Disconforme.
Comes in a slip case that includes two 4-CD jewel cases and a 24-page booklet.
A 6-panel booklet with detailed credits is also inserted in each 4-CD jewel case.
That info is replicated and completed with liner notes and photographs in the main 24-page booklet.
There is no track #2-25 on the tracklist above, as on release. Track durations are not printed on the release.
This version is a reissue of The Complete Savoy And Dial Studio Recordings 1944-1948, which has same material but with tracks sequenced differently.
Sessionography from bookets:
Session No. 1 [Savoy] (WOR Studios, New York, September 15, 1944)
Session No. 5 [Savoy] (WOR Studios, New York, November 26, 1945)
Session No. 7 [Dial] (Electro Broadcasting Studios, Glendale, California, February 5, 1946)
Session No. 8 [Dial] (Radio Recorders Studios, Hollywood, Los Angeles, March 28, 1946)
Session No. 9 [Dial] (C.P MacGregor Studio, Hollywood, July 29, 1946)
Session No. 13 [Savoy] (Harry Smith Studios, New York City, May 8, 1947)
Session No. 11 [Dial] (C.P MacGregor Studio, Hollywood, California, February 19, 1947)
Session No. 12 [Dial] (C.P MacGregor Studio, Hollywood, February 26, 1946)
Session No. 14 [Savoy] (Harry Smith Studios, New York City, August 14, 1947)
Session No. 15 [Dial] (WOR Studios, New York City, October 28, 1947)
Session No. 16 [Dial] (WOR Studios, New York City, November 4, 1947)
Session No. 19 [Savoy] (Harry Smith Studios, New York City, September 18, 1948)
Session No. 17 [Dial] (WOR Studios, New York City, December 17, 1947)
Session No. 18 [Savoy] (United Sound Studios, Detroit, Michigan, December 21, 1947)
Session No. 20 [Savoy] (Harry Smith Studios, New York City, September 24, 1948)
Session No. 2 [Guild] (New York City, February 28, 1945)
Session No. 3 [Guild] (New York City, May 11, 1945)
Session No. 4 [Comet] (WOR Studios, New York City, June 6, 1945)
Session No. 6 [Bel-Tone] (Hollywood, Los Angeles, December 29, 1945)
Session No. 10 - At Home - Jam Session (Chuck Kopely's Apartment, Hollywood, February 1, 1947)
Barcode: 8 436006 494024 (Text)
Barcode: 8436006494024 (Scanned)
Other: DRCD11183 (Cat. # CDs 1 to 4)
Other: DRCD11184 (Cat. # CDs 5 to 8)
Depósito Legal: D.L.AND.271-2001 (Back of slipcase)
Depósito Legal: D.L.AND.280-2001 (Back of CDs 1 to 4 jewel case)
Depósito Legal: D.L.AND.281-2001 (Back of CDs 5 to 8 jewel case)
Matrix / Runout: DRCD 11183 CD1 MPO IBERICA 7-6-01/01 2109356 (CD1)
Matrix / Runout: DRCD 11183 CD2 MPO IBERICA 7-6-01/01 2109357 (CD2)
Matrix / Runout: DRCD 11183 CD3 MPO IBERICA 7-6-01/01 2109358 (CD3)
Matrix / Runout: DRCD 11183 CD4 MPO IBERICA 7-6-01/01 2109359 (CD4)
Matrix / Runout: DRCD 11184 CD1 MPO IBERICA 8-6-01/01 2109337 (CD5)
Matrix / Runout: DRCD 11184 CD2 MPO IBERICA 8-6-01/01 2109338 (CD6)
Matrix / Runout: DRCD 11184 CD3 MPO IBERICA 8-6-01/02 2109339 (CD7)
Matrix / Runout: DRCD 11184 CD4 MPO IBERICA 8-6-01/01 2109340 (CD8)
Mastering SID Code: IFPI L034 (All CDs)
Mould SID Code: IFPI 1317 (All CDs)
tracks 3-14 to 3-25 band Charlie Parker's New Stars
tracks 1-13 to 1-28 band Charlie Parker's Re-Boppers
tracks 8-4 to 8-7 band Dizzy Gillespie And His All Star Quintet
tracks 1-29 band Dizzy Gillespie Jazzmen
tracks 8-1 to 8-3 band Dizzy Gillespie Sextet
tracks 4-1 to 4-12 band Miles Davis All Stars
tracks 7-24 to 7-35 band Red Norvo And His Selected Sextet
tracks 8-8 to 8-13 band Slim Gaillard And His Orchestra
