2016 CD 
Mass Appeal, Liquid Amber, Hostess Entertainment Unlimited
artwork Paul Insect
design [additional] Will Scott
drum programming [beats], scratches DJ Shadow
liner notes Hashim Bharoocha
management TaP Management
management [business] Tony Peyrot
management [legal] Jamie Young
management [legal] Paul Richards
mastered by [mastering assembly] Bob Macc
producer, programmed by, arranged by DJ Shadow
research [licensing specialist/sample clearance] Rob Sevier
research [licensing specialist/sample clearance] The Numero Group
translated by [lyrics - 歌詞訳] Hashim Bharoocha
written-by Josh Davis
Published By New Futility Music
Published By Definitive Jux Music
Published By Pulse Music (4)
Published By Aniyah's Music
Published By The Royalty Network
Published By Manners McDade Music Publishing
Published By Copyright Control
Published By Michele Publ. Co.
Published By Bleep Bloop Music
Published By G Jones Music
Recorded At Thrum Studio
Recorded At Circuit Studios
Recorded At 80 Hertz Studios
Phonographic Copyright (p) A&M Records Ltd.
Record Company Universal Music Operations Ltd.
Licensed From Universal International Music B.V.
Copyright (c) Reconstruction Productions
Licensed To Mass Appeal Records, LLC
Copyright (c) New Futility Music
Published By Kobalt Songs Music Publishing
Distributed By Hostess Entertainment Unlimited
Made By Hostess Entertainment Unlimited
Issued in a 3-panels cardboard digisleeve, together with a sticker sheet and a stencil. As often, it was also issued with a color printed obi reading DJシャドウ ザ・マウンテン・ウィル・フォール for DJ Shadow The Mountain Will Fall, a short bio is written in Japanese characters on the back of it. The sleeve contains the same booklet to be found together with the US CD version of The Mountain Will Fall, but additionally is to be found a 10 pages extra booklet with an extensive biography written in Japanese, and the lyrics for track 2 in English and Japanese. Price inclusive of all taxes is written as follow: 2,400円＋税. Tracks length not printed on release, retrieved using a computer.
1st cat# is to be found printed on obi's spine, digisleeve's spine and extra Japanese booklet's back. 2nd cat# is only to be found on obi's back.
All tracks published by New Futility Music, ASCAP, except:
2: Definitive Jux Music/Pulse Music, SESAC, Aniyah's Music/Royalty Network, ASCAP
4: Manners McDade
5: Copyright Control
8: Copyright Control, MCPS/PRS
9: Michele Publ. Co., BMI, Bleep Bloop Music, ASCAP, G Jones Music, ASCAP
1 Contains interpolation of Prima Alba by Dario Baldan Bembo ([l90843], 1975).
2: Brass recorded at Thrum Studio, London.
Contains interpolation of Ol' Man River by Caterina Valente ([l1060], 1968).
5: Vocal treatments recorded at Circuit Studios, SF.
Contains a sample of Every Day Is The Weekend by Celly Cel ([l2186] Records, 1998).
8: Live instrumentation recorded at 80 Hertz Studios, Manchester.
9: Contains interpolation of Pitter Patter by The Birdies ([l206967], 1965).
10: Contains interpolation of Color Blind by Ice Cube ([l2715], 1991).
11: This is the most ancient track of this LP as it was initially released on November 4th, 2014 on The Liquid Amber EP.
(P) 2014 A&M Records Ltd. a division of Universal Music Operations Limited. Licensed courtesy of Universal International Music B.V.
13: Bonus track for the Japanese release only, it's otherwise available from iTunes as a digital bonus track.Swerve was also given for free from Shadow's SoundCloud page on December 25th, 2015 as a 320 kbps MP3 file. there's no credits or publishing information given for this track.
Liner notes from the extra Japanese booklet were written on 6/6/2016 in Los Angeles (ロサソゼルス).
For Mass Appeal Records: Amit Nerurkar, Peter Bittenbender
Thanks Jack Dangers @ [l303763] for the use of the Synthi 100.
In standard booklet: © 2016 Reconstruction Productions, Inc., under exclusive license to Mass Appeal Records, LLC.
On disc: © 2016 New Futility Music (ASCAP), all rights worldwide administered exclusively by Kobalt Songs Music Publishing.
