• Chanson du Toreador recorded April 8, 1929 (CVE-51117- 4 or CVE-51117- 5). Recorded at Liederkranz Hall, New York. Instrumentation: Takes 1-3: 5 first violins, 4 second violins, 2 violas, 2 cellos, bass, 2 flutes, 2 oboes, 2 bassoons, 2 clarinets, 4 French horns, 2 trumpets, 3 trombones, tuba, and traps. Takes 4 and 5: 5 first violins, 4 second violins, 2 violas, 2 cellos, bass, 2 flutes, 2 oboes, 2 bassoons, 2 clarinets, 2 French horns, 2 trumpets, 3 trombones, and tuba. (Victor ledgers for 4/3/1929 show composition of chorus as 14 first sopranos, 9 first altos, and 10 contraltos, 12 first tenors, 6 second tenors, 8 first basses, and 8 second basses. Ledgers also note: All women dismissed except L.M. Belleri and F. Cingolani, who sing in this sel[ection]. Victor ledgers for 4/8/1929 show composition of chorus as 14 sopranos, 6 second sopranos, 9 contraltos, 10 first tenors, 7 second tenors, 9 baritones, and 11 basses. Ledgers also note: Entire male chorus and 2 women sing in this selection. Instrumentation for unissued takes is not listed and may differ in part from that for the issued take. Bolig notes that take 5 is a dubbing of take 4.)
• Te Deum recorded April 3, 1929 (CVE-51116- 2) or April 10, 1929 (CVE-51116- 4). Recorded at Liederkranz Hall, New York. Instrumentation: 5 first violins, 4 second violins, 2 violas, 2 cellos, bass, 2 flutes, 2 oboes, 2 bassoons, 2 clarinets, 4 French horns, 2 trumpets, 3 trombones, tuba, organ, and traps. (Instrumentation for unissued takes is not listed and may differ in part from that for the issued take. Victor ledgers for 4/10/1929 show composition of chorus as 14 sopranos, 9 second sopranos, 9 contraltos, 11 first tenors, 7 second tenors, 7 baritones, and 10 basses. Victor ledgers for 4/3/1929 show composition of chorus as 14 first sopranos, 9 first altos, and 10 contraltos, 12 first tenors, 6 second tenors, 8 first basses, and 8 second basses. Victor 8124 issued from take 4 observed by DAHR user.)