tracks 2-1 to 2-20 accordion Dan Cantrell
tracks 3-1 to 3-20 accordion Guy Klucevsek
art direction, design Johnny Brewton
tracks 2-1 to 2-20 banjo Bent Clausen
tracks 3-1 to 3-20 banjo Eddy Davis
tracks 2-1 to 2-20 banjo Harry Cody
tracks 2-1 to 2-20 bass Adam Lane
tracks 2-1 to 2-20 bass Eric Perney
tracks 2-1 to 3-20 bass Greg Cohen
bass Larry Taylor
tracks 2-1 to 2-20 bass Leroy Vinnegar
tracks 1-1 to 1-16 bass Les Claypool
tracks 2-1 to 3-20 bass Matthew Brubeck
tracks 2-1 to 2-20 bass Matthew Sperry
tracks 2-1 to 2-20 bass Mike Silverman
tracks 1-1 to 2-20 bass Seth Ford-Young
tracks 2-1 to 2-20 bass Trevor Horn
tracks 3-1 to 3-20 chamberlin [chamberlain] Mitchell Froom
tracks 2-1 to 3-20 clarinet Bebe Risenfors
tracks 2-1 to 2-20 clarinet Dan Plonsey
tracks 3-1 to 3-20 clarinet [bamboo] Bart Hopkin
coordinator [production] Julianne Deery
tracks 2-1 to 2-20 drums Billy Higgins
tracks 1-1 to 1-16, 3-1 to 3-20 drums Casey Waits
tracks 3-1 to 3-20 drums, percussion Michael Blair
engineer [other engineers] Bernd Burgdorf
engineer [other engineers] Biff Dawes
engineer [other engineers] Brett Gurewitz
engineer [other engineers] Gene Cornelius
engineer [other engineers] Jacquire King
engineer [other engineers] Mark Howard
engineer [other engineers] Mitchell Froom
engineer [other engineers] Oz Fritz
engineer [other engineers] Robert Musso
engineer [other engineers] Tchad Blake
tracks 1-1 to 2-20 guitar Brett Gurewitz
tracks 1-1 to 1-16 guitar Dave Alvin
tracks 1-1 to 2-20 guitar Joe Gore
tracks 3-1 to 3-20 guitar Larry LaLonde
tracks 1-1 to 1-16, 3-1 to 3-20 guitar Marc Ribot
tracks 3-1 to 3-20 guitar Mike Knowlton
tracks 1-1 to 1-16 guitar Ron Hacker
tracks 2-1 to 2-20 guitar Sullivan Waits
tracks 3-1 to 3-20 guitar, drums, bass Mark Linkous
tracks 1-1 to 1-16 guitar, keyboards Tom Waits
harmonica Charlie Musselwhite
tracks 1-1 to 1-16 harmonica John Paul Hammond
tracks 3-1 to 3-20 harmonium [pump organ] Tom Waits
tracks 2-1 to 2-20 horns Nick Phelps
tracks 3-1 to 3-20 keyboards Gary Knowlton
mastered by Gavin Lurssen
tracks 1-1 to 2-20 percussion Andrew Borger
tracks 1-1 to 1-16, 3-1 to 3-20 percussion Brain
tracks 1-1 to 2-20 percussion Gino Robair
tracks 1-1 to 1-16 percussion Jeff Sloan
tracks 2-1 to 2-20 percussion Ray Armando
tracks 1-1 to 1-16 percussion Stephen Hodges
tracks 1-1 to 1-16 percussion Steve Forman
tracks 1-1 to 1-16, 3-1 to 3-20 percussion Tom Waits
tracks 1-1 to 1-16 performer [boulders], cowbell Bobby Baloo
tracks 3-1 to 3-20 performer [the bug] Tom Nunn
photography by [cover photograph enchancement] Matt Mahurin
photography by [cover] Julianne Deery
photography by [photo credits] Anton Corbijn
photography by [photo credits] Jane Rose
photography by [photo credits] Jim Jarmusch
photography by [photo credits] Julianne Deery
tracks 2-1 to 2-20 piano Art Hillery
tracks 3-1 to 3-20 piano Bent Clausen
tracks 2-1 to 2-20 piano Francis Thumm
tracks 2-1 to 2-20 piano Stephen Prutsman
producer Kathleen Brennan
producer Tom Waits
tracks 3-1 to 3-20 saxophone Arno Hecht
tracks 3-1 to 3-20 saxophone Colin Stetson
tracks 3-1 to 3-20 saxophone Crispin Cioe
tracks 1-1 to 2-20 saxophone Ralph Carney
tracks 2-1 to 2-20 steel guitar Bobby Black
technician [audio restoration], recorded by [& additional recording], edited by [digital editing], mixed by [mixed/remixed by] Karl Derfler
tracks 3-1 to 3-20 trombone Bob Funk
tracks 2-1 to 2-20 trombone Jimmy Cleveland
tracks 2-1 to 2-20 trombone Tom Yoder
tracks 3-1 to 3-20 trumpet Ara Anderson
tracks 2-1 to 2-20 trumpet Chris Grady
tracks 2-1 to 2-20 trumpet Nolan Smith
tracks 3-1 to 3-20 trumpet Paul Litteral
tracks 2-1 to 3-20 violin Carla Kihlstedt
tracks 3-1 to 3-20 violin [circular] Darrel De Vore
tracks 3-1 to 3-20 waterphone Richard Waters
tracks 1-1 to 1-16 whistle Anges Amar
tracks 1-1 to 1-6, 1-9 to 1-11, 1-13, 1-15, 2-1 to 2-10, 2-12, 2-13, 2-15 to 2-17, 2-19, 3-4, 3-6, 3-8 to 3-10, 3-14 to 3-16 written-by Kathleen Brennan
tracks 1-1 to 1-6, 1-9 to 1-11, 1-13, 1-15 to 2-10, 2-12, 2-13, 2-15 to 2-17, 2-19, 3-4, 3-6, 3-8 to 3-10, 3-12 to 3-15, 3-18 written-by Tom Waits
Copyright (c) Anti, Inc.