Barcode: 4 582214 514475 (Text)
Barcode: 4582214514475 (String)
Matrix / Runout: HSE-5094 -RC01-
Mould SID Code: IFPI 76I2
Mastering SID Code: IFPI LZ49
Rights Society: ASCAP
Rights Society: SESAC
Rights Society: MCPS/PRS
Rights Society: BMI
design [additional] Will Scott
drum programming [beats], scratches DJ Shadow
liner notes Hashim Bharoocha
management TaP Management
management [business] Tony Peyrot
management [legal] Jamie Young
management [legal] Paul Richards
mastered by [mastering assembly] Bob Macc
producer, programmed by, arranged by DJ Shadow
research [licensing specialist/sample clearance] Rob Sevier
research [licensing specialist/sample clearance] The Numero Group
translated by [lyrics - 歌詞訳] Hashim Bharoocha
written-by Josh Davis
Published By New Futility Music
Published By Definitive Jux Music
Published By Pulse Music (4)
Published By Aniyah's Music
Published By The Royalty Network
Published By Manners McDade Music Publishing
Published By Copyright Control
Published By Michele Publ. Co.
Published By Bleep Bloop Music
Published By G Jones Music
Recorded At Thrum Studio
Recorded At Circuit Studios
Recorded At 80 Hertz Studios
Phonographic Copyright (p) A&M Records Ltd.
Record Company Universal Music Operations Ltd.
Licensed From Universal International Music B.V.
Copyright (c) Reconstruction Productions
Licensed To Mass Appeal Records, LLC
Copyright (c) New Futility Music
Published By Kobalt Songs Music Publishing
Distributed By Hostess Entertainment Unlimited
Made By Hostess Entertainment Unlimited
Issued in a 3-panels cardboard digisleeve, together with a sticker sheet and a stencil. As often, it was also issued with a color printed obi reading DJシャドウ ザ・マウンテン・ウィル・フォール for DJ Shadow The Mountain Will Fall, a short bio is written in Japanese characters on the back of it. The sleeve contains the same booklet to be found together with the US CD version of The Mountain Will Fall, but additionally is to be found a 10 pages extra booklet with an extensive biography written in Japanese, and the lyrics for track 2 in English and Japanese. Price inclusive of all taxes is written as follow: 2,400円＋税. Tracks length not printed on release, retrieved using a computer.
1st cat# is to be found printed on obi's spine, digisleeve's spine and extra Japanese booklet's back. 2nd cat# is only to be found on obi's back.
All tracks published by New Futility Music, ASCAP, except:
2: Definitive Jux Music/Pulse Music, SESAC, Aniyah's Music/Royalty Network, ASCAP
4: Manners McDade
5: Copyright Control
8: Copyright Control, MCPS/PRS
9: Michele Publ. Co., BMI, Bleep Bloop Music, ASCAP, G Jones Music, ASCAP
1 Contains interpolation of Prima Alba by Dario Baldan Bembo ([l90843], 1975).
2: Brass recorded at Thrum Studio, London.
Contains interpolation of Ol' Man River by Caterina Valente ([l1060], 1968).
5: Vocal treatments recorded at Circuit Studios, SF.
Contains a sample of Every Day Is The Weekend by Celly Cel ([l2186] Records, 1998).
8: Live instrumentation recorded at 80 Hertz Studios, Manchester.
9: Contains interpolation of Pitter Patter by The Birdies ([l206967], 1965).
10: Contains interpolation of Color Blind by Ice Cube ([l2715], 1991).
11: This is the most ancient track of this LP as it was initially released on November 4th, 2014 on The Liquid Amber EP.
(P) 2014 A&M Records Ltd. a division of Universal Music Operations Limited. Licensed courtesy of Universal International Music B.V.
13: Bonus track for the Japanese release only, it's otherwise available from iTunes as a digital bonus track.Swerve was also given for free from Shadow's SoundCloud page on December 25th, 2015 as a 320 kbps MP3 file. there's no credits or publishing information given for this track.
Liner notes from the extra Japanese booklet were written on 6/6/2016 in Los Angeles (ロサソゼルス).
For Mass Appeal Records: Amit Nerurkar, Peter Bittenbender
Thanks Jack Dangers @ [l303763] for the use of the Synthi 100.
In standard booklet: © 2016 Reconstruction Productions, Inc., under exclusive license to Mass Appeal Records, LLC.
On disc: © 2016 New Futility Music (ASCAP), all rights worldwide administered exclusively by Kobalt Songs Music Publishing.
Barcode: 4 582214 514475 (Text)
Barcode: 4582214514475 (String)
Matrix / Runout: HSE-5094 -RC01-
Mould SID Code: IFPI 76I2
Mastering SID Code: IFPI LZ49
Rights Society: ASCAP
Rights Society: SESAC
Rights Society: MCPS/PRS
Rights Society: BMI