tracks 2-16 to 2-31, 5-11 to 5-26, 6-17 to 7-23 band The Charlie Parker All-Stars
tracks 3-1 to 3-13 band The Charlie Parker Quartet
tracks 2-12 to 2-15, 4-13 to 4-26, 5-1 to 5-10, 6-1 to 6-16 band The Charlie Parker Quintet
tracks 2-1 to 2-11 band The Charlie Parker Septet
tracks 1-1 to 1-12 band Tiny Grimes Quintet
tracks 8-14 to 8-20 bass Arnold Fishkin
tracks 2-12 to 2-15 bass Bob Kesterson
tracks 1-13 to 1-28, 5-11 to 5-26, 7-1 to 7-23, 8-4 to 8-7 bass Curly Russell
tracks 1-1 to 1-12 bass Jimmy Butts
tracks 4-1 to 4-12 bass Nelson Boyd
tracks 1-29 bass Ray Brown
tracks 3-14 to 3-25 bass Red Callender
tracks 7-24 to 7-35, 8-1 to 8-3 bass Slam Stewart
tracks 8-8 to 8-13 bass Tiny "Bam" Brown
tracks 2-16 to 2-31, 4-13 to 5-10, 6-1 to 6-26 bass Tommy Potter
tracks 2-1 to 2-11 bass Vic McMillan
tracks 8-1 to 8-3 drums Cozy Cole
tracks 3-14 to 3-25 drums Don Lamond
tracks 1-1 to 1-12, 3-1 to 3-13 drums Harold "Doc" West
tracks 7-26, 7-27, 7-31 to 7-35 drums J.C. Heard
tracks 8-14 to 8-20 drums Jimmy Pratt
tracks 1-13 to 1-28, 2-16 to 2-31, 4-1 to 7-23 drums Max Roach
tracks 2-1 to 2-15, drums Roy Porter
tracks 8-4 to 8-7 drums Sidney Catlett
tracks 7-24, 7-25, 7-28, to 7-30 drums Specs Powell
tracks 1-29 drums Stan Levey
tracks 8-8 to 8-13 drums Zutty Singleton
editor [edition prepared and edited by] J.G. Calvados
tracks 1-29, 2-2 to 2-4, 2-7 to 2-11 guitar Arvin Garrison
tracks 3-14 to 3-25 guitar Barney Kessel
tracks 8-1 to 8-3 guitar Remo Palmieri
tracks 1-1 to 1-12 guitar Tiny Grimes
tracks 8-8 to 8-13 guitar, vocals Slim Gaillard
liner notes Antonio Padilla
tracks 8-4 to 8-7 piano Al Haig
tracks 1-13 to 1-28 piano Argonne Thornton
tracks 2-16 to 2-31 piano Bud Powell
tracks 1-1 to 1-12, 8-1 to 8-3 piano Clyde Hart
tracks 2-1 to 2-11, 3-14 to 3-25, 8-8 to 8-13 piano Dodo Marmarosa
tracks 4-13 to 5-10, 6-1 to 6-26 piano Duke Jordan
tracks 3-1 to 3-13 piano Erroll Garner
tracks 1-29 piano George Handy
tracks 2-12 to 2-15 piano Jimmy Bunn
tracks 4-1 to 4-12, 5-11 to 5-26, 7-1 to 7-23 piano John Lewis
tracks 8-14 to 8-20 piano Russ Freeman
tracks 8-8 piano Slim Gaillard
tracks 7-24 to 7-35 piano Teddy Wilson
tracks 1-13 to 1-28 piano, trumpet Dizzy Gillespie
tracks 4-1 to 4-12 tenor saxophone Charlie Parker
tracks 7-24 to 7-35 tenor saxophone Flip Phillips
tracks 8-8 to 8-13 tenor saxophone Jack McVea
tracks 1-29 to 2-11 tenor saxophone Lucky Thompson
tracks 3-14 to 3-25 tenor saxophone Wardell Gray
tracks 6-1 to 6-16 trombone J.J. Johnson
tracks 1-29, 7-24 to 7-35, 8-1 to 8-13 trumpet Dizzy Gillespie
tracks 2-12 to 2-15, 3-14 to 3-25 trumpet Howard McGhee
tracks 1-13 to 1-17, 1-19 to 1-27, 2-1 to 2-11, 2-16 to 2-31, 4-1 to 5-13, 5-15 to 5-22, 5-25 to 7-23 trumpet Miles Davis
tracks 7-24 to 7-35 vibraphone Red Norvo
tracks 3-1, 3-2, 3-5 to 3-8 vocals Earl Coleman
tracks 1-3, 1-8 to 1-11 vocals Tiny Grimes
tracks 1-13 to 1-18, 2-1, 2-2, 2-16 to 2-19, 3-3, 3-4, 3-14, 4-13 to 4-17, 5-1 to 5-3, 5-11 to 5-14, 6-1 to 6-4, 6-17 to 6-20, 7-1 to 7-4, 8-14, 8-15 written-by Charlie Parker
Phonographic Copyright (p) Disconforme
Copyright (c) Disconforme
Manufactured By MPO Iberica
Recorded At WOR Studios
Recorded At Electro Broadcast Studios
Recorded At Radio Recorders
Recorded At C.P. MacGregor Studios
Recorded At Harry Smith Recording Studios
Recorded At United Sound Systems
Recorded At Chuck Kopely Home
20 recording sessions from 1944 to 1948.
Each session is included in its entirety, master takes first, before alternate takes, incomplete takes and false starts.
℗ & © 2001 by Disconforme.
Comes in a slip case that includes two 4-CD jewel cases and a 24-page booklet.
A 6-panel booklet with detailed credits is also inserted in each 4-CD jewel case.
That info is replicated and completed with liner notes and photographs in the main 24-page booklet.
There is no track #2-25 on the tracklist above, as on release. Track durations are not printed on the release.
This version is a reissue of The Complete Savoy And Dial Studio Recordings 1944-1948, which has same material but with tracks sequenced differently.
Sessionography from bookets:
Session No. 1 [Savoy] (WOR Studios, New York, September 15, 1944)
Session No. 5 [Savoy] (WOR Studios, New York, November 26, 1945)
Session No. 7 [Dial] (Electro Broadcasting Studios, Glendale, California, February 5, 1946)
Session No. 8 [Dial] (Radio Recorders Studios, Hollywood, Los Angeles, March 28, 1946)
Session No. 9 [Dial] (C.P MacGregor Studio, Hollywood, July 29, 1946)
Session No. 13 [Savoy] (Harry Smith Studios, New York City, May 8, 1947)
Session No. 11 [Dial] (C.P MacGregor Studio, Hollywood, California, February 19, 1947)
Session No. 12 [Dial] (C.P MacGregor Studio, Hollywood, February 26, 1946)
Session No. 14 [Savoy] (Harry Smith Studios, New York City, August 14, 1947)
Session No. 15 [Dial] (WOR Studios, New York City, October 28, 1947)
Session No. 16 [Dial] (WOR Studios, New York City, November 4, 1947)
Session No. 19 [Savoy] (Harry Smith Studios, New York City, September 18, 1948)
Session No. 17 [Dial] (WOR Studios, New York City, December 17, 1947)
Session No. 18 [Savoy] (United Sound Studios, Detroit, Michigan, December 21, 1947)
Session No. 20 [Savoy] (Harry Smith Studios, New York City, September 24, 1948)
Session No. 2 [Guild] (New York City, February 28, 1945)
Session No. 3 [Guild] (New York City, May 11, 1945)
Session No. 4 [Comet] (WOR Studios, New York City, June 6, 1945)
Session No. 6 [Bel-Tone] (Hollywood, Los Angeles, December 29, 1945)
Session No. 10 - At Home - Jam Session (Chuck Kopely's Apartment, Hollywood, February 1, 1947)
Barcode: 8 436006 494024 (Text)
Barcode: 8436006494024 (Scanned)
Other: DRCD11183 (Cat. # CDs 1 to 4)
Other: DRCD11184 (Cat. # CDs 5 to 8)
Depósito Legal: D.L.AND.271-2001 (Back of slipcase)
Depósito Legal: D.L.AND.280-2001 (Back of CDs 1 to 4 jewel case)
Depósito Legal: D.L.AND.281-2001 (Back of CDs 5 to 8 jewel case)
Matrix / Runout: DRCD 11183 CD1 MPO IBERICA 7-6-01/01 2109356 (CD1)
Matrix / Runout: DRCD 11183 CD2 MPO IBERICA 7-6-01/01 2109357 (CD2)
Matrix / Runout: DRCD 11183 CD3 MPO IBERICA 7-6-01/01 2109358 (CD3)
Matrix / Runout: DRCD 11183 CD4 MPO IBERICA 7-6-01/01 2109359 (CD4)
Matrix / Runout: DRCD 11184 CD1 MPO IBERICA 8-6-01/01 2109337 (CD5)
Matrix / Runout: DRCD 11184 CD2 MPO IBERICA 8-6-01/01 2109338 (CD6)
Matrix / Runout: DRCD 11184 CD3 MPO IBERICA 8-6-01/02 2109339 (CD7)
Matrix / Runout: DRCD 11184 CD4 MPO IBERICA 8-6-01/01 2109340 (CD8)
Mastering SID Code: IFPI L034 (All CDs)
Mould SID Code: IFPI 1317 (All CDs)