Phonographic Copyright (p) Anti, Inc.
Manufactured By Epitaph
Distributed By Epitaph
Pressed By DiscUSA
Recorded At Bay View Studio
Mixed At Bay View Studio
Remixed At Bay View Studio
Mastered At The Mastering Lab
Published By Jalma Music
Published By Tro Folkways Music Pub., Inc.
Published By WB Music Corp.
Published By Taco Tunes
Published By Fort Knox Music, Inc.
Published By TEK Publishing
Published By Trio Music Co., Inc.
Published By Windswept Holdings LLC
Published By Chuck E. Weiss Music
Published By Rykomusic, Inc.
Published By Ludlow Music, Inc.
Published By Weill-Brecht-Harms Music Co., Inc.
Published By Bourne Co.
Published By Alexander Lee Spence Music
Published By EMI Blackwood Music Inc.
Published By Spirit Ditch Music
Published By Duluoz Publishing, Inc.
Published By Eternal Yip Eye Music
The CDs are released in a limited edition book with the song texts and a lot of pictures. A part of this 3 CD set is (reworked) old work and a part is new. Recorded and mixed at Bay View Studios.

Tracks 3-19 and 3-20 are hidden bonus tracks not mentioned on the sleeve or packaging.

©&℗ 2006 Anti, Inc. Manufactured and distributed by Epitaph 2798 Sunset Blvd. Los Angeles, CA 90026

All Songs © 2006 Jalma Music (ASCAP) except:
1-7 Published by TRO-Folkways Music Publishers, Inc.(BMI)
1-12 & 2-18 Published by WB Music Corp. (ASCAP) and Taco Tunes (ASCAP).
1-14 Published by Fort Knox Music, Inc (BMI)/TEK Publishing (BMI), TRIO Music Co Inc,/Windswept Holdings, LLC (BMI)
1-16 Published by Jalma Music (ASCAP) and © 1999 Chuck E. Weiss Music (ASCAP) Rykomusic, Inc. (ASCAP)
2-11 Copyright Control
2-14 Published by TRO-Ludlow Music, Inc. (BMI)
2-20 Published by Cherio Corp. (BMI) Ocheri Publishing Corp. (ASCAP) Junes Tunes (BMI)
3-1 Published by Weill-Brecht-Harms Music Co., Inc. (ASCAP) & Kurt Weill Foundation for Music Inc. (ASCAP)
3-2 Public Domain
3-3 Published by Bourne Company (ASCAP)
3-4 Insect facts gathered from The World Book Encyclopedia, Audubon Field Guide, reliable sources and the naked eye
3-5 Published by Alexander Lee Spence Music Administered by Maryanne Sarah Sheley Music (BMI)/ EMI Blackwood Music Inc. (BMI)
3-9 Published by Jalma Music (ASCAP) and WB Music Corp. (ASCAP) and Spirit Ditch Music (ASCAP)
3-12 & 3-18 Published by Duluoz Publishing, Inc (ASCAP) and Jalma Music (ASCAP)
3-13 Published by Taft/Barish Music/Famous Music, LLC. (ASCAP) and Jalma Music (ASCAP)
3-17 © 2003 Eternal Yip Eye Music (BMI) Administered by BUG.

On variant 1, disc 3 mould SID code is on the same 'line' as the matrix number.
On variant 2, disc 2 & disc 3 mould SID code are on the same 'line' as the matrix number.
Barcode: 0 4577-86677-2 7 (Text)
Barcode: 045778667727 (String)
Other: 86677-2-A (Catalog Number Disc 1)
Other: 86677-2-B (Catalog Number Disc 2)
Other: 86677-2-C (Catalog Number Disc 3)
Matrix / Runout: 10/16/06 86677-2-D-ONE 09 [DiscUSA logo] (Disc 1 Variant 1)
Mastering SID Code: IFPI L794 (Disc 1 Variant 1)
Mould SID Code: IFPI 3V51 (Disc 1 Variant 1)
Matrix / Runout: 10/17/06 86677-2-D-TWO 11 [DiscUSA logo] (Disc 2 Variant 1)
Mastering SID Code: IFPI L794 (Disc 2 Variant 1)
Mould SID Code: IFPI 3V51 (Disc 2 Variant 1)
Matrix / Runout: 10/16/06 86677-2-D-THREE 09 [DiscUSA logo] (Disc 3 Variant 1)
Mastering SID Code: IFPI L794 (Disc 3 Variant 1)
Mould SID Code: IFPI 2D4G (Disc 3 Variant 1)
Matrix / Runout: 10/16/06 86677-2-D-ONE 09 [DiscUSA logo] (Disc 1 Variant 2)
Mastering SID Code: IFPI L794 (Disc 1 Variant 2)
Mould SID Code: IFPI 3V51 (Disc 1 Variant 2)
Matrix / Runout: 10/17/06 86677-2-D-TWO 10 [DiscUSA logo] (Disc 2 Variant 2)
Mastering SID Code: IFPI L794 (Disc 2 Variant 2)
Mould SID Code: IFPI 2D4G (Disc 2 Variant 2)
Matrix / Runout: 10/17/06 86677-2-D-THREE 10 [DiscUSA logo] (Disc 3 Variant 2)
Mastering SID Code: IFPI L794 (Disc 3 Variant 2)
Mould SID Code: IFPI 2D4G (Disc 3 Variant 2)
Matrix / Runout: 10/12/06 86677-2-D-ONE 08 [DiscUSA logo] (Disc 1 Variant 3)
Mastering SID Code: IFIP L794 (Disc 1 Variant 3)
Mould SID Code: IFPI 2D4G (Disc 1 Variant 3)
Matrix / Runout: 10/17/06 86677-2-D-TWO 11 [DiscUSA logo] (Disc 2 Variant 3)
Mastering SID Code: IFPI L794 (Disc 2 Variant 3)
Mould SID Code: IFPI 3V51 (Disc 2 Variant 3)
Matrix / Runout: 10/3/06 86677-2-D-THREE 05 [DiscUSA logo] (Disc 3 Variant 3)
Mastering SID Code: IFPI L794 (Disc 3 Variant 3)
Mould SID Code: IFPI 2D4G (Disc 3 Variant 3)
Matrix / Runout: 11/04/06 86677-2-D-ONE 10 [DiscUSA logo] (Disc 1 Variant 4)
Mould SID Code: IFPI 2D4G (Disc 1 Variant 4)
Matrix / Runout: 10/17/06 86677-2-D-TWO 10 [DiscUSA logo] (Disc 2 Variant 4)
Mould SID Code: IFPI 3V51 (Disc 2 Variant 4)
Matrix / Runout: 11/02/06 86677-2-D-THREE 12 [DiscUSA logo] (Disc 3 Variant 4)
Mould SID Code: IFPI 2D4G (Disc 3 Variant 4)
Matrix / Runout: 9/18/06 86677-2-D-ONE 01 [DiscUSA logo] (Disc 1 Variant 5)
Mastering SID Code: IFPI L794 (Disc 1 Variant 5)
Mould SID Code: IFPI 3V51 (Disc 1 Variant 5)
Matrix / Runout: 10/17/06 86677-2-D-TWO 10 [DiscUSA logo] (Disc 2 Variant 5)
Mastering SID Code: IFPI L794 (Disc 2 Variant 5)
Mould SID Code: IFPI 2D4G (Disc 2 Variant 5)
Matrix / Runout: 11/16/06 86677-2-D-THREE 10 [DiscUSA logo] (Disc 3 Variant 5)
Mastering SID Code: IFPI L794 (Disc 3 Variant 5)
Mould SID Code: IFPI 3V51 (Disc 3 Variant 5)
Matrix / Runout: 11/17/06 86677-2-D-ONE 12 [DiscUSA logo] (Disc 1 Variant 6)
Mastering SID Code: IFPI L794 (Disc 1 Variant 6)
Mould SID Code: IFPI 2D4G (Disc 1 Variant 6)
Matrix / Runout: 12/14/06 86677-2-D-TWO 09 [DiscUSA logo] (Disc 2 Variant 6)
Mastering SID Code: IFPI L794 (Disc 2 Variant 6)
Mould SID Code: IFPI 3V51 (Disc 2 Variant 6)
Matrix / Runout: 12/1/06 86677-2-D-THREE 16 [DiscUSA logo] (Disc 3 Variant 6)
Mastering SID Code: IFPI L794 (Disc 3 Variant 6)
Mould SID Code: IFPI 3V51 (Disc 3 Variant 